Niharranjan Ray

Niharranjan Ray (1903–1981) was an Indian Bengali historian, well known for his works on the history of Art and Buddhism.

Niharranjan Ray
Born(1903-01-14)14 January 1903
Mymensingh, Bengal, British India (now in Bangladesh )
Died30 August 1981(1981-08-30) (aged 78)
Kolkata, West Bengal, India
NationalityIndian
OccupationHistorian

Early life and education

He was born on 14 January 1903 at Kayetgram village of Mymensingh District in Bengal province of British India (in the present-day Bangladesh). He completed his initial studies from the Mrityunjaya School and Ananda Mohan College in Mymensingh. In 1924, he passed his B.A. examination in History from Murari Chand College, Sylhet. In 1926, he stood first in the M.A. examination in Ancient Indian History and Culture from the University of Calcutta. He received the Mrinalini Gold Medal in the same year for his Political History of Northern India, AD 600-900. In 1928, he received the Premchand Roychand Studentship. In 1935, he passed his diploma in Librarianship from the London University College. He married Manika in 1904-1999, he had two sons and one daughter.. He died 30 August 1981 at the age of 78 in Kolkata, West Bengal India.

Career

He was appointed the Chief Librarian in the Central Library of Calcutta University in 1936. In 1946, he was appointed Bageswari Professor of Fine Arts in Calcutta University and retired from the post in 1965.[1] He was the General Secretary of the Asiatic Society, Calcutta from 1949 to 1950. In 1965, he became the First Director of the Indian Institute of Advanced Study, Shimla and remained in office till 1970. He was a member of the Third Pay Commission from 1970 to 1973.[2]

Political views

He was a nationalist and participated in the Quit India movement and was imprisoned from 1943 to 1944.

Major works

His magnum opus in Bengali, Bangalir Itihas: Adiparba (History of the Bengali People: Early Period) was initially published in 1949. Later, an enlarged and revised edition was published by the Saksharata Prakashan in two volumes in 1980. His other significant works include:[2]

  • Brahmanical Gods of Burma (1932)
  • Sanskrit Buddhism in Burma (1936)
  • Rabindra Sahityer Bhumika (An introduction to the works of Rabindranath Tagore) (1940)
  • Theravada Buddhism in Burma (1946)
  • An Introduction to the Study of Theravada Buddhism in Burma (1946)
  • Maurya and Śuṅga Art (1947) (a revised and enlarged edition of the work was published in 1976 as Maurya and Post-Maurya Art)
  • Art in Burma (1954)
  • An Artist in Life; A Commentary on the Life and Works of Rabindranath Tagore (1967)
  • Nationalism in India (1972)
  • Idea and Image in Indian Art (1973)
  • An Approach to Indian Art (1974)
  • Mughal Court Painting: A Study in Social and Formal Analysis (1974)
  • The Sikh Gurus and the Sikh Society (1975)
  • Eastern Indian Bronzes (1986)

Awards and honors

Notes
  1. Chakrabarty, Ramakanta (ed.) (2008). Time Past and Time Present, Kolkata: The Asiatic Society, p.28
  2. Ray, Niharranjan (1993). Bangalir Itihas: Adiparba, Kolkata: Dey's, ISBN 81-7079-270-3, pp.761-3
  3. "Padma Awards" (PDF). Ministry of Home Affairs, Government of India. 2015. Archived from the original (PDF) on 15 November 2014. Retrieved 21 July 2015.

Further reading
  • Hood, John W. (1997). Niharranjan Ray. Sahitya Akademi. ISBN 978-8-12600-207-8.
gollark: Lots of people are, apparently.
gollark: Yes, inevitably.
gollark: Quite a few people probably. Frankly, you have a lepton number of at least 3.
gollark: Pathetic is in fact an English word.
gollark: 2.9π.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.