Natalia Osipova

Natalia Petrovna Osipova (Russian: Ната́лья Петро́вна О́сипова; born 18 May 1986) is a Russian ballerina, currently a principal ballerina with The Royal Ballet in London.

This name uses Eastern Slavic naming customs; the patronymic is Petrovna and the family name is Osipova.
Natalia Osipova
Natalia Osipova in an extract from Flames of Paris, at the reopening gala of the Bolshoi Theatre 2011
Born
Natalia Petrovna Osipova

(1986-05-18) 18 May 1986
Moscow, Russian SFSR, Soviet Union
EducationMoscow State Academy of Choreography (The Bolshoi Ballet Academy)
OccupationBallet dancer
Current groupThe Royal Ballet
Former groupsBolshoi Ballet, Mikhailovsky Theatre

Early life and training

Born in Moscow, Osipova began formal ballet training at the age of nine[1] at the Mikhail Lavrosky Ballet School. From 1996 to 2004, she studied at the Moscow State Academy of Choreography (The Bolshoi Ballet Academy), under the tutelage of Marina Kotova and Marina Leonova.

Career

At the age of 18, she joined the Bolshoi Ballet as a member of the corps de ballet. In 2005, she danced the role of Kitri in Alexei Fadeyechev's production of Don Quixote to critical acclaim [2] and was promoted to soloist in 2006. She was named one of the 25 to Watch by Dance Magazine in 2007[3] and became a leading soloist in 2009. In 2010, she became a principal dancer at the Bolshoi Ballet, but resigned in 2011, citing "artistic freedom" as her reason for leaving.[4]

After leaving the Bolshoi, she joined American Ballet Theatre as a guest dancer for their Metropolitan Opera House season. She danced Don Quixote with José Manuel Carreño, and both The Sleeping Beauty and Romeo and Juliet with David Hallberg.[5] A week before her performance in The Sleeping Beauty, she was mugged outside the Met, but suffered only minor bruises and was able to perform. She lost only a pair of pointe shoes and a small hammer used to shape them.[6] In December 2011, she joined the Mikhailovsky Ballet.

In 2011, Osipova performed in Roy Assaf's Six Years Later, partnering with Jason Kittelberger and the same year danced in Valse Triste by Alexei Ratmansky. The season then continued with her appearances in various solo performances, including under Ludwig van Beethoven's Moonlight Sonata and Yuka Oishi's Ave Maria.[7]

On 8 April 2013, it was announced that Osipova would join The Royal Ballet as a principal dancer, having previously danced as a guest artist in Swan Lake. She cited the broader and more diverse repertoire as her primary motivation for the move.[8] She debuted on 21 November 2013, in Romeo and Juliet, partnered by Carlos Acosta. She has also danced in The Nutcracker and Giselle, with Acosta and Federico Bonelli.[9]

In 2016, she performed the role of Anastasia/Anna Anderson in a ballet of the same name.[10]

In 2018, Osipova appeared with David Hallberg in Pure Dance, a refined ballet of Antony Tudor's The Leaves Are Fading from 1975.[7]

In 2019, Osipova played the role of a Mother in The Mother of Arthur Pita[11] and in June of the same year she appeared in a Gerald Fox's documentary film Force of Nature.[12] Osipova also performed with David Hallberg, dancing the title role in Giselle at Lincoln Center in New York.[13]

Repertoire

Osipova's debut as Kitri in Don Quixote on 7 November 2005 launched her solo career.

Awards
  • Grand Prix at Prix de Luxembourg International Ballet Competition (2003)
  • 3rd Prize at Moscow International Ballet Competition (2005)
  • Ballet Magazine Soul of Dance Prize in the category Rising Star (2007)
  • Leonide Massine Award in the category of Significance of Talent (2008)
  • The International Dance Association Prix Benois de la Danse Award for performances in La Sylphide, Giselle, Le Corsaire and The Flames of Paris (2008)
  • Richard Sherrington Award (2008)
  • The Golden Mask award for performances in Twyla Tharp's In The Upper Room (2008) and La Sylphide (2009)
  • Special Prize of The Golden Mask jury for Best Duet in La Sylphide (2009)
  • UK National Dance Awards presented by The Critics' Circle: Best Female Dancer (2007, 2010 and 2014)
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See also

References
  1. "Natalia Osipova, ballet dancer – portrait of the artist". The Guardian. 10 December 2013. Retrieved 20 October 2019.
  2. "Большой театр". bolshoi.ru. Archived from the original on 21 June 2011.
  3. Stahl, Jennifer (January 2007). "25 to Watch". Dance Magazine.
  4. Wakin, Daniel J. (14 November 2011). "Bolshoi Is Stung by Loss of Two Stars". The New York Times. Retrieved 20 October 2019.
  5. Sulcas, Roslyn (17 June 2010). "A Determined Ballerina, Propelled to the Top". The New York Times. Retrieved 20 October 2019.
  6. Wakin, Daniel J. (15 June 2010). "ABT Ballerina Is Attacked". The New York Times. Retrieved 20 October 2019.
  7. "Natalia Osipova: Pure Dance review – a dizzying odyssey from past to present". The Guardian. 14 February 2018. Retrieved 20 October 2019.
  8. Sulcas, Roslyn (10 April 2013). "Russian Ballerina Natalia Osipova Joins London's Royal Ballet". The New York Times. The New York Times Company. Retrieved 20 October 2019.
  9. "Giselle | Performers & Credits". Fathom Events. Archived from the original on 1 February 2014. Retrieved 22 January 2014.
  10. Mackrell, Judith (27 October 2016). "Anastasia review – Natalia Osipova offers sensitive glimpses of a soul in hell". The Guardian. Retrieved 20 October 2019.
  11. Winship, Lyndsey (21 June 2019). "The Mother review – Natalia Osipova dances to hell and back". The Guardian. Retrieved 20 October 2019.
  12. Bradshaw, Peter (6 June 2019). "Force of Nature Natalia – fascinating study of the Royal Ballet's star dancer". The Guardian. Retrieved 20 October 2019.
  13. Macaulay, Alastair (20 May 2018). "Many Giselles, but Only One Osipova". The New York Times. Retrieved 5 January 2020.
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