Novo Aeon

Novo Aeon (Portuguese: New Aeon) is the third solo studio album by the Brazilian musician Raul Seixas. Released in 1975, most of the album was heavily influenced by the work of Aleister Crowley and other occultists, with the major example being the title track. Not as successful as Seixas' previous album, Gita, it was a sales failure. However, it contains some of his most famous songs, such as "Tente Outra Vez", "Rock do Diabo" and "A Maçã".

Novo Aeon
Studio album by
Released1975
GenreRock
Length33:00
LabelPhilips/Phonogram
ProducerMarco Mazzola
Raul Seixas chronology
Gita
(1974)
Novo Aeon
(1975)
Há 10 Mil Anos Atrás
(1976)

In 2007, the Brazilian version of the magazine Rolling Stone chose Novo Aeon as the 53rd most revolutionary Brazilian album of all time.[1]

Track listing

All tracks are written by Raul Seixas and Paulo Coelho unless noted.

No.TitleEnglish titleLength
1."Tente Outra Vez" (Seixas/Coelho/Marcelo Motta)Try Again2:26
2."Rock do Diabo"Devil's Rock2:15
3."A Maçã" (Seixas/Coelho/Motta)The Apple3:26
4."Eu Sou Egoísta" (Seixas/Motta)I Am Selfish2:51
5."Caminhos"Paths1:51
6."Tu És o M.D.C. da Minha Vida"Thou Art the G.C.D. of My Life3:55
7."A Verdade Sobre a Nostalgia"The Truth About Nostalgia2:09
8."Para Noia" (Seixas)Pun with "Paranoia" and "Para Noia" (Portuguese for "Stop the Madness")3:56
9."Peixuxa (O Amiguinho dos Peixes)" (Seixas/Motta)Peixuxa (The Fishes' Buddy)2:13
10."É Fim de Mês" (Seixas)It's the End of the Month3:03
11."Sunseed" (Seixas/Glória Vaquer) 2:42
12."Caminhos II" (Eládio Gilbraz/Coelho/Seixas)Paths II1:00
13."Novo Aeon" (Cláudio Roberto)New Aeon2:34
gollark: I don't think half of America actually has said as much.
gollark: I mean, sure, but to continue making somewhat unrelated meta-level claims, almost regardless of how much that's actually happening there'll still be a few people complaining about it.
gollark: The important thing is probably... quantitative data about the amounts and change of each?
gollark: Regardless of what's actually happening with news, you can probably dredge up a decent amount of examples of people complaining about being too censored *and* the other way round.
gollark: With the butterfly-weather-control example that's derived from, you can't actually track every butterfly and simulate the air movements resulting from this (yet, with current technology and algorithms), but you can just assume some amount of random noise (from that and other sources) which make predictions about the weather unreliable over large time intervals.

References


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