Oil Sands Karaoke

Oil Sands Karaoke is a 2013 feature documentary film directed by Charles Wilkinson. The film follows five people working in or around the infamous Athabasca oil sands of Northern Alberta as they compete in a karaoke contest held at local watering hole Bailey's Pub. The film was produced by Wilkinson and Tina Schliessler, and executive produced by Kevin Eastwood and Knowledge Network's Murray Battle.

Oil Sands Karaoke
Poster
Directed byCharles Wilkinson
Produced byTina Schliessler
Charles Wilkinson
Kevin Eastwood
Murray Battle
Music byVarious
CinematographyCharles Wilkinson
Edited byTina Schliessler
Charles Wilkinson
Production
company
Shore Films Inc.
Distributed byIndiecan Entertainment
Knowledge Network
Release date
  • April 26, 2013 (2013-04-26) (Hot Docs)
Running time
82 minutes
CountryCanada
LanguageEnglish

Summary

Oil Sands Karaoke focuses on the people who live and work around Alberta's oil sands project, whose voices are rarely heard in the debates about the economic value and environmental cost of the project.

As the five featured workers progress through the stages of the karaoke contest, singing pop favourites from Creedence Clearwater Revival to Britney Spears, they explain through interviews how and why they came to work in the oil industry, and how it has impacted their lives. Some are dismissive of the opinions of "environmentalists". Others say they are aware of the destructive impact that the oil industry has on the environment, but without the lucrative salaries available from the oil companies, their debts and financial obligations would be too much to bear. All feel that singing helps relieve the stress of long hours working heavy equipment, or the loneliness of living in a remote industrial town.

Director Wilkinson believes the vicious tone of the debate over the oil sands has precluded any meaningful discussion. "There's so much shouting that we don't talk," he says. "...there are human beings involved. We need to talk about this stuff, but we should maybe try to be a bit more polite with each other."[1]

Dan Debrabandre works as a haul truck driver. The mining truck that he drives, a Caterpillar 797, is one of the biggest motorized vehicles ever invented and can hold up to 500 tons of bitumen-laced dirt. Prior to working in the oil sands, Dan pursued a career as a country singer, but family and financial obligations made him give up on his recording dreams. Dan says he is grateful for all the financial and emotional support his friends and family gave him while he worked on his music, and part of the reason he works a lucrative oil sands job is to pay them back.

Brandy Willier is another haul truck operator from idyllic High Prairie, Alberta. When Brandy was young, she lived on a first nations reserve with her parents, developing a love of singing from listening to her father play guitar. However, Brandy's father died when she was only seven which began a long period of struggle and instability for her and her mother. She credits her truck driving job with giving her life stability, although she finds Fort McMurray to be a lonely place.

Massey Whiteknife is a First Nations entrepreneur who owns the multimillion-dollar ICEIS group of companies in Alberta. Iceis Rain is Massey's alter-ego, a drag queen in thigh-high boots who belts out a memorable cover of "Purple Rain". Iceis came to life as part of Massey's recovery from dissociative post-traumatic stress disorder, which he suffered due to violence and abuse in his childhood and teens. Massey believes he was the first gay man to come out in blue-collar Fort McMurray, and his company now sponsors multiple charitable programs, including a drag show, to combat bullying and homophobia.[2]

Chad Ellis works in the Suncor plant as a scaffolder. A talented entertainer, he dreams of becoming a full-time singer but realizes that he has to make a secure living somehow. As a child, Chad's religious family prompted him to sing in their church choir. When he was older, he recorded in a basement studio, and eventually began performing opening acts for singers such as Tone Loc. He stopped performing and moved to Fort McMurray after a violent conflict with a partner's ex-boyfriend. He now sings in the local karaoke scene for fun.

Jason Sauchuk is a soft-spoken fan of videogames who trained as a computer programmer, but joined his father in the heavy equipment industry after school. While working with his father, he incurred debt supporting a girlfriend with children. His partner turned out to be unfaithful and they separated, and company layoffs cost him his previous job. Now he works as a haul truck driver, a job lucrative enough to help him dig himself out of debt.

Release

Oil Sands Karaoke had its world premiere on April 26, 2013 at Hot Docs Canadian International Documentary Festival in Toronto.[3] The Western Canadian premiere took place at The Vancouver International Film Festival on October 4, 2013.[4]

The film also screened at the Calgary International Film Festival,[5] Yorkton Film Festival, Fort Lauderdale International Film Festival, and Available Light Film Festival and had a limited theatrical run in Fort McMurray,[6] Vancouver,[7] Toronto, Ottawa, Winnipeg, and Regina.

Oil Sands Karaoke had its television broadcast premiere on May 6, 2014 on Knowledge Network.[8] The film had its Ontario broadcast premiere on January 21, 2015 on TVOntario.[9]

Critical reception

The film was received favourably by several notable documentary critics:

Marsha Lederman of The Globe and Mail wrote: "Poignant and beautifully shot, the film takes pains not to judge as it paints a dignified portraits of the boom town and the workers".[10] Katherine Monk wrote in the Vancouver Sun that it has “All the suspense of The Voice, all the emotional conflict of American Idol and all the beauty of The Road.”[11] Greg Klymkiw named it one of his Hot Docs Hot Picks for 2013, and called it "a thing of genuine beauty...quite unlike any documentary about the environment that you'll ever see."[12] Nicholas Gergesha of Point of View Magazine wrote "...filmmakers Charles Wilkinson and Tina Schliessler generate a meaningful and multifaceted discussion about the environment, the economy and the often-ignored human element in a destructive industry."[13] The Huffington Post's Sarah Kurchak lauds Wilkinson as "a filmmaker dedicated to pushing past all of the misinformation and rhetoric surrounding environmental issues and getting to the heart of the matter..."[1]

Awards

The film received two Vancouver Film Critics Circle nominations at the Vancouver Film Critics Circle Awards 2013, for Best Canadian Documentary and Best British Columbia Film.

At the 2014 Yorkton Film Festival, the film received two Golden Sheaf Awards: Best Documentary (Science/Nature/Technology), and Best Director (Non-Fiction).[14]

gollark: Why did states happen in the *first* place if they aren't good and there's a stable alternative?
gollark: > Collectivization will take place naturally as soon as state coercion is over, the workers themselveswill own their workplaces as the capitalists will no longer have any control over them. This iswhat happened during the Spanish Revolution of 1936, during which workers and farmers seized andmanaged the means of production collectively. For those capitalists who had a good attitude towardsworkers before the revolution, there was also a place - they joined the horizontal labor collectivesUm. This seems optimistic.
gollark: > "Legally anyone can start their own business. Just launch a company!”. These words oftenmentioned by the fans of capitalism are very easy to counter, because they have a huge flaw. Namely,if everyone started a company, who would work for all these companiesThis is a bizarre objection. At the somewhat extreme end, stuff *could* probably still work fine if the majority of people were contracted out for work instead of acting as employees directly.
gollark: The hierarchical direct democracy thing it describes doesn't seem like a very complete or effective coordination mechanism, and it seems like it could easily create unfreedom.
gollark: I disagree with this PDF, for purposes.

References
  1. Kurchak, Sarah. "'Oil Sands Karaoke': Doc Finds Talented Singers And An Inspiring Drag Queen In Fort McMurray". Huffington Post. Retrieved 6 May 2014.
  2. Charleyboy, Lisa. "First Nations oilsands tycoon defies odds as Karaoke queen". CBC News. Retrieved 7 May 2014.
  3. "Oil Sands Karaoke: Canadian Spectrum". Hot Docs. Retrieved 11 June 2014.
  4. "Oil Sands Karaoke: Canadian Images". Vancouver International Film Centre. Archived from the original on September 26, 2013. Retrieved 11 June 2014.
  5. "2013 Calgary International Film Festival: Oil Sands Karaoke". CIFF. Retrieved 25 January 2015.
  6. "Wood Buffalo Culture: Oil Sands Karaoke". Regional Municipality of Wood Buffalo. Retrieved 25 January 2015.
  7. "Vancity Theatre: Oil Sands Karaoke". Vancouver International Film Centre. Retrieved 25 Jan 2015.
  8. Wilkinson, Charles. "Oil Sands Karaoke". Charles Wilkinson. charleswilkinson.com. Retrieved 11 June 2014.
  9. "TVOntario: Oil Sands Karaoke". TVO. TVO. Retrieved 25 January 2015.
  10. Lederman, Marsha. "Review Oil Sands Karaoke". The Globe and Mail. Retrieved 27 October 2013.
  11. Monk, Katherine. "Movie review: Oil Sands Karaoke finds tunefulness mixed with pathos". Postmedia News. Retrieved 6 May 2014.
  12. Klmkiw, Greg. "OIL SANDS KARAOKE - Review By Greg Klymkiw - Klymkiw HOT DOCS 2013 HOT PICKS". Retrieved 6 May 2014.
  13. Gergesha, Nicholas. "Hot Docs 2013: Oil Sands Karaoke". Retrieved 6 May 2014.
  14. "YFF 2014 GSA Winners". Retrieved 2 January 2013.
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