Olaf Bär
Life
Bär received his musical training in his home city of Dresden, studying at the city's Hochschule für Musik. His career has concentrated on lieder and on the lyric baritone roles of the operatic repertoire. Many of his early lieder performances were accompanied by Geoffrey Parsons.
His operatic debut was in 1981 in Dresden and he was a member of that city's opera company (Semperoper) from 1985 to 1991. His voice has been compared favorably with that of Dietrich Fischer-Dieskau.[1]
Selected recorded repertoire
- Bach: Cantatas with Peter Schreier and the Scottish Chamber Orchestra (EMI, 1991)
- Brahms: A German Requiem (EMI, 1992)
- Duruflé: Requiem (EMI, 1988)
- Fauré: Requiem (EMI, 1988)
- Mahler (arr. Schoenberg): Lieder eines fahrenden Gesellen with Linos Ensemble (Capriccio, 1999)
- Mozart: The Magic Flute (Papageno) with Neville Marriner (Philips, 1989)
- Mozart: The Magic Flute (Sprecher) with Roger Norrington and the London Classical Players (EMI, 1990)
- Schubert: Winterreise (EMI, 1988)
- Schumann: Lieder (EMI, 1985, 1989, 1996, 1997)
- Wagner: Tristan und Isolde (Kurwenal) with the Royal Opera House Chorus, Covent Garden; the Royal Opera House Orchestra, Covent Garden; Antonio Pappano (EMI, 2004/05)
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gollark: Unlike Terra I do actually like coming up with things, but mostly just use CC to shove into systems as a nice general-purpose tool.
gollark: Some people probably just don't want to meddle with trying to wrangle turtles into actually digging things properly.
gollark: They're very general-purpose, but bad at things.
gollark: I think it's more that CC turtles are just not good for many automation tasks.
External links
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