Ori Gersht

Ori Gersht (born 1967) is an Israeli fine art photographer. He is a professor of photography at the University for the Creative Arts in Rochester, Kent, England.[1]

Ori Gersht
Born1967
Tel Aviv, Israel
NationalityBritish Israeli
Known forphotography

Biography

Ori Gersht was born in Tel Aviv. He graduated in Photography, Film and Video from University of Westminster, London and studied for an M.A. in Photography from the Royal College of Art, London.

Art career

Gersht has exhibited widely in museums and galleries since the early 1990s. He is represented by Angles Gallery in Los Angeles, CRG Gallery in New York, Ben Brown Fine Arts in London, and Noga Gallery in Tel Aviv. In 2012, Gersht's show History Repeating was mounted at the Museum of Fine Arts, Boston.[2]

Artistic themes

Gersht engages the themes of life, death, violence, and beauty. His photographs and films transcribe images of sites of historical significance—the Judean Desert, Sarajevo, Auschwitz, the Galicia region of Ukraine, the Lister Route in the Pyrenees (on which Walter Benjamin made his ill-fated exodus from Nazi-occupied France)—into ciphers of psychological disruption. Such scenes may not seem out of the ordinary unto themselves, but, through the artist’s focused attention and treatment they evoke the emotional resonance of what has transpired—most often, violence, and, more significantly, the ghosts of war’s most egregious detritus, its refugees. Pervasive in Gersht’s work is the landscape, as a place, an idea, and an art historical trope. His films and photographs may be compared to paintings in their display—from their unhindered access (no Plexiglas separates their surfaces from the viewer) to the frames surrounding the monitors on which the films often play. Moreover, the vistas and horizons of, for instance, "Between Places" (1998–2000), "White Noise" (1999–2000), "The Clearing/Liquidation" (2005), and "Evaders" (2009), recall Romantic depictions of the sublime. They conjure precedents in both photography, such as the vistas of Andreas Gursky and the landscapes of the American South by Sally Mann, and painting, by J.M.W. Turner, Caspar David Friedrich, and even Mark Rothko.

In his still life series Gersht investigated the relationships between photography, technology and optical perception, at a pivotal moment in the history of photography where digital technology both threatens a crisis and promises a breakthrough. Research into the early history of the medium of photography is brought together with theoretical discourse, creating, still image and films that (literally) explode the genre of still life, the beautiful and destructive results captured using cutting-edge technology. In "Pomegranate", a film that references Juan Sanchez Cotan’s 17th-century still life and Harold Edgerton’s stroboscopic photography, a high velocity bullet flies across the frame in slow motion and obliterates a suspended pomegranate fruit, bursting it open and wheeling it slowly into the air like a smashed violated mouth spraying seeds. A peaceful image is transformed into bloodshed, and a dialogue is established between stillness and motion, peace and violence.

Gersht’s photographs and films provide a meditation on life, loss, destiny and chance. Allusions to the catastrophic violence of the French Revolution, the Spanish Civil War, the bombing of Hiroshima, and the suicide bombs that Gersht anticipated during his childhood in Israel can all be found in this work. As such, it reminds us of our past, present, and future, and, above all, the fragility of life itself.

Awards and recognitions
  • 1990 South Bank Photo Show, London
  • 1993 Department of Transport Art Competition, London
  • 1997 Residency at Whitefield School, Barnet
  • 2000 The Constantiner Photographer Award for an Israeli Artist, Tel Aviv Museum of Art, Tel Aviv
  • 2002 Consultant to the Architectural Development Planning of the South London Gallery
  • 2004 First Prize winner, Onfuri International, Tirana, Albania

Solo Exhibitions

Group exhibitions
  • 2012 - Seduced by Art, National Gallery, London
  • 2011 - Evaders & Falling Bird, Tel Aviv Museum of Art, Israel
  • 2011 - When a Painting Moves… Something Must be Rotten, The Stenersen Museum, Oslo, Norway
  • 2011 - Eating Art, La Pedrera/Casa Milà, Barcelona, Spain
  • 2010 - Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, New York, USA
  • 2010 - Still / Moving, The Israel Museum, Jerusalem
  • 2010 - Beijing International Art Biennale 2010, National At Museum, Beijing, China
  • 2010 - Atlantis II, Rohkunstbau, Berlin, Germany
  • 2010 - Paysage, Musée d’Art, Toulon, France
  • 2009 - Hugging and Wrestling: Contemporary Israeli Photography and Video, Museum of Contemporary Art Cleveland, USA
  • 2009 - Flower Power, Villa Giulia – Centro Ricerca Arte Attuale, Turin,Italy
  • 2009 - Cuando una pintura se mueve... algo debe estar podrido!, Museo de Arte de Puerto Rico, San Juan, Puerto Rico
  • 2008 - Pomegranate: The Jewish Museum, New York, USA
  • 2008 - Mutation II, Paris, Kulturprojekte, Berlin, Fotofo, Bratislave, Vladmir Und Estragon, Vienna, Association Café Crème, Luxembourg, Musee de la Photographie, Moscou, Zone Attive, Rome
  • 2007 - Video Killed the Painting Star, Museum of Salamanca, Spain
  • 2007 - In Focus: Living History, Tate Modern, London
  • 2007 - Single Shot, Tate Britain, London
  • 2007 - 1st Architecture, Art and Landscape Biennial of the Canaries, Canary Islands, Spain
  • 2006 - Inside-Out: Contemporary Artists from Israel, Museum MARCO, Vigo, Spain
  • 2006 - Forest Primeval, MOCA (GA), Atlanta, USA
  • 2006 - Twillight: Photography in the Magic Hour, Victoria and Albert Museum, London
  • 2005 - Dreams and Trauma, Haus der Kulturen der Welt, Berlin, Germany
  • 2003 - One Ground, California Museum of Photography, Riverside, USA
  • 2002 - Reality Check: Recent Developments in British Photography and Video, curated by Kate Bush and Brett Rogers, Galerie Rudolfinum, Prague, Czech Republic
  • 2002 - Non-Places, Frankfurter Kunstverein, Frankfurt am Main, Germany
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See also

References
  1. Ori Gersht, UCA
  2. Beauty, Tender and Fleeting, Amid History’s Ire
  3. "War blossoms into art: Ori Gersht at the Imperial War Museum – in pictures". The Guardian. 24 January 2012. Retrieved 21 May 2012.

Further reading
  • Al Miner, Yoav Rinon, Ronni Baer, Ori Gersht: History Repeating, Museum of Fine Arts, Boston, 2012, ISBN 0878467793
  • Carol Armstrong, Julie Joyce, Michele Robecchi, Ori Gersht: Lost in Time, Santa Barbara Museum of Art, 2011, ISBN 0899511120
  • Jeremy Millar, Ori Gersht: The Clearing, London, Film and Video Umbrella, 2005, ISBN 1904270212
  • Inigo Asis, Tracey Ferguson, Nicola Schwartz, Ori Gersht: Day by Day, London, Pocko Editions, 2002, ISBN 1903977061
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