On Beauty

On Beauty is a 2005 novel by British author Zadie Smith, loosely based on Howards End by E.M. Forster. The story follows the lives of a mixed-race British/American family living in the United States, addresses ethnic and cultural differences in both the USA and the UK, as well as the nature of beauty, and the clash between liberal and conservative academic values. It takes its title from an essay by Elaine Scarry—"On Beauty and Being Just". The Observer described the novel as a "transatlantic comic saga".[1]

For the 2014 short film, see On Beauty (film).
On Beauty
First UK edition cover
AuthorZadie Smith
CountryUnited Kingdom
LanguageEnglish
GenreNovel
PublisherHamish Hamilton, London
Publication date
2005
Media typePrint (Hardcover and Paperback)
Pages446 pp
ISBN0-241-14293-8
OCLC61855450
829.914 22
LC ClassPR6069.M59 O5 2005b

The novel was shortlisted for the 2005 Man Booker Prize on 8 September 2005. Smith won the Anisfield-Wolf Book Award [2] for fiction and Orange Prize for Fiction in June 2006.[3]

Plot summary

On Beauty centres on the story of two families and their different yet increasingly intertwined lives. The Belsey family consists of university professor Howard, a white Englishman; his African-American wife Kiki; and their children, Jerome, Zora and Levi. They live in the fictional university town of Wellington, outside Boston. Howard's professional nemesis is Monty Kipps, a Trinidadian living in Britain with his wife Carlene and children Victoria and Michael.

The Belsey family has always defined itself as liberal and atheist, and Howard in particular is furious when his son Jerome, lately a born-again Christian, goes to work as an intern with the ultra-conservative Christian Kipps family over his summer holidays. After a failed affair with Victoria Kipps, Jerome returns home. However, the families are again brought closer nine months later when the Kippses move to Wellington, and Monty begins work at the university.

Carlene and Kiki become friends despite the tensions between their families. The rivalry between Monty and Howard increases as Monty challenges the liberal attitudes of the university on issues such as affirmative action. His academic success also highlights Howard's inadequacies and failure to publish a long-awaited book. Meanwhile, the Belsey family is facing problems of its own as they deal with the fallout of Howard's affair with his colleague and family friend Claire.

Zora and Levi become friends with Carl, an African-American man of a poorer background than their own middle-class standing. Zora uses him as a poster-child for her campaign to allow talented non-students to attend university classes. For Levi, Carl is a source of identity, as a member of a more "authentic" black culture than Levi considers his own background to be.

Inspiration

The book is loosely based on Howards End by E. M. Forster; Smith has called it an "homage". Among the parallels are the opening sections (Howards End begins with letters from Helen to her sister, On Beauty with emails from Jerome to his father); the bequeathing of a valuable item to a member of the other family (the Wilcox house Howards End is left by Ruth Wilcox to Margaret Schlegel; Carlene leaves Kiki a painting); and, more broadly, the idea of two families with very different ideas and values gradually becoming linked.

The setting of much of the novel, the fictitious Wellington College and surrounding community, contains many close parallels to the real Harvard University and Cambridge, Massachusetts. Smith wrote part of the novel as a fellow at Harvard's Radcliffe Institute.

Smith gives herself a very brief Hitchcock-style cameo in the novel: the narrator (or, indirectly, Howard) describes her as a "feckless novelist", a visiting fellow of the fictional Wellington faculty (as Smith was of Harvard's) who is quick to abandon a tedious meeting.

The failed final lecture that concludes the novel is loosely based on an infamous job talk given by former Harvard professor Leland de la Durantaye for the Harvard English Department on Lolita.

gollark: That's not entirely true. If we force everyone to use a strongly typed language for interaction, we could enforce MANY invariants.
gollark: That would effectively be the case *anyway*.
gollark: They definitely do. Rules should be predictable and consistent.
gollark: #10 is of course fairly beeoidal, as ever, but you don't actually care about my opinion on it.
gollark: I would hope you don't actually combine the no-english with the claimed stricter enforcement, given that people like discussing Toki Pona and such.

See also

References
  1. Stephanie Merritt, "Turn over a new leaf", The Observer, 2 January 2005.
  2. "Anisfield-Wolf Book Awards - The 82nd Annual". Anisfield-Wolf Book Awards - The 82nd Annual. Retrieved 11 November 2017.
  3. "Zadie Smith Wins Orange Prize" Archived 2006-11-19 at the Wayback Machine. Article at The Book Standard
Awards
Preceded by
Lionel Shriver – We Need to Talk About Kevin		 Orange Prize for Fiction
2006		 Succeeded by
Chimamanda Ngozi Adichie – Half of a Yellow Sun
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