Nils Claesson

Nils Taki Claesson (born 1958 in Stockholm), is an artist, filmmaker, author, and artistic researcher at the Royal Institute of Art in Stockholm.[1][2]

Nils Claesson
Nils Claesson. Photo by Jann Lipka 2016
Born
Nils Taki Claesson

1958
Stockholm, Sweden
NationalitySwedish
Occupationartist, filmmaker, author and artistic researcher

Life

Claesson received his PhD in fine arts from the Film and Media Department at Stockholm University of the Arts with the dissertation The Ghost Machine: Seven changes and transitions – animation processes in animated film.[3][4]

Claesson joined the newspaper ETC[5] 1979–1984, where he was a co-owner for a while.[6][7] He had acting roles in two films in the 1980s, among other things in Stig Larsson's film Ängel,[8] but he has mainly directed, written manuscript and worked with animated films and radio documentaries. He has been working with digital media since the mid-1990s, and has played a central role in the development of Swedish digital art through his work for the artistic creative space for art and computing (CRAC), where he was chairman from 2002 to 2005.[9][10] In connection with this, he established a broad international network, and organized international exhibitions such as "Money, a comment on the new economy”,[11][12] as well as seminars and exchange projects with other media labs in Europe. He also led the network for media labs in Norway, Pnek 2001–2002, and was one of the artists behind the Association for Temporary Art [a: t] a platform for art online (1997–2007).[13][14] He has also been active in the artist-driven galleries Tegen2 and ID:I gallery.[15] Claesson has exhibited extensively in Sweden and Europe.

The book The Blueberry Machine,[16] published 2009, is about his father Stig Claesson.

Radio and film
Directing
  • 2016 Love and solidarity
  • 2012 sliN
  • 2006 Snow – from the white you remember[17]
  • 1998 The little horror movie package
  • 1995 Chameleon
  • 1995 People’s movies
  • 1995 The world's longest Christmas Eve
  • 1994 Three minutes each summer
  • 1993 Moon face
  • 1986 Man who shaves at Seine
  • 1984 The one looking away is a rat
Manuscripts
  • 2006 Snow – from the white you remember
  • 1995 Chameleon
  • 1993 Moon face
Roles
  • 1989 Angel
  • 1987 The Awakening

Books, book chapters and articles
  • 2017 Seven changes and transitions – artistic processeses in animated movies[18]
  • 2016 We are not yet seeing the results of artistic research[19][20]
  • 2014 When photographs were pictures, not art[21]
  • 2013 The lab: 12 voices about laboratories and libraries[22]
  • 2012 sliN, Performing the Common[23]
  • 2012 The road to Husby
  • 2012 Introduction to the animated moving image[24]
  • 2009 The blueberry machine[25]
  • 2002 Money[26]
  • 1998 The family and everything about the meaning of life[27]
  • 1985 I and Angela Davis[28]

Art projects
  • 2018 You have no choice
  • 2018 Books no one reads
  • 2015 Lost and found in translation
  • 2016 A train to Spain[29]
  • 2013 The Shadow machine
  • 2012 sliN, Performing the common[30]
  • 2009 The Contract
  • 2007 Body in the net[31]
  • 2007 SWIZHE 
  • 2006 Video-Dnevnik
  • 2006 Re-approaching new media, Ram 7
  • 2005 Re:production[32]
  • 2005 40 years of victory
  • 2004 Solidarity without heroes
  • 2002 The Pudas Box[33]
  • 2002 Money, an exhibition about the new economy[34]
  • 2001 The Public Opinion[35]
  • 2000 The Art of organising
  • 2000 The Minsk connection
  • 2000 Speak to Ingmar[36]
  • 1998 "Say Voff"
  • 1998 Time Viewers
  • 1998 Travel to countries that are no longer available
  • 1998 Opens in a thousand years – a message to the future from Vallhornsgatan in Rågsved, Port
  • 1997 Movies of the memory (Minnets filmer)
gollark: Wasn't it the other way round or am I mixed up?
gollark: DNS is a strange beast, if it even is that.
gollark: I have no idea, honestly.
gollark: If my theory about what's going on is right, it ought to be available again within a day or so.
gollark: No, just slightly broken.

References
  1. The Swedish Film Institute. (n.d.). Nils Claesson – The Swedish Film Database. In The Swedish Film Database. The Swedish Film Institute. Retrieved from http://www.svenskfilmdatabas.se/en/item/?type=person&itemid=191874
  2. Andersson Broms, Å., Anoushirvani, S., Claesson, N., Hansson, K., Hasselberg, P., & Kentros, G. (n.d.). Work a work. Royal Institute of Art in Stockholm. Retrieved 12 September 2018, from https://www.kkh.se/en/karin-hansson-project-leader-asa-andersson-broms-shiva-anoushirvani-per-hasselberg-george-kentros-nils-claesson/
  3. Claesson, Nils. (2017). Sju Förändringar och Förflyttningar – gestaltningsprocesser i animerad film. [The Ghost Machine: Seven changes and transitions – animation processes in animated film.]. Stockholm, Sweden: Stockholms konstnärliga högskola. Retrieved from http://libris.kb.se/bib/21145951
  4. Gislén, Y., & Kihl, E. (Eds.). (2016). Konstnärliga forskarskolan 2010–2015. Retrieved from http://libris.kb.se/bib/19923414
  5. ETC. – Stockholm. (n.d.). Retrieved from http://libris.kb.se/bib/8261711
  6. Holmberg, K. (25 April 2016). ”Vi tyckte att många inom vänstern var tråkiga”. ETC. Stockholm. Retrieved from https://www.etc.se/inrikes/vi-tyckte-att-manga-inom-vanstern-var-trakiga
  7. Claesson, N. (1996). Sommar. Sweden: Sveriges Radio.
  8. Ängel (1989). In The Swedish Film Database. Swedish Film Institute. Retrieved from http://www.svenskfilmdatabas.se/en/item/?type=film&itemid=17124
  9. MEDIACULT. (1999). Digital culture in Europe : a selective inventory of centres of innovation in the arts and new technologies. Council of Europe Pub. Retrieved from https://books.google.se/books/about/Cyberculture_en_Europe_Inventaire_Sélec.html?id=FHkk5HfkcD4C&redir_esc=y
  10. Kalmteg, L. (8 February 2005). Nätkonstnärer tvingas till neddragningar. Dagens Nyheter. Stockholm. Retrieved from https://www.dn.se/kultur-noje/natkonstnarer-tvingas-till-neddragningar/
  11. Bergius, H. (16 June 2001). Pengar speglas i konst. Dagens Nyheter. Stockholm. Retrieved from https://www.dn.se/arkiv/kultur/pengar-speglas-i-konst/
  12. Hansson, K., & Claesson, N. (Eds.). (2001). Money. Association for Temporary Art [a:t]. Retrieved 8 March 2013, from http://www.temporaryart.org/money/
  13. Association for Temporary Art. (n.d.). Retrieved from http://www.temporaryart.org/
  14. Hansson, K. (2015). Accommodating differences: Power, belonging, and representation online. Stockholm University.
  15. Claesson, Nils | ID:I gallery. (n.d.). Retrieved 9 September 2018, from http://idigalleri.org/tag/nils-claesson/
  16. Claesson, N. (2009). Blåbärsmaskinen. Ruin.
  17. Claesson, N. (2006). Snö – ur det vita man minns. Retrieved from http://libris.kb.se/bib/11371956
  18. Claesson, N., Du Rées, G., Hansson, K., Östlind, N., & Stockholms konstnärliga högskola. Institutionen för film och media. (2017). Sju Förändringar och Förflyttningar – gestaltningsprocesser i animerad film. Stockholms konstnärliga högskola. Retrieved from http://libris.kb.se/bib/21145951
  19. Claesson, N. (2016). Vi ser ännu inte resultatet av konstnärlig forskning. (S. Slöör, Ed.)dialogen : Tema Konst- och arkitekturundervisning. Stockholm: Kungl. Akademien för de fria konsterna.
  20. Claesson, N. (April 2016). Vi ser ännu inte resultatet av konstnärlig forskning. omkonst, 06. Retrieved from https://www.omkonst.se/16-dialogen-claesson-nils.shtml
  21. Claesson, N. (2014). När fotografi var bild och inte konst / When photographs were pictures, not art. Mellan verkligheter fotografi i Sverige 1970–2000, 100–105. Retrieved from http://libris.kb.se/bib/21518379
  22. Claesson, Nils, et al. (2013). Labbtanken : 12 röster om laboratorium och bibliotek. (N. Claesson & M. Lempert, Eds.). Stockholm: Stockholms dramatiska högskola. Retrieved from http://libris.kb.se/bib/14703766
  23. Claesson, Nils (2015). sliN, book chapter in Hansson, K. (Ed) Performing the common. Revolver publishing. Retrieved from http://libris.kb.se/bib/20136754
  24. Claesson, N. (n.d.). Introduktion till den animerade rörliga bilden. Retrieved from http://libris.kb.se/bib/20844913?vw=full
  25. Claesson, N. (2009). Blåbärsmaskinen. Ruin.
  26. Hansson, K., & Claesson, N. (2002). Money. (K. Hansson & N. Claesson, Eds.). Stockholm: Swedish Institute. Retrieved from http://libris.kb.se/bib/11558754
  27. Claesson, N., Julén, Y., Gedin, M., & Elander Berling). (1998). Familjen och allt om meningen med livet : en antologi för ungdomar i alla åldrar. Almqvist & Wiksell.
  28. Claesson, N. (1985). Jag och Angela Davis. Fotograficentrums bildtidning, 1985 (8:2–3), [43]-[46] : ill.
  29. A Train to Spain. (n.d.). Retrieved 12 September 2018, from http://www.atraintospain.com/
  30. Hansson, K., & Claesson, N. (2002). Money. (K. Hansson & N. Claesson, Eds.). Stockholm: Swedish Institute. Retrieved from http://libris.kb.se/bib/11558754
  31. Claesson, N., & Hansson, K. (2007). Kroppen i nätet [The body in the Net]. Retrieved 13 September 2018, from http://temporaryart.org/xxxpressen/
  32. Hansson et al. (2006). re.produktion. Retrieved 13 September 2018, from http://www.temporaryart.org/re.produktion/
  33. Allerholm, M. (30 September 2002). Nedslag/ID:I galleri: Vill du hungerstrejka Pudaslådan tjänar både som bild och som plats för aktion. Dagens Nyheter. Stockholm. Retrieved from https://www.dn.se/arkiv/kultur/nedslag-id-i-galleri-vill-du-hungerstrejka-pudasladan-tjanar-bade-som-bild-och-som-plats-for-aktion/
  34. Bergius, H. (16 June 2001). Pengar speglas i konst. Dagens Nyheter. Stockholm. Retrieved from https://www.dn.se/arkiv/kultur/pengar-speglas-i-konst/
  35. Malm, R. (23 August 2002). Vem är medelmedborgaren. Dagens Nyheter. Stockholm. Retrieved from https://www.dn.se/arkiv/kultur/vem-ar-medelmedborgaren/
  36. Ericsson, L. O. (16 September 2000). Konst: Konstens betraktare står mitt i. Dagens Nyheter. Retrieved from https://www.dn.se/arkiv/kultur/konst-konstens-betraktare-star-mitt-i/
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