Nicolas Gessner
Nicolas Gessner (born 17 August 1931, in Budapest, Hungary) is a Hungarian-born filmmaker who mostly worked in France.
His movies are often characterized by strange, quirky atmospheres and unusual cast mixing French and international actors. Starting from the early 1980s, Gessner mostly worked for television.
Filmography
- Auskunft im Cockpit (1959)
- Der Gefangene der Botschaft (1964, TV film)
- Diamonds Are Brittle (1965)
- The Blonde from Peking (1967)
- The Thirteen Chairs (1969)
- Someone Behind the Door (1971)
- The Little Girl Who Lives Down the Lane (1976)
- It Rained All Night the Day I Left (1980)
- Herr Herr (1982, TV film)
- Le tueur triste (1984, TV film)
- Intrigues (1985, TV series)
- Macho (1986, TV film)
- Das andere Leben (1987, TV film)
- Quicker Than the Eye (1988)
- Tennessee Waltz (1989)
- Visages suisses (1991)
- Estelle (1993, TV miniseries)
- Chêques en boîte (1994, TV film)
- Spaceship Earth (Tous sur orbite !) (1997, TV series)[1]
gollark: One alternative interpretation I read somewhere was coordination problems - people don't do much because they feel like it won't be useful unless other people also do.
gollark: I'm not saying that they shouldn't care, to clarify, but that people don't, telling them their preferences are wrong is not really a winning strategy, and the lack of concern of most richer countries for poorer ones reflects most people's demonstrated attitudes.
gollark: Yes, exactly.
gollark: (also, global prosperity is generally going up, illiteracy & extreme poverty going down, etc.)
gollark: Anyway, I find those "various people die of easily preventable deaths → capitalism bad" things unreasonable. I suspect most people don't actually *care* about random people somewhere dying, given the fact that you can quite easily donate to very effective charities for e.g. helping fix malaria under the existing system, and yet nobody does this.
References
- Spaceship Earth (Television production). 1997. External link in
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