OctoArts Films
OctoArts Films (also known as OctoArts Films International for foreign films) is a Filipino film production and distribution company owned by Orly R. Ilacad. It was founded in 1989.
subsidiary | |
Industry | Theatrical distribution film production marketing |
Founded | 1989 |
Founder | Orlando R. Ilacad |
Headquarters | OctoArts Building, 108 Panay Avenue, Barangay South Triangle, Quezon City , |
Products | Motion pictures |
Owner | Orly Ilacad |
Production and distribution
- Manila Gays (2019) with Viva Films and T-Rex Entertainment
- Nuuk (2019) with Viva Films and Mavx Productions
- Through Night and Day (2018) with Viva Films
- Deadma Walking (2017) with T-Rex Entertainment
- Meant to Beh (2017) with M-Zet Productions and APT Entertainment
- Barbi: D' Wonder Beki (2017) with M-Zet Productions and T-Rex Entertainment
- Spirit of the Glass: The Haunted (2017) with T-Rex Entertainment
- Enteng Kabisote 10 and the Abangers (2016) with M-Zet Productions and APT Entertainment
- My Bebe Love (2015) with GMA Pictures, APT Entertainment, MEDA Productions and M-Zet Productions
- My Big Bossing (2014) with APT Entertainment and M-Zet Productions
- My Little Bossings (2013) with APT Entertainment, M-Zet Productions and Kris Aquino Productions
- Si Agimat, si Enteng Kabisote at si Ako (2012) with APT Entertainment, M-Zet Productions, Imus Productions, and GMA Films
- Enteng Ng Ina Mo (2011) with Star Cinema, APT Entertainment, and M-Zet Productions
- My House Husband: Ikaw Na! (2011)
- Wedding Tayo, Wedding Hindi (2011) with Star Cinema
- Pak! Pak! My Dr. Kwak! (2011) with Star Cinema, APT Entertainment, and M-Zet Productions
- Si Agimat at si Enteng Kabisote (2010) with GMA Pictures, APT Entertainment, Imus Productions, and M-Zet Productions
- Here Comes the Bride (2010) with Star Cinema and Quantum Films
- Ang Darling Kong Aswang (2009) with APT Entertainment and M-Zet Productions
- Love on Line (LOL) (2009) with APT Entertainment and M-Zet Productions
- Iskul Bukol 20 Years After (2008) with APT Entertainment and M-Zet Productions
- Enteng Kabisote 4: Okay Ka Fairy Ko...The Beginning of the Legend (2007)
- Enteng Kabisote 3: Okay Ka, Fairy Ko: The Legend Goes On and On and On (2006)
- Enteng Kabisote 2: Okay Ka Fairy Ko: The Legend Continues (2005)
- Enteng Kabisote: Okay ka, Fairy Ko: The Legend (2004)
- Bestman: 4 Better, Not 4 Worse (2002) with Maverick Films
- Lastikman (2002)
- Bakit Pa? (With GMA Films) (1999)
- D' Sisters: Nuns of the Above (with GMA Films and M-Zet Films)
- Marahas: Walang Kilalang Batas (1998) with Cinemax Studios
- Anting-Anting (1998)
- Selosa (1997)
- Bastardo (1997) with Cinemax Studios
- Frame Up (1997) with Cinemax Studios
- Guevarra: Sa Batas ko, Walang Hari (1997)
- May Sayad (1997)
- Malikot Na Mundo (Cinemax Studios) (1997)
- Halik ng Bampira (1997)
- Kamandag Ko Ang Papatay Sa Iyo (1997)
- Leon Cordero: Duwag Lang ang Hahalik sa Lupa (1996)
- Lab en Kisses (1996) with M-Zet Films and Cinemax Studios
- Isko: Adventures in Animasia (1995)
- Si Ayala At Si Zobel (1994)
- Mama's Boys 2: Let's Go Na! (1994)
- Manolo en Michelle: Hapi Together (1994)
- Pwera Biro Mahal Kita: Da Beach Boys (1994)
- Loretta (1993)
- Paniwalaan Mo Ako (1993)
- Ano Ba 'Yan 2 (1993)
- Mama's Boys: Mga Praningning (1993)
- Dahil Mahal Kita: The Dolzura Cortez Story (1993)
- Beloy Montemayor: Tirador Ng Cebu (1993)
- Bakit Labis Kitang Mahal (1992)
- Ali in Wonderland (1992)
- Ano Ba 'Yan? (1992)
- Working Students (1992)
- Mayor Latigo: Ang Barakong Alkalde ng Baras (1991)
- Kalabang mortal ni Baby Ama (1991)
- Iputok mo... Dadapa ako! (Hard to Die) (1990) 1st Ever OctoArts Films Movie
Distributor (independent films)
- Mga Mumunting Lihim (2013) (with Largavista Entertainment)
- Ang Pangarap Kong Holdap (2018) (with Mavx Productions)
- Exit Point (2019) (with Rocketts Media Production; co-distributed with Viva Films)
- LSS (Last Song Syndrome) (2019) (with Globe Studios, Dokimos Media Studios, and Ben&Ben)
Distributor (Foreign films)
- JT Leroy (2019) (produced by Black Leather Jacket, Thirty Three Management, Sobini Films, The Fyzz Facility Film One, LBI Entertainment, Crosby Street Films and Buffalo Gal Pictures; distributed by Universal Pictures Home Entertainment in the USA and Pacific Northwest Pictures in Canada)
- Drunk Parents (2019) (produced by Fortitude International, Bron Studios and Creative Wealth Media Finance; co-distributed by DirecTV and Vertical Entertainment in the USA)
- Headlock (2019) (produced by Benaroya Pictures, Head Gear Films, Metrol Technology, and Night Fox Entertainment; distributed by Gravitas Ventures in the USA)
- Suspiria (2018) (produced by Amazon Studios, K Period Media, Frenesy Film Company, Videa, Mythology Entertainment, First Sun, Memo Films and Vega Baby)
- Reprisal (2018) (produced by Grindstone Entertainment Group, Emmett/Furla/Oasis Films and Kind Hearts Entertainment; distributed by Lionsgate Premiere in North America)
- Dear Dictator (2018)(produced by Hector Coup, Defiant Pictures, Coastal Film Studios, Aloe Entertainment, Digital Ignition Entertainment, Hindsight Media, Tunnel Post and Wicked Magic Productions; distributed by Cinedigm in the United States)
- Death Wish (2018) (produced by Metro-Goldwyn-Mayer)
- The Witch Part 1: The Subversion (2018)
- Brawl in Cell Block 99 (2017) (produced by Assemble Media, Cinestate, Caliber Media Company, Realmbuilders Productions and XYZ Films; distributed by RLJE Films in North America)
- First Kill (2017) (produced by Brookstreet Pictures and Emmett/Furla/Oasis Films; distributed by Lionsgate Premiere in North America)
- Once Upon a Time in Venice (2017) (produced by Voltage Pictures; distributed by RLJE Films in North America)
- A Kind of Murder (2017) (produced by Killer Films, 20db Films, Electric Shadow Company and Blue PM; distributed by Magnolia Pictures in North America and Sierra Pictures internationally)
- Sleepless (2017) (produced by Riverstone Pictures and Vertigo Entertainment; distributed by Open Road Films in North America and FilmNation Entertainment internationally)
- I.T. (2016) (produced by Voltage Pictures, Irish DreamTime, Friendly Films, Fastnet Films and 22h22; distributed by RLJE Films in North America)
- Army of One (2016) (produced by TWC-Dimension, Conde Nast Entertainment, Endgame Entertainment and Kasbah-Film Tanger)
gollark: I'm not talking "corporate greed" as much as the fact that they have to simultaneously satisfy advertisers, shareholders, users, content creators, people who (claim to) have copyright on stuff, and poorly thought out laws.
gollark: It's hardly the *algorithms'* fault as much as... YouTube policy, the practicalities of moderating such a gigantic platform, and indirectly the giant amount of conflicting interests affecting it.
gollark: They probably make use of magic inscrutable "machine learning" stuff a lot.
gollark: I'm somewhat sympathetic to YouTube since they are in a problematic situation, but they are *still* very annoying a lot of the time.
gollark: I wonder if you can exploit that somehow.
External links
References
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.