National Sylvan Theater

The National Sylvan Theater — often simply the Sylvan Theater — is a public sylvan theater on the grounds of the Washington Monument, National Mall, in Washington, D.C., USA. It is located within the northwest corner of the 15th Street and Independence Avenue intersection,[1][2] about 450 feet (137 m) southeast of the Washington Monument. A wooden stage is set in a graded depression surrounded by a grove of trees and appears as a sort of natural amphitheater integral to the historic greensward of the monument grounds. A gathering of 10,000 event attendees may stretch from the theater stage back to the base of the monument.[3] The Sylvan Theater was the first federally funded theater in the United States.[4]

National Sylvan Theater
MIT Concert Band performs at the National Sylvan Theater in 2011
National Sylvan Theater
Location within Washington, D.C.
AddressWashington Monument, National Mall
Washington, D.C.
United States
Coordinates38.888333°N 77.034444°W / 38.888333; -77.034444
OpenedApril 4, 1917

History

The theater was the idea of Alice Pike Barney (1857–1931), a campaigner, in efforts to transform Washington, D.C. into the nation's cultural capital during the first quarter of the 20th century. She became known for her lavishly produced, artistically executed ballets, mimes, tableaux, plays, and other theatrical productions. During the First World War, she persuaded Congress to approve and fund the construction of a "National Sylvan Theater" at its present site at the Washington Monument in 1916.[5] As the theater's original playwright, Pike prepared scripts for the first half dozen productions.[6]

It was designed to seat over 8,000 persons. Built and maintained by the War Department in its administration of the park system of the District of Columbia, performances had to receive the approval of the Office of Public Buildings and Grounds.[7] While the Federal government supports the stage, including such areas as lighting, policing, and the management of tickets, other expenses fall upon the company producing the event.[7] Its first director was Col. W. H. Harts, Superintendent of Parks in Washington.[8]

Dedicated on April 4, 1917 in the presence of the President and his Cabinet,[8] it became the nation's first federally supported outdoor theater. The initial performance was attended by 2,800 with seats arranged so that there were no cross aisles that might obstruct a view. It included a masque entitled, The Drama Triumphant, written by Mrs. Christian Hemmick.[8] However, an estimated 150,000 people attended two concerts, afternoon and evening, at the Sylvan Theater on July 4 for an American Roots Fourth of July 1993, to listen to American traditional music, which was produced by the National Park Service, the National Council for the Traditional Arts, WETA-FM and Radio Smithsonian.[9]

According to the 2010 National Mall Plan: Summary, a new, high-quality multipurpose facility is being planned to replace the Sylvan Theater. It will provide food service, restrooms, retail space, staff space, and performance space that is better oriented for hillside seating. It will be sited in a wooded area below street level and will offer views of the monument.[10]

Design and construction
View of the stage

In early 1917, the National Sylvan Theater was built to the southeast of the Washington Monument, at the foot of the hillside. The filling material used to construct the stage, which is 5 feet (1.5 m) above grade, 80 feet (24 m) wide, and 30 feet (9.1 m) deep, combined with two wings, each 30 square feet (2.8 m2), was brought to the site at no cost to the government. The stage was constructed with three flights of flag steps, which give access to the wings from the lower ground level in the rear. A special electric cable was laid to provide current for a series of larger projector lamps, which when placed on platforms were meant to furnish light for the performances.[11] In lieu of a drop curtain, a difficulty in open-air productions, jets of steam could be piped in along the stage front, not only concealing the performers, but adding a mystical quality.[12]

The wings of the stage were screened with a heavy planting of forsythia and other shrubbery, which were transplanted from the shores of the Tidal Basin into beds along the sides of the stage. The entire area of the theater stage was covered with soil and seeded and sodded to ensure a good turf for the opening performance which took place on June 2, 1917.[11]

Construction elements also included 1180 cubic yards of rough clay fill, 350 square yards of shrubbery beds, 800 square yards of graded and sodded lawn, plus 900 square yards of graded and seeded lawn. There were 50 linear feet of 8 inches (200 mm) and 340 linear feet of 6 inches (150 mm) terra cotta sewer pipe laid; 285 linear feet of flagstone steps were constructed; and 428 deciduous trees and shrubs were transplanted to the theater area.[11]

Events
View from the stage

Today, the site is a popular venue for free military concerts, musicals, Shakespeare plays, puppet shows and ballet during the spring, summer and fall.

A summer concert series, the Military Band Summer Concert Series is held from June to August, on Tuesday, Thursday, Friday, and Sunday nights at 8 PM at the Sylvan Theater (other venues are used at other times of the year). The bands of each of the four service branches perform (different nights) free al-fresco concerts, typically including military marches, patriotic numbers, and some classical music.[13]

Every August, Tchaikovsky's 1812 Overture is performed with real cannon at the Sylvan Theater by the Presidential Salute Battery of the 3rd U.S. Infantry (The Old Guard) in what is perhaps the U.S. Army Band’s most popular regular engagement.[14]

The Sylvan Theater is also often used for government or other commemorative ceremonies, rallies and protests, and as a starting or stopping point for organized marches, such as the 2002 protesters coalition to "Stop the War at Home and Abroad".[12]

In 1944, for the second anniversary of the WAVES, 10,000 Women's Reservists marched in formation and formed up at the Sylvan Theater before sitting down on the grass in their gray uniforms.[15] Martin Luther King addressed 26,000 people at the theater for the 1959 Youth March for Integrated Schools.[16] For the 1963 Great March on Washington, Nazis planned to meet at the Sylvan Theater before proceeding into the crowd of marchers,[17] and as the march moved from the Sylvan Theater toward the Capitol Building, Joan Baez, Judy Collins, and others sang We Shall Overcome.[18]

The theater has also been the site for religious services such as an outdoor Mass that featured a sermon by Archbishop Fulton J. Sheen,[19] and the public talk of Kirpal Singh during his 1963 visit to Washington D.C.[20]

gollark: How long *is* the tmpim meeting?
gollark: Yes, kepler has a blæzefarm and enchant shop.
gollark: Was that sentence just an excuse to say "Kung Flu"?
gollark: 1337 koding.
gollark: It seems to have beaten potatOS, then.

References
  1. "Sylvan Theatre". About.com. Retrieved 23 May 2011.
  2. Ford, Elise Hartman (9 January 2004). Frommer's Washington, D.C. from $80 a Day. Frommer's. p. 250. ISBN 978-0-7645-4128-5. Retrieved 23 May 2011.
  3. Historical Society of Washington, D.C. (1 January 1990). Washington history: magazine of the Historical Society of Washington. The Society. p. 88. Retrieved 23 May 2011.
  4. Dizard, Wilson P. (2010). Digital D.C.: how information technology is transforming the hub of American politics. McFarland. pp. 141–. ISBN 978-0-7864-4469-4. Retrieved 26 May 2011.
  5. Smithsonian Archives (1996). Guide to the Smithsonian Archives. Smithsonian Institution Press. Retrieved 23 May 2011.
  6. Benedetto, Robert; Donovan, Jane; Vall, Kathleen Du (2003). Historical dictionary of Washington. Scarecrow Press. pp. 29–. ISBN 978-0-8108-4094-2. Retrieved 26 May 2011.
  7. Powell, Louise Burleigh (1917). The community theatre in theory and practice (Now in the public domain. ed.). Little, Brown and Company. pp. 182–. Retrieved 26 May 2011.
  8. Society of Arts and Crafts (Detroit (1917). Theatre arts (Now in the public domain. ed.). Theatre Publications. pp. 171–172. Retrieved 26 May 2011.
  9. American Folklore Society. Public Programs Section; State Historical Society of Iowa (1993). Public programs newsletter. American Folklore Society. pp. 17–. IND:30000046092619. Retrieved 26 May 2011.
  10. Sorensen, Greg (Fall 2010). National Mall Plan: Summary. DIANE Publishing. pp. 17–18. ISBN 978-1-4379-4263-7. Retrieved 26 May 2011.
  11. United States. Army. Corps of Engineers; United States. Mississippi River Commission (1917). Report of the chief of engineers U.S. army (Now in the public domain. ed.). Govt. print. off. pp. 101–. Retrieved 26 May 2011.
  12. Prechel, Harland (2007). Politics and globalization. Emerald Group Publishing. pp. 39–. ISBN 978-0-7623-1316-7. Retrieved 26 May 2011.
  13. Price, Tom; Price, Susan Crites (28 June 2010). Frommer's Washington, DC Free and Dirt Cheap. Frommer's. p. 158. ISBN 978-0-470-58253-4. Retrieved 23 May 2011.
  14. Mid-Atlantic country. Country Sun. 1993. p. 18. Retrieved 23 May 2011.
  15. Hancock, Joy Bright (9 April 2002). Lady in the Navy: A Personal Reminiscence. Naval Institute Press. pp. 120–. ISBN 978-1-55750-399-2. Retrieved 26 May 2011.
  16. King, Martin Luther; (Jr.), Martin Luther King; Carson, Clayborne; Peter Holloran; Ralph Luker; Penny A. Russell (2005). The Papers of Martin Luther King, Jr: Threshold of a new decade, January 1959-December 1960. University of California Press. pp. 186–. ISBN 978-0-520-24239-5. Retrieved 26 May 2011.
  17. Euchner, Charles (1 August 2010). Nobody turn me around: a people's history of the 1963 march on Washington. Beacon Press. pp. 158–. ISBN 978-0-8070-0059-5. Retrieved 26 May 2011.
  18. Miller, Eric (16 April 2010). Hope in a Scattering Time: A Life of Christopher Lasch. Wm. B. Eerdmans Publishing. pp. 159–. ISBN 978-0-8028-1769-3. Retrieved 26 May 2011.
  19. MacGregor, Morris J. (2006). Steadfast in the faith: the life of Patrick Cardinal O'Boyle. CUA Press. pp. 155–. ISBN 978-0-8132-1429-0. Retrieved 26 May 2011.
  20. Diem-Lane (2008). The Guru In America: the influence of Radhasoami on new religions. pp. 20–. ISBN 978-1-56543-097-6. Retrieved 26 May 2011.
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