Pál Frenák

Pál Frenák (Budapest, May 4, 1957 - ) is a Hungarian dancer, director and choreographer.  His aesthetic is influenced by sign language, architecture, cinema, Butoh, and by the work of French philosopher, Gilles Deleuze.  His company was founded at the height of European Post-Dramatic Theater,[1] and came to the fore during Hungary’s transition from communism.

Frenák has received many awards, prizes, and grants, and his life has been the subject of many books, including Péter Márta's Frenak (2009).[2]

Studies

In the seventies he studied classical ballet, folk, and modern dance in Budapest, with Endre Jeszenszky considered as his master. In 1982, Frenák immigrated to Paris and studied ballet, Cunningham and Limon techniques, and contemporary dance with Gilber Mayer, Germaine Silva, Janine Charrat, Francois Dupuy, Karine Wener, J.C. Ramsayer, and Peter Goss.

Career

In 1989 he established Compagnie Pál Frenák, working as a choreographer at the International Visuel Théatre (Theatre of the Deaf) and at the Théatre de Chatillon. In 1990, he returned to Hungary to teach contemporary dance, but he continued maintaining his work in France in developing a movement therapy program for physically challenged and autistic children at the Amiens University Hospital. He obtained his diploma from IFEDEM, Paris, for teaching classical ballet and contemporary dance. From 1993 to 1998 he toured in France, Romania, Russia, the Baltic States, and Israel. In 1998, after he received the Choreographer's Prize from Villa Kujoyama Artist's Retreat in Kyoto, he spent 6 months in Japan. In 1999, Compagnie Pal Frenak celebrated its 10th anniversary, and the company established two headquarters in both Paris and Budapest. Since 2000, Frenák has won numerous awards and prizes, such as the Order of Merit, Knights Cross from the Hungarian Cultural Minister.

Creations
  • Titkos lelkek (1991)
  • Tér/Terre (1992)
  • Gördeszkák/Les Palets (1994)
  • Sainte Rita (1996)
  • Vadócok/Sauvageries (1998)
  • Out of the Cage (1999)
  • Tricks & Tracks (1999)
  • Ito és Szajuri (2000)
  • MenNonNo (2000)
  • Festen/Lakoma (2001)
  • KáOsz (2002)
  • Blue Spring (2003)
  • Fiúk/Les hommes caches (2004)
  • Csajok (Credo Hysterica) (2004)
  • Trace I. (2005)
  • Frisson (Apokalipszis) (2005)
  • MILAN (2006)
  • Tra-ce II. (2007)
  • Instinct (2007)
  • InTimE (2008)
  • Twins (2009)
  • Seven (2009)
  • k.Rush (2010)
  • Wings (2010)
  • Hymen (2012)
  • X&Y (2013)
  • Tricks & Tracks 2. (2014)
  • Birdie (2015)
  • fa_UN (2016)
  • Lutte (2016)
  • Woodenprince (2017)
  • HIR-O (2017)
  • W_all (2018)
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References
  1. Lehmann, Hans-Thies (1999). Postdramatisches Theater. Frankfurt am Main: Verlag der Autoren. ISBN 3-88661-209-0.
  2. Márta, Péter (2009). FRENAK. Budapest, Hungary: The Foundation for Contemporary Dance and Sign Language Theatre. ISBN 9789630684026.
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