Nothing Feels Good

Nothing Feels Good is the second album by American rock band the Promise Ring. The album has gained a cult following, and is frequently regarded as one of the most influential records of the emo genre. The title of the album was used as the name of the book Nothing Feels Good: Punk Rock, Teenagers, and Emo by Andy Greenwald. Original bass player Scott Beschta is credited with writing and playing all the bass parts for the album.

For the book on emo, see Nothing Feels Good: Punk Rock, Teenagers, and Emo.
Nothing Feels Good
Studio album by
The Promise Ring
ReleasedOctober 11, 1997
RecordedMid-1997
Genre
Length33:51
LabelJade Tree
ProducerJ. Robbins
The Promise Ring chronology
The Horse Latitudes
(1997)		 Nothing Feels Good
(1997)		 Very Emergency
(1999)

The cover art for the album was shot in front of Trimper's Rides on the boardwalk in Ocean City, Maryland.

Background and production

The Promise Ring released their debut album 30° Everywhere in September 1996 through independent label Jade Tree.[1] According to vocalist/guitarist Davey von Bohlen, it was recorded in five days "in a situation where we had no idea what we wanted to do or how we wanted it to come out."[2] Additionally, Bohlen was ill during the making of it, resulting in issues with his vocals.[2] Despite this, the release was an underground success, earning the group attention from independent publications.[3] The attention was aided by the inclusion of the emo staple "A Picture Postcard", which had been released earlier on the Falsetto Keeps Time (1996) EP.[4] The band had 500–600 copies of the album to sell over the course of several gigs, however, during one show at CBGB's, they sold all copies in one go.[2] The band reissued their earlier work as part of The Horse Latitudes compilation in early 1997.[3]

In April and May 1997, the group embarked on a European tour; at its conclusion, the band went on a brief break to complete writing for their next album.[5] Guitarist Jason Gnewikow said the group worked on material through jamming.[6] Following this, the group went to Memphis, Tennessee where they began recording at Easley Recording with producer J. Robbins of Jawbox.[5] The album saw the group focus on cleaner production and refined their pop sensibility. Robbins aided the band, helping them work on song writing and improved the overall sound, when compared to 30° Everywhere. The band toned down the punk rock-esque Midwest emo sound that Bohlen pioneered when he was a member of Cap'n Jazz.[4] Drummer Dan Didier had a strained relationship with bassist Scott Beschta throughout the sessions: "I’m shocked that we just didn't just off one another because it was a bad time."[2]

Composition

Musically, the sound of Nothing Feels Good has been described as emo[7][8][9] and power pop,[4][10][11] drawing comparison to Superchunk and Knapsack.[10] Throughout the album, Didier uses various syncopations, triplet fills and double-time cymbal hits. Beschta, instead of playing basic root notes, opted for more melodic and rhythmic parts. Bohlen incorporated geographical and color symbolism in his lyrics; he refers to his girlfriend as red, white and blue in "Red & Blue Jeans", while in "B Is for Bethlehem" the colors are representative of blood and flesh.[12] While the record wasn't a concept album, it saw Bohlen reuse a handful of lines, giving it thematic cohesion: the title phrase Nothing Feels Good is mentioned in "Red & Blue Jeans", while being reused for the title-track, and serving as the basis for "How Nothing Feels". Similarly two lines, "not as good as the interstates are/I just can't take you that far", are used in both "Make Me a Chevy" and "A Broken Tenor".[13]

The opening power pop track "Is This Thing On?"[8] begins with guitar interplay and aggressive drumming.[14] It consists of five lines of lyrics that Bohlen repeats, and is anchored by Beschta's bass part.[15] It leads into the punk rock-esque "Perfect Lines",[8] which opens with Gnewikow's distorted guitar part,[14] and is made up of eight lines of lyrics.[16] "Why Did Ever We Meet" was representative of the 1990s indie rock/emo sound in that it incorporated pop without abandoning the abrasiveness of punk rock.[17] "Make Me a Chevy" sees Bohlen compare a woman to a car.[18] "How Nothing Feels" is an acoustic guitar and piano interlude[14] with heavy tape hiss.[18] It is followed by "A Broken Tenor", which opens with the sound of a house party, and one participant is heard quoting by the poem "Daddy" Sylvia Plath.[12] The title-track sees Bohlen asking religious and personal questions, and is followed by the pop-orientated track "Pink Chimneys".[14] An early version of the track had appeared on the (Don't Forget To) Breathe compilation.[19]

Release

Nothing Feels Good was released on October 11, 1997.[20] The album's artwork was shot by Jade Tree co-founder Tim Owen and designed by Gnewikow; it shows a brightly lit photograph of a boardwalk against a white background with colored dots lined up around it.[4] A music video was made for "Why Did Ever We Meet", directed by Darren Doane, and featured Jade Tree co-founder Darren Walters, Ken Dario, Chris Duncan and Mike Schoenbeck.[21] It appeared on MTV's 120 Minutes, which the members subsequently hosted and were interviewed on by Matt Pinfield.[2] For the album's supporting tour, Beschta was replaced by Tim Burton, who Gnewikow played with in his former band None Left Standing.[3]

Didier said him and Beschta began disliking each other, which led to them not caring about each other. The members knew Burton and were aware that he had no plans, asking him to join the group.[2] In February 1998, the band were traveling back home from a show,[22] while on tour with Hum,[2] in the midst of a snowstorm.[3] Their van flipped over after Bohlen hit a bump on the road;[22] Bohlen flew head-first through the windshield. Bohlen (who had head trauma), Burton (who had broken bones)[4] and Didier, were released from hospital the following morning. Gnewikow, however, was in the intensive care unit for three further weeks due to a broken collarbone and other injuries.[22]

Since the group felt Burton wasn't working out, coupled with a broken arm, they replaced him with Scott Schoenbeck. At the time, Schoenbeck had formed Pele with Beschta.[3] The band returned to touring after a six-week break, though with Gnewikow suffering intermittent pain from his collarbone due to his guitar strap.[22] They went on an east coast tour with Jimmy Eat World,[2] and a European stint with Jets to Brazil. The band toured with Jets to Brazil again, touring across the US in October and Japan in November.[23] The album was re-pressed on vinyl alongside 30° Everywhere and Very Emergency (1999),[7] and received its first cassette edition, in October 2015.[19] A few months later, the band performed the album in its entirety during a one-off reunion show.[24]

Reception and legacy
Professional ratings
Review scores
SourceRating
AllMusic[25]
Ox-FanzineFavorable[26]
Pitchfork8.6/10[10]
Punknews.org[27]

Nothing Feels Good received favorable reviews from music critics. AllMusic reviewer Blake Butler said the release saw the group move into more poppy territory that they had previously teased on 30° Everywhere. While Nothing Feels Good continued the "beautifully odd" lyricism against "extremely catchy and powerful music", its overall sound conjured up "sentimentality and imagination" that their "music always seems to exude."[25] Ox-Fanzine's Joachim Hiller complimented Bohlen's improved vocals, serving as a weakness on their previous record.[26] He called it a "seemingly calm" album that "strings together twelve melancholic-melodic guitar pop pearls."[26] Pitchfork writer Nick Mirov felt that the "dearth of lyrics" was the release's "Achilles' heel".[10] He added that Bohlen would repetitively sing "the same three lines over and over"; it served as a "minor blemish on an otherwise damn good album."[10] In a retrospective review, Punknews.org staff member Joe Pelone said the record acted as the best starting point for people wishing to get into the group, calling it "catchy, rocking and heartfelt in equal measures."[27] Bohlen's lyrics landed in middle of two ideologies: "'90s indie rock bands [that] wrote really good, lo-fi rock songs that weren't actually about anything" and emo acts that "mean[t] everything."[27]

Nothing Feels Good pushed the band to the forefront of the emo music scene,[28] forging the way for releases such as Something to Write Home About (1999) by the Get Up Kids and Bleed American (2001) by Jimmy Eat World.[8] Bohlen featured on "A Priase Chorus", a track from Bleed American, where he referenced "Why Did Ever We Meet".[4] The band became the most successful emo act of the era with sales of Nothing Feels Good reaching the mid-five figures,[29] becoming a defining album in the genre's second wave.[4] Mike Damante of the Houston Chronicle said "Red & Blue Jeans" acted as a blueprint for the likes of Taking Back Sunday and New Found Glory.[8] Similarly, the polaroid-esque aesthetic of the album's cover influenced countless other emo groups.[17] Eduardo Cepeda of Vice said the artwork was "one of the quintessential visual cues in the emo canon", and also within Jade Tree's roster as Owen and Gnewikow worked on a lot of releases for the label.[4]

Nothing Feels Good has appeared on various best-of emo album lists by Drowned in Sound,[30] Kerrang!,[31] LA Weekly,[32] Louder,[33] Rolling Stone[34] Treblezine[35] and WhatCulture.[16] Similarly, tracks from it have appeared on best-of emo songs lists by NME[36] Stereogum[37] and Vulture.[15] The album gave its title to the book of the same name by Andy Greenwald.[12]

Track listing
No.TitleLength
1."Is This Thing On?"3:37
2."Perfect Lines"2:25
3."Red & Blue Jeans"2:54
4."Why Did Ever We Meet"4:05
5."Make Me a Chevy"2:35
6."How Nothing Feels"1:12
7."A Broken Tenor"3:24
8."Raspberry Rush"2:34
9."Nothing Feels Good"2:01
10."Pink Chimneys"2:26
11."B Is for Bethlehem"3:15
12."Forget Me"3:52

Personnel
  • Davey von Bohlen – vocals, guitar
  • Jason Gnewikow – guitar
  • Scott Beschta – bass guitar
  • Dan Didier – drums
gollark: On the plus side, the only data sent over this will be useless nonsense.
gollark: I love how you've used a system designed to withstand far-future attacks by hypothetical technology and yet used it so horribly that it's pointless against anyone who cares.
gollark: I mean "how well" as in "how goodfully", to completely un-english.
gollark: How well, I don't know.
gollark: This is encrypted.

References

Citations

  1. "30° Everywhere - The Promise Ring". AllMusic. Retrieved June 26, 2020.
  2. Galil, Leor (February 24, 2012). "An oral history of The Promise Ring". The A.V. Club. Archived from the original on February 26, 2012. Retrieved June 26, 2020.
  3. Huey, Steve. "The Promise Ring | Biography & History". AllMusic. Archived from the original on March 26, 2020. Retrieved June 26, 2020.
  4. Cepeda, Eduardo (August 31, 2017). "The Promise Ring's 'Nothing Feels Good' Proved There Was Room for Pop in Emo". Vice. Archived from the original on December 7, 2019. Retrieved June 26, 2020.
  5. "The Promise Ring". Jade Tree. Archived from the original on February 20, 1999. Retrieved June 24, 2020.
  6. Hiller, Joachim (September–November 2000). "Promise Ring". Ox-Fanzine (in German). Archived from the original on June 27, 2020. Retrieved June 27, 2020.
  7. Eakin, Marah (November 21, 2015). "An app for lists, live Rush, and 3 old Promise Ring favorites". The A.V. Club. Archived from the original on November 6, 2019. Retrieved June 25, 2020.
  8. Damante, Mike (January 14, 2016). "Essential album: The Promise Ring-'Nothing Feels Good'". Houston Chronicle. Archived from the original on March 22, 2016. Retrieved June 26, 2020.
  9. Blest, Paul (June 18, 2014). "Jade Tree: The Essentials, the Overlooked, and the Rightfully Forgotten". Vice. Retrieved July 1, 2020.
  10. Mirov, Nick (December 1997). "Promise Ring: Nothing Feels Good". Pitchfork. Archived from the original on February 19, 2003. Retrieved February 3, 2017.
  11. Dookey, Spence (May 3, 2002). "Float On". Anti-. Archived from the original on December 25, 2002. Retrieved June 21, 2020.
  12. Cohen, Ian (October 20, 2015). "The Promise Ring: Nothing Feels Good Album Review". Pitchfork. Archived from the original on June 10, 2020. Retrieved June 23, 2020.
  13. DeGroot, Joey (May 7, 2014). "6 Artists Who Have Reused Their Lyrics: The Smiths, Bruce Springsteen, and more". Music Times. Archived from the original on September 13, 2015. Retrieved June 25, 2020.
  14. Foster, John (August 27, 2008). "Judging A Cover By Its Cover: The Promise Ring "Nothing Feels Good"". Brightest Young Things. Archived from the original on June 26, 2020. Retrieved June 25, 2020.
  15. Garland, Emma (February 13, 2020). "The 100 Greatest Emo Songs of All Time". Vulture. Archived from the original on February 13, 2020. Retrieved August 14, 2020.
  16. Mills, Josh (February 13, 2020). "15 Greatest Emo Albums Of All Time: 6. The Promise Ring - Nothing Feels Good". WhatCulture. Retrieved August 17, 2020.
  17. Galil, Leor (February 24, 2012). "12 O'Clock Track: The Promise Ring, "Why Did Ever We Meet?"". Chicago Reader. Archived from the original on September 19, 2015. Retrieved June 26, 2020.
  18. Cronk, Jordan (October 22, 2012). "Rediscover: The Promise Ring: Nothing Feels Good". Spectrum Culture. Archived from the original on June 26, 2020. Retrieved June 26, 2020.
  19. Adams, Gregory (September 16, 2015). "The Promise Ring Bring 'Nothing Feels Good' Back to Vinyl". Exclaim!. Archived from the original on June 8, 2020. Retrieved June 25, 2020.
  20. "Nothing Feels Good - The Promise Ring". AllMusic. Retrieved June 26, 2020.
  21. "FAQ". The Promise Ring. Archived from the original on October 18, 2000. Retrieved June 24, 2020.
  22. Salamon 1999, p. 148
  23. "News". Jade Tree. Archived from the original on February 21, 1999. Retrieved June 24, 2020.
  24. Gordon, Jeremy (October 19, 2015). "The Promise Ring to Play Nothing Feels Good in Full at Reunion Show". Pitchfork. Archived from the original on June 10, 2020. Retrieved June 25, 2020.
  25. Butler, Blake. "Nothing Feels Good – The Promise Ring". AllMusic. Archived from the original on November 10, 2016. Retrieved February 3, 2017.
  26. Hiller, Joachim (1997). "Promise Ring Nothing feels good CD". Ox-Fanzine (in German). Archived from the original on June 22, 2020. Retrieved June 27, 2020.
  27. Pelone, Joe (December 9, 2011). "The Promise Ring - Nothing Feels Good". Punknews.org. Archived from the original on December 31, 2018. Retrieved June 23, 2020.
  28. Jacks 1999, p. 68
  29. Greenwald 2003, p. 42
  30. Diver, Mike (April 29, 2008). "United by emo's Golden Age: a reminder of Rival Schools' peers / In Depth". Drowned in Sound. Archived from the original on May 9, 2020. Retrieved June 25, 2020.
  31. "The 25 Greatest Emo Albums Ever". Kerrang!. November 6, 2019. Archived from the original on June 2, 2020. Retrieved June 25, 2020.
  32. Grubbs, Eric (October 10, 2013). "Top 20 Emo Albums in History: Complete List". LA Weekly. Archived from the original on June 26, 2020. Retrieved June 25, 2020.
  33. Pearlman, Mischa (October 12, 2016). "The 11 best emo albums". Louder. Archived from the original on June 22, 2020. Retrieved June 25, 2020.
  34. Galil, Leor (March 1, 2016). "40 Greatest Emo Albums of All Time". Rolling Stone. Archived from the original on May 31, 2019. Retrieved June 25, 2020.
  35. Terich, Jeff (May 16, 2016). "10 Essential Emo Albums". Treblezine. Archived from the original on December 1, 2019. Retrieved June 25, 2020.
  36. Hughes, Mia (May 24, 2019). "10 best 90s emo songs: killer tracks from the genre's golden age". NME. Archived from the original on June 21, 2020. Retrieved June 25, 2020.
  37. Fallon, Patric (July 22, 2014). "30 Essential Songs From The Golden Era Of Emo". Stereogum. Archived from the original on May 29, 2020. Retrieved June 25, 2020.

Sources

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