Night Ferry (composition)

Night Ferry is an orchestral composition in one movement by the British-born composer Anna Clyne. The work was commissioned by the Chicago Symphony Orchestra, for which Clyne was then composer-in-residence. It was first performed February 9, 2012 at Symphony Center, Chicago by the Chicago Symphony Orchestra under conductor Riccardo Muti.[1][2][3][4]

Composition

Night Ferry has a duration of roughly 20 minutes and is composed in a single movement. The work was Clyne's second commission from the Chicago Symphony as composer-in-residence and her second fully orchestral composition.[2]

Inspiration

At the behest of a suggestion from conductor Riccardo Muti, Clyne looked for inspiration from the composer Franz Schubert who suffered from a type of mood disorder known as cyclothymia. Clyne described this disorder and its inspiration for Night Ferry in the score program notes, writing:

This illness sometimes manifests in rapid shifts between the two states and also in periods of mixed states whereby symptoms of both extremes are present. This illness shadowed Schubert throughout his adulthood, and it impacted and inspired his art dramatically. His friends report that in its most troublesome form, he suffered periods of "dark despair and violent anger". Schubert asserted that whenever he wrote songs of love, he wrote songs of pain, and whenever he wrote songs of pain, he wrote songs of love. Extremes were an organic part of his make-up.[1]

She added, "In its essence, Night Ferry is a sonic portrait of voyages; voyages within nature and of physical, mental and emotional states." Additionally, the title of the piece is from the British poet Seamus Heaney's Elegy for the author Robert Lowell, who also suffered from manic depression.[1][3]

While composing the work, Clyne simultaneously painted a series of seven large canvasses for cross-inspiration. She later wrote:

This became my visual timeline for the duration of the music. In correlation to composing the music, I painted from left to right, moving forward through time. I painted a section then composed a section, and vice versa, intertwining the two in the creative process. The process of unraveling the music visually helped to spark ideas for musical motifs, development, orchestration, and, in particular, structure. Similarly, the music would also give direction to color, texture and form. Upon the canvas I layered paint, charcoal, pencil, pen, ribbon, gauze, snippets of text from Coleridge's The Rime of the Ancient Mariner, fragments of Gustave Doré's illustrations for this wonderfully evocative poem, and a selection of quotes from artists afflicted with, and blessed by, this fascinating illness.[1]

Instrumentation

The work is scored for an orchestra comprising two flutes, piccolo, two oboes, cor anglais, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, three percussionists, harp, piano, and strings.[1]

Reception

Reviewing the world premiere, Lawrence A. Johnson of The Classical Review called Night Ferry "a powerful, compelling work displaying the freshness and individuality of the greatly gifted Clyne" and wrote, "...this is an undeniably impressive debut for the 31-year-old composer, especially considering this is only her second work for orchestra."[5] Although somewhat disappointed by the premiere, John von Rhein of the Chicago Tribune later remarked that the piece had grown on him. In 2014, he wrote, "The score's roiling strings, jabbing brass and delicate Tibetan singing bowls now come together with an expressive impact I didn't feel at the premiere."[6]

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References
  1. Clyne, Anna (2012). "Night Ferry: Programme Note". Boosey & Hawkes. Retrieved August 1, 2015.
  2. Rhein, John von (February 1, 2012). "CSO's Bates and Clyne: Luring younger listeners with new music that speaks their language". Chicago Tribune. Retrieved August 1, 2015.
  3. Johnson, Lawrence A. (February 7, 2012). "Anna Clyne's "Night Ferry" set to sail after a long creative voyage". Chicago Classical Review. Retrieved August 1, 2015.
  4. Margasak, Peter (February 9, 2012). "Anna Clyne scores big: Symphonies still prefer dead composers, but Clyne beat the odds to land a plum job with the CSO at the tender age of 30". Chicago Reader. Retrieved August 1, 2015.
  5. Johnson, Lawrence A. (February 10, 2012). "Clyne's powerful premiere given first-class advocacy by Muti, Chicago Symphony". The Classical Review. Retrieved August 1, 2015.
  6. Rhein, John von (May 13, 2014). "New music mission continues for CSO's Bates, Clyne". Chicago Tribune. Retrieved August 1, 2015.
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