Never Fight a Man with a Perm
"Never Fight a Man with a Perm" is a song by British punk rock band, Idles. It is the fifth single from their second album, Joy as an Act of Resistance. The track was released as a single for streaming on 2 September 2018 through the band's YouTube channel.
| "Never Fight a Man with a Perm" | ||||
|---|---|---|---|---|
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| Single by Idles | ||||
| from the album Joy as an Act of Resistance | ||||
| Released | 2 September 2018 | |||
| Recorded | August–October 2017 | |||
| Genre | ||||
| Length | 3:48 | |||
| Label | Partisan | |||
| Songwriter(s) | Idles | |||
| Idles singles chronology | ||||
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Lyrically, the song has been described a critique of toxic masculinity and a rallying cry for men to address the dangers of toxic masculinity and what it really means to be a man. Joe Talbot, the lead singer of the band, has described the song as a critique of masculinity, as well as a personal exposure to his past behavior when he was younger and involved in fights and such scenes.
Background
In 2018, Talbot explained his creative inspiration for the song to NPR: ”This song came about when I said the album needed a knife to cut through the macabre timbre of the album's arch; as soon as I mentioned "knife," Bobo [guitarist Mark Bowen] shat the riff out like he knew the album wanted it also. I wanted the song to be an exploration of the horrid corners of my past; the bit I felt shame from. I think of my art as a way of being vulnerable, an exercise in catharsis, and a reflection of my ugliness that can exalt shame. Here it manifested into something beautiful, as all catharsis should be.[4]
Themes and composition
In an interview with Kerrang!, lead singer, Joe Talbot discussed how the song focuses on his personal mental health and toxic masculinity. Specifically, Talbot exposes how the song is a portal to his dark past where the toxic masculine culture he criticizes was a culture he was immersed in earlier on his life, and how he is trying to rid himself of that behavior while acknowledging it happening.[5]
Writing for the Leamington Courier Peter Omerod compared the song's sound and composition "positioned somewhere between Quentin Crisp, Morrissey and the toilet door of a Wetherspoon's".[3] Omerod stated that this song, and the band in general is "quite rightly reluctant to be filed under any particular genre: the drums often have a post-punk or motorik intensity; the bass is full, fat and sometimes even funky; the guitars bite and churn; the vocals snarl warmly."[3]
Reception
Reception for the song has been widely positive by contemporary music critics and journalists. Ludovic Hunter-Tilney, writing for The Financial Times praised the song as the "right kind of noise". Hunter-Tilney described the song as a satire of violence through the critique of masculinity, while describing the violent sounding noise in the track. He described the song as a "musical maelstrom aimed to shake up norms, but in the cause of self-growth rather than exhausted rock-and-roll rebellion".[6]
Olivia White, writing for The Mancunion called the track a "fan favourite", and described the track as having "relentless vitality".[7] Thomas Gale, writing for The Oxford Times praised the "cathartic noise" of the track's introduction before launching into the recognisable, raucous punk they're known for.[8]
Omerod also felt the song, especially the song as "bright and devastatingly direct. And the lyrics carry a barbed and brutal beauty."[3] Omerod further felt the band's song is "potent, powerful, and enormous fun". Omerod further said "at this point in their career, Idles are so perfect that you might almost want them to retire now. Only that would deny us the possibility of their taking over the world and making everything right. This explosive mix of fierceness, conviction and wit means they can go places others may dare not."[3]
Popular culture
The song is played on the last episode of season 5 of the TV show Peaky Blinders. The second verse plays as Oswald Mosley enters a rally at Bingley Hall in Birmingham.
Personnel
- Joe Talbot – vocals
- Adam Devonshire – bass
- Mark Bowen – guitar
- Lee Kiernan – guitar
- Jon Beavis – drums
References
- Stiernberg, Bonnie (21 August 2018). "How IDLES Used Punk Rock To Fight Through Grief". Rolling Stone. Retrieved 17 November 2018.
- Wray, Daniel Dylan (22 March 2018). "Meet IDLES, Punk's Most Savage Good Boys". Noisey. Vice Media. Retrieved 17 November 2018.
- Ormerod, Peter (29 October 2018). "Incandescent Idles bring the devastating power of love to Birmingham". Leamington Spa Courier. Retrieved 17 November 2018.
- Boilen, Bob (31 August 2018). "IDLES Explain 'Joy As An Act Of Resistance,' Track By Track". NPR. Retrieved 17 November 2018.
This song came about when I said the album needed a knife to cut through the macabre timbre of the album's arch; as soon as I mentioned "knife," [...] Here it manifested into something beautiful, as all catharsis should be.”
- Young, Simon. "Happiness Is All the Rage: Idles' Joe Talbot on Toxic Masculinity and Vulnerability". Kerrang!. Retrieved 17 November 2018.
- Hunter-Tilney, Ludovic (19 October 2018). "Idles, Forum, London — a roar of complaint and satire". Financial Times. The Nikkei. Retrieved 17 November 2018.
- White, Olivia (24 October 2018). "IDLES at the O2 Ritz". The Mancunion. Retrieved 17 November 2018.
- Gale, Thomas (14 November 2018). "REVIEW: Idles @ O2 Academy Oxford - 'Restored faith in the positive power of live rock'". The Oxford Times. Newsquest. Retrieved 17 November 2018.
Singer Joe Talbot croons and yelps over cathartic noise before the track pauses halfway and the band launch into the more familiar and faster, raucous, punk they are renowned for. Never Fight A Man With A Perm, follows with its infectious ringing riff and vocals spat out through gritted teeth.