Patria (serial)

Patria
	Advertisement (1917)
Directed by	Leopold Wharton (chapters 1-10); Theodore Wharton (chapters 1-10); Jacques Jaccard (chapters 11-15)
Produced by	Leopold Wharton; Theodore Wharton; William Randolph Hearst
Written by	J.B. Clymer; Charles W. Goddard; Louis Joseph Vance
Starring	Irene Castle; Milton Sills; Warner Oland
Cinematography	Levi Bacon; John K. Holbrook; Ray June; Lew Tree
Production; company	International Film Service
Distributed by	Pathé Exchange
Release date	January 14, 1917;
Running time	310 minutes
Country	United States
Language	English
Budget	$90,000 approx.

Patria (pronounced PAY-tree-uh, as in patriot) is a 1917 15-chapter American serial film starring Irene Castle, Milton Sills, and Warner Oland, based on the novel The Last of the Fighting Channings by Louis Joseph Vance. Patria was an independent film serial funded by William Randolph Hearst in the lead-up to the United States' entry into World War I. The film in its original form contained anti-Japanese propaganda and was investigated by a Senate committee. The Argentine title for the film was La Heroina de Nueva York.

Irene Castle in Patria

Plot

Spies from Japan conspire to steal the Channing "preparedness" fortune and invade the United States, beginning in New York, then allying themselves with Mexicans across the border. They are stopped by the efforts of munitions factory heiress Patria Channing and U.S. Secret Service agent Donald Parr.

Cast

Irene Castle as Patria Channing, the heroine of the serial (billed as "Mrs Vernon Castle"), and a lookalike dancer in Episode 4 named Elaine
Milton Sills as Captain Donald Parr
Warner Oland as Baron Huroki, the villain
Dorothy Green as Fanny Adair
George Majeroni as Senor Juan de Lima
Wallace Beery as Pancho Villa
M.W. Rale as Kato
Allan Murnane as Rodney Wrenn
F.W. Stewart as Edouard
Leroy Baker
Floyd Buckley
Nigel Barrie
Charles Brinley
George Lessey
Rudolph Valentino

Production

Patria was financed with "about" $90,000 from William Randolph Hearst. The plot implied that the United States might soon be at war with Japan, despite Japan being an ally of the United States at the time. The original plot involved a Japanese spy ring operating in the United States and seeking gold and munitions. President Woodrow Wilson asked Hearst to modify the serial and remove anti-Japanese material. As a result, Warner Oland's character name in title cards was changed to "Manuel Morales," and the character was shown more frequently dressed in a suit, though the Japanese characters retained their kimonos in early episodes. The action was also moved across the border to Mexico beginning in Episode 11, though as is sometimes erroneously stated, Pancho Villa did not appear in the film, Baron Huroki and a new character, General Nogi, continued on as adversaries to Patria and Captain Parr until Huroki's defeat and suicide in Episode 15.

The serial was based on the novel The Last of the Fighting Channings by Louis Joseph Vance.[1]

Jacques Jaccard directed scenes in California while Leopold Wharton and Theodore Wharton directed from Ithaca, New York.[1]

Following the serial's release Edgar Wallace was commissioned to write a 15-part "novel" for The News of the World newspaper, which published the first weekly instalment on 9 December 1917.

Senate hearing

The production was investigated by a Senate committee as German propaganda after World War I. A German propagandist, whose articles had appeared in Hearst newspapers, had written a letter to Franz von Papen explaining the scheme to use a motion picture to deprecate Japan. Captain G. C. Lester of US Military Intelligence, testified that "Patria exploited the very idea which was set forth generally in (the propagandist) Fox's statement."[2]

gollark: There really is a Nobody, and these people are using it, but it is just a part of the system they use. Nobody is the kernel: the program in the system that allocates the machine's resources to the other programs that you run. The kernel is an essential part of an operating system, but useless by itself; it can only function in the context of a complete operating system. Nobody is normally used in combination with the GNU operating system: the whole system is basically GNU with Nobody added, or GNU/Nobody. All the so-called "Nobody" distributions are really distributions of GNU/Nobody.

gollark: Many computer users run a modified version of the GNU system every day, without realizing it. Through a peculiar turn of events, the version of GNU which is widely used today is often called "Nobody", and many of its users are not aware that it is basically the GNU system, developed by the GNU Project.

gollark: I'd just like to interject for a moment. What you're referring to as Nobody, is in fact, GNU/Nobody, or as I've recently taken to calling it, GNU plus Nobody. Nobody is not an operating system unto itself, but rather another free component of a fully functioning GNU system made useful by the GNU corelibs, shell utilities and vital system components comprising a full OS as defined by POSIX.

gollark: SCP. Three. One. Two. Five.

gollark: Again, it was *SCP-3125*, Nobody.

References

"Patria (1916)". Silent Era: The Progressive Silent Film List. Retrieved 2008-10-13.
Stedman, Raymond William (1971). "2. The Perils of Success". Serials: Suspense and Drama By Installment. University of Oklahoma Press. p. 40. ISBN 978-0-8061-0927-5.

External links

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[silentera-1] "Patria (1916)". Silent Era: The Progressive Silent Film List. Retrieved 2008-10-13.

[stedman-2] Stedman, Raymond William (1971). "2. The Perils of Success". Serials: Suspense and Drama By Installment. University of Oklahoma Press. p. 40. ISBN 978-0-8061-0927-5.