One-act play
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. In recent years, the 10-minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. The origin of the one-act play may be traced to the very beginning of drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example.[1]
One-act plays by major dramatists
- Edward Albee – The Goat, or Who Is Sylvia? (2002)
- Samuel Beckett – Krapp's Last Tape (1958)
- Anton Chekhov – A Marriage Proposal (1890)
- Joseph Heller – Clevinger's Trial (1973)
- Israel Horovitz – Line (1974)
- Eugène Ionesco – The Bald Soprano (1950)
- Arthur Miller – A Memory of Two Mondays (1955)
- August Strindberg – Pariah (1889), Motherly Love (1892), and The First Warning (1892)
- Thornton Wilder – The Long Christmas Dinner (1931)
- Cormac McCarthy – The Sunset Limited (2006)
gollark: With the mRNA/viral vector vaccines, it would be pretty easy to swap out the spike protein for delta-variant ones and probably get better immunity to it, right? Is anyone doing this? It seems like a very obvious idea.
gollark: This "gematria" thing reminds me of that excellent excessively pun-heavy bible fanfiction I read but not funny.
gollark: Like the xkcd about playing conspiracy theories off against each other?
gollark: I think that's right.
gollark: I think it's a bad pun.
References
- Francis M. Dunn. Tragedy's End: Closure and Innovation in Euripidean Drama. Oxford University Press (1996).
Sources
- Murray, Stephen. Taking Our Amusements Seriously. LAP, 2010. ISBN 978-3-8383-7608-0.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.