New Yorker Films

New Yorker Films is an independent film distribution company founded by Daniel Talbot in 1965. It started as an extension of his Manhattan movie house, the New Yorker Theater, after a film's producer would not allow for a movie's single booking.[1] It went out of business in 2009 and was revived the next year with its acquisition by Aladdin Distribution.

Background

Through New Yorker Films, Talbot aimed to import foreign films that were not otherwise available in the US market. His first acquisition for distribution was the Bernardo Bertolucci debut film Before the Revolution (1964). Other early acquisitions, such as Jean-Luc Godard's Les Carabiniers (1963) and Ousmane Sembène's Black Girl (1966), helped establish New Yorker Films as a presenter of innovative, artistically significant, and politically engaged films from around the world.[2]

Titles introduced
"Chan Is Missing", 1981

New Yorker Films helped gain an audience for controversial and challenging works avoided by other distributors in the United States. Some of these included Jacques Rivette's Celine and Julie Go Boating; Wayne Wang's Chan Is Missing Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles; Claude Lanzmann's documentary Shoah; Emir Kusturica's Underground; the Merchant-Ivory docudrama The Courtesans of Bombay; and Werner Herzog's Aguirre, the Wrath of God.[2]

New Yorker Films considered itself the primary force in introducing the United States to New German Cinema, the politically embattled Latin American cinema, and the postcolonial African cinema. It discovered the early breakthrough works of such now-celebrated filmmakers as Agnieszka Holland, Juzo Itami, Errol Morris, Wayne Wang, and Zhang Yimou. Later it explored new frontiers in Iranian, Asian, and Eastern European cinema.[2]

Non-theatrical market

New Yorker Films also serviced the non-theatrical market, catering to the specialized needs of film society and classroom venues not generally served by larger film providers. The New Yorker Films library includes titles from leading independent and foreign film distributors such as Sony Pictures Classics, First Look, and Lions Gate Entertainment.[2]

Ownership by Madstone Films and Aladdin Distribution LLC

In 2002, New Yorker Films was acquired by Madstone Films. On February 23, 2009, New Yorker Films posted a notice on its Web site announcing it had gone out of business. An e-mail from company vice president José Lopez, published on the IndieWire news site, confirmed that the company's demise was the result of its parent company's defaulting on a loan.[3]

In February 2010, a year after it ceased operations, it was announced that Aladdin Distribution LLC, headed by Christopher Harbonville and David Raphel, had acquired the company and its library. Former vice president José Lopez was named president, and New Yorker Films officially restarted operations on March 8, 2010.[4] Since the revival, its acquisitions have included My Dog Tulip, Octubre, Turn Me On, Dammit!, and the re-release of Jacques Rivette's classic Celine and Julie Go Boating.[5]

End of the company

As of February 2018, the Official Company website NewYorkerFilms.com only has a placeholder image, and many of its DVDs have been out of print for at least a year.

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References
  1. "Talbot paved way for indie industry". Variety. April 21, 2009. Archived from the original on March 4, 2016.
  2. "About_us". Archived from the original on 2008-01-26. Retrieved 2008-02-09.
  3. Eugene Hernandez (February 23, 2009). "End of the Road for New Yorker Films, Legendary Distributor of 'Difficult' Cinema". IndieWire. Archived from the original on October 18, 2011. Retrieved 2016-05-14.
  4. McNary, Dave (9 February 2010). "Aladdin buys New Yorker Films library". Archived from the original on 12 February 2018.
  5. Thompson, Anne (21 March 2012). "New Yorker Films Back in Action with Norwegian Coming-of-Age Sex Comedy 'Turn Me On, Dammit'". Archived from the original on 31 October 2012.
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