Orchidea De Santis

Orchidea De Santis (born 20 December 1948, Bari) is an Italian television and film actress.

Orchidea De Santis
Born (1948-12-20) 20 December 1948
Other namesOrchidea De Sanctis
Websitehttp://www.orchideadesantis.it

Biography

Orchidea De Santis is an Italian actress in cinema, theatre and television. Her films include Il Vizio di Famiglia directed by Mariano Laurenti, Per Amare Ofelia by Flavio Mogherini, Concerto per Pistola Solista by Michele Lupo, Colpo di Stato by Luciano Salce (1969) and Paolo il caldo by Marco Vicario (1973). She appeared briefly in Il Nero by Giovanni Vento (1965) and Una Macchia Rosa by Enzo Muzii (1970). Since the mid-1980s, her film work has declined in favor of other activities.

Her theater work includes comedies such as Morto un Papa se ne fa un Altro, Strega Roma and Chicchignola written by Ettore Petrolini, all of which were directed by Ghigo De Chiara and Fiorenzo Fiorentini.

De Santis appeared in Sottoveste by Castellacci e Ventimiglia and Love and Life by Mike Immordino. She wrote and acted in La Bambola Orchidea featuring the music of maestro Aldo Saitto, as well as Chicchignola with Mario Scaccia, and La cicogna si diverte by Carlo Alighero.

For the RAI radio, De Santis appeared in many roles, mainly in the serials Barocco a Roma and Racconto Italiano which were broadcast in the late 1970s. In the 1989 she began working in the international broadcasting department where she produced Notturno Italiano, AZ per gli Italiani all'Estero, Italia Canta, Itinerari Italiani, Facile Ascolto.

She was producer of the radio show L'Arca di Noè, and 13 episodes of Ciak si esegue. She also developed and produced a program about animals called L'Anello di Re Salomone. She is currently the director of, Due di Notte.

Her television work includes Roosvelt (Rai Tre 1986), Maga Circe and Lucrezia Borgia (Rai Uno 1987) and Il caso Redoli, a TV series: The Great Trials (Rai Uno 1996).

Outside of cinema and theater, she worked with the city government of Rome, organizing a review of 1970s Italian cinema called Italia (de)Genere.

Selected filmography

gollark: You could actually check if your society was running a sophont, though. And run it on other computers.
gollark: Maximal laziness would be "no time travel ever".
gollark: You have to do something ridiculous like brute-force all universes/timelines consistent with your specs.
gollark: This is kind of tricky to reason about since obviously time travel breaks causality, which means we can't really ask "given some universe state, what happens next", but still.
gollark: Sophonts are defined as nondeterministic in some way, right? Presumably you could, though, force them to make a particular decision by making it the only consistent one. Or does the universe just proactively not allow that kind of situation?
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