Otto Nückel

Otto Nückel (Cologne, 6 September 1888 – Cologne, 12 November 1955) was a German painter, graphic designer, illustrator and cartoonist. He is best known as one of the 20th century's pioneer wordless novelists, along with Frans Masereel and Lynd Ward.

1920 self-portrait

Life

Nückel, who had exhibited skill as an artist in his childhood, was dropped out of medical school in Freiburg im Breisgau and moved to Munich where he resided for the remainder of his life. There he developed his skill in drawing and painting, joining the artists' association, the Munich Sezession, and developing an interest in relief printing. Because of the scarcity of wood, Nückel made engravings for relief prints on lead plates. A pioneer in lead engraving, Nückel developed an accomplished mastery of this medium, distinguished by ample use of the multiple-line tool. He illustrated works by Thomas Mann, E. T. A. Hoffmann and others before garnering considerable attention with his own publication Destiny: A story in pictures (Schicksal. Eine Geschicte in Bildern. Munich: Delphin Verlag, 1930). This wordless novel highlights the life and suffering of a female protagonist as a vehicle for a dark social critique. Much of Nückel's work favors dark comedy, profound irony and an often scathing sarcasm.

Nückel's series of "Studio Visits" (Atelierbesuche) to studios from Ensor to Bosch were famous. Nückel earned his living as an illustrator and cartoonist. He was a contributor to the satirical magazines Simplicissimus and Simpl, fantasy magazine Der Orchideengarten, [1] and to children's periodical Ping-Pong.

New editions of Destiny have been published in the US by Dover and in France under the title 'Destin' in 2005 (Éditions IMHO, Paris).

Work

As illustrator

Nückel provided illustrations for these books, among others:

  • A. M. Frey, Solneman der Unsichtbare (woodcuts), Delphin Verlag, München, 1914
  • A. M. Frey, Spuk des Alltags (woodcuts), Delphin Verlag, München, 1920
  • Thomas Mann, Der kleine Herr Friedemann (woodcuts), Phantasus-Verlag, München, 1920
  • Clemens Brentano, Das Märchen vom Schulmeister Klopfstock (wood engravings), Freitag-Verlag, München. 1947
  • Stefan Andres, Vom heiligen Pfäfflein Domenico (wood engravings), Paul List Verlag, München, 1966

As author/illustrator
  • Otto Nückel. Eine Würdigung von Willy Seidel. München 1930

Exhibitions
  • Lenbachhaus, München 1956
  • Berufsverband bildender Künstler, München 1965
  • EP Galerie, Düsseldorf 2005
gollark: Wouldn't that be an AS-level?
gollark: > [be]cause why notWell, because of the... several hours a week of extra work.
gollark: Further Maths + Maths is, apparently, only an A-level and 3 quarters in terms of workload, so that's less bad.
gollark: I'm doing four (Maths, Further Maths, Physics and Computer Science) and that's kind of stretching it as I will be quite lacking in free periods compared to those doing three and some of the complementary studies options.
gollark: So how are you meant to do *five*? Is there even time for that?

References
  1. Sennewald, Adolf. Deutsche Buchillustratoren im ersten Drittel des 20. Jahrhunderts. Otto Harrassowitz Verlag, 1999, ISBN 3447042281 (pp. 138-140)
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