Nick Miller (artist)

Nick Miller (born 1962 in London) Is an Irish contemporary artist who has become known for reinvigorating painting and drawing in the traditional genres of Portraiture, Landscape and Still-life.[1] He has developed an intense and individual approach to the practice of working directly from life, that has been described as a form of encounter painting.[2][3]

Biography

In 1984, after graduating in Development Studies at the University of East Anglia he moved to Ireland to pursue his interest in painting. He has lived and worked in Co Clare, Dublin, and apart from periods working in the US, he has largely been based in Co Sligo since 1992. In 2018 after 34 years he became an Irish Citizen. He has become one of Ireland's leading contemporary painters. In recognition of his significant contribution to Irish Art, he was elected to Aosdána in 2001.

Exhibitions

Significant solo museum exhibitions of his work have taken place at the Irish Museum of Modern Art (South African Works in 1994, and Nick Miller and the Studio of Edward McGuire[4] in 2015-16) and, The Royal Hibernian Academy, Dublin in 2003(Figure To Ground); The Butler Gallery , Kilkenny Castle in 2004(Genre); Limerick City Gallery of Art and Centre Culturel Irlandais, Paris in 2007(Truckscapes:Drawings). In 2008 he exhibited Truckscapes: Paintings at the gallery of the historic New York Studio School.

Career

In 1997 he converted a Truck, a mobile British Telecom workshop, into a mobile studio, facilitating the artist to work on large scale paintings and drawings in the landscape, but protected from the elements. He began to gain critical recognition in the early 2000s exhibiting work that tackled the traditionally conservative tradition of Irish Landscape painting through his particular approach of encounter painting to portray land and nature in the rural West of Ireland.[5][6] The Mobile Studio enabled a highly productive 15-year period work[7] that explored Landscape through the interface of the artist with both culture and nature. The "Truckscapes"[8][9][10] were distinguished by the inclusion of the doorway of the truck, itself covered in splattered paint, as a painted meeting with nature defined by the artist and the reality of the 'truck-view'.[11][12] Examples such as "From Cogan's Shed" (2004)[13] can be found in collections of the National Gallery of Ireland, "From Cogan's Shed" (2007) Limerick City Gallery of Art, and "Whitethorn, truck-view" (2000-2001)[14] The Irish Museum of Modern Art.

Portraiture, and the formal meeting with his subject is a central tenet of Miller's practice influencing his approach to all genres of painting. For the artist, the artwork is the remains of a lived and painted encounter.[15] In a seminal series of large scale CLOSER[16] drawings made from 1996-2000 and shown in Dublin[17] and London[18][19] Miller drew his subjects, mostly close family and friends to make unconventional portraits including Corban (1996), Collection of IMMA,[20] of the Irish artist Corban Walker. These drawings were made at very close quarters, exploring a single point perspective, face to face and straddling the subjects on the paper they were being drawn on the floor.

Amongst subjects, both well known and unknown, Miller has painted the author John McGahern (1998) The Niland Collection[21] Sligo, and a full seated figure Portrait of John Hogan (2004), a farmer and neighbour of the artist for 16 years, during a period living on Lough Arrow, Co Sligo. The painting is now in the collection of the Hugh Lane Gallery, Dublin City Gallery,[22] Dublin City Gallery.In 2014 he received the inaugural Hennessy Portrait Prize,[23] held at the National Gallery of Ireland. The award included a commission to paint the Irish musician Donal Lunny for the National Portrait Collection, and was given for his 2013 painting "Last sitting: Portrait of Barrie Cooke",[24] a fellow artist, and friend of Miller's who died in 2014.[25] Both paintings are in the collection of the National Gallery of Ireland.

In 2014 he was invited by the Irish Museum of Modern Art to respond to the donated studio contents of the renowned Irish portrait and still life painter Edward McGuire (painter) (1932–1986), now in the museum's collection. Miller took up residency in the Museum, spending time with McGuire's work studio contents and personal belongings. During the residency he made a series of still life paintings of objects and the many stuffed birds that Mcguire was renowned for painting. McGuire had died not long after Miller settled in Dublin, in 1986. As a way to connect to the man, he had not met, but whose work Miller admired, he invited a number of McGuires sitters to come and sit for him in IMMA and talk about Edward, often over 30 years later. These included Theresa Browne, Garech Browne, Wanda Ryan, and the poets Anthony Cronin and Paul Durcan. The resulting exhibition at the museum: Nick Miller and the Studio of Edward McGuire (November 2016 -May 2016)[26] featured both artists' works on similar subjects, and an installation of McGuire's studio belongings with a film made by Miller about McGuire's renowned "Colour Dictionary"[27][28]

In the same way that Miller attempts to reinvigorate traditions around landscape and portraiture, he continues to evolve the genre of the 'still life', often merging still life with portraiture.[29] In more recent years, since 2011 he began to return to painting elements of nature, flowers, weeds, branches and even seaweed, placed in a variety of vases. Initially painted on a domestic scale, this series of works are known as Vessels : Nature Morte. Jackie Wullschläger describes the paintings: "Still life is always about holding time, but Miller's swiftly executed paintings also convey growth to decay, almost surreally speeded up: flowers bloom, glisten, wilt within each rapid painterly performance." [30] They were painted over a number of years as a way to hold connection to his dying mother. In the more the recent Rootless paintings [31] Miller works with experiences of disintegration and order, as he takes the still lives to a monumental scale, affirming the primacy of 'Nature' as a true and vital reality.[32]

gollark: For accelerating some specific computing tasks sure.
gollark: We know biology can do computationy things, we don't know if that can be leveraged for anything very useful.
gollark: Brains aren't particularly usable as/with computers right now.
gollark: If I was supreme world dictator I would fix this sort of thing.
gollark: Unfortunately, cool nuclear tech isn't well developed/deployed because people are utter dodecahedra about it and most regulation is bad.

References
  1. - Financial Times, Critics Choice, 17th Feb 2019 - Jackie Wullschläger
  2. - What you are looking at is leaving. Essay by Martin Gayford, in Rootless: New Paintings 2019, ISBN 978-0-9957524-8-1
  3. - The Truth of the Encounter. Nick Miller Interview with Joanne Laws. Visual Artist Newsletter March 2019
  4. - Irish Museum of Modern Art - Nick Miller and the Studio of Edward McGuire | Nov 2015 - May 2016.
  5. - The Irish Times, article by Aidan Dunne
  6. - Figure to Ground at the RHA Gallery, Dublin (2003)
  7. - Truckscapes Exhibited at the RHA Gallery, Dublin (2003), Limerick City Gallery (2007), Centre Culturel Irlandais, Paris (2008), and New York Studio School (2008)
  8. - Washington Post article by Blake Gopnik
  9. - NYSS - Truckscapes, essay by David Cohen (art critic)
  10. - NYSS - Truckscapes Drawings, Essay by Peter Plagens on Nick Miller.
  11. - NYSS - Truckscapes Drawings, Essay by Peter Plagens on Nick Miller.
  12. - RTÉ television: The View (Irish TV series)
  13. http://onlinecollection.nationalgallery.ie/objects/20735/from-cogans-shed?ctx=98891e09-6b84-4394-94e0-15fd027a5bd9&idx=0
  14. https://imma.ie/collection/whitethorn-truck-view/
  15. - Miller's Crossing. Interview with Brian McAvera, Irish Arts Review, Vol 32, 2015
  16. - Official website - CLOSER : Drawings before the end (1996-2000)
  17. - Portraits worth lying for. Review, Aidan Dunne, The Irish Times 26/1/2000
  18. - Nick Miller-Art Space Gallery, London. Review, Richard Ingleby, The Independent 8/4/2000
  19. - CLOSER at Art Space Gallery, London. ‘Whats On’. Review, Fisun Guner, 3/5/2000
  20. - Corban (1996) 152.4 x 122cm, Collection of Irish Museum of Modern Art
  21. Archived 11 March 2019 at the Wayback Machine- Portrait of John McGahern (1998), Niland Collection, The Model, Sligo
  22. - Portrait of John Hogan(2004), Collection of Hugh Lane, Dublin City Gallery
  23. - RTÉ News, 11 November 2014.
  24. - Hennessy Portrait Prize 2014, National Gallery of Ireland.
  25. - Arena: RTÉ Radio 1 Interview with Nick Miller.
  26. - Official website : - Nick Miller and the studio of Edward McGuire, IMMA, Nov 2015-May 2016
  27. - IMMA Collection : Nick Miller and the studio of Edward McGuire, Irish Museum of Modern Art, Nov 2015-May 2016
  28. - - An unusual artistic inheritance pays off, Aidan Dunne, The Irish Times, 3/12/15
  29. - Noreen with Polaroid is a 1994 work by Nick Miller, part of the IMMA Permanent Collection.
  30. - Financial Times, Critics Choice, 3/9/16 Jackie Wullschläger
  31. - Official Website: Rootless: new paintings
  32. - Rootless: New Paintings 2019, ISBN 978-0-9957524-8-1 What you are looking at is leaving. Essay by Martin Gayford,
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