Nance O'Banion

Nance O'Banion (1949-2018)[1] was an Oakland based American artist who "pioneered creative explorations of handmade paper".[2] She is known for her sculptural paper works and book works which focus on themes of change and transformation.[3][4][5] A retrospective sample of the arc of her work may be viewed at: https://nance-obanion.com

Early life and education

Nance O'Banion was born in Oakland, California and grew up in San Leandro, California. She received her Bachelor of Arts from University of California, Berkeley, in 1971 and her Master of Arts in 1973.[2]

Work

In 1970 O'Banion began to explore the use of handmade paper as a sculptural medium.[5] By 1977 she was "well known for her long involvement in the Bay Area fiber arts movement".[6] Her artworks ranged from large, public sculptures to unique limited-edition books to drawn or painted wood tablets. Over the last two decades her work underwent a striking transformation, both in scale, from the grand to the intimate, and in content, from the abstract to the symbolic. This was due in part to neurological changes and their resulting perceptual insights, but also to a growing desire to communicate a more intensely personal vision in her work.[7] This most recent body of work was featured in the solo exhibition Present Tense at California College of the Arts in 2016, which included 11 books and over 650 drawings documenting her unique and introspective personal journey.[8]

Awards and fellowships

O'Banion won two National Endowment for the Arts Awards, the first in 1982,[9] the second in 1988.[10]

Selected exhibitions

O'Banion has exhibited internationally in both solo and group exhibitions. Selected solo exhibitions include:

  • Present Tense (2016) at Tecoah Bruce Gallery, Oliver Art Center, California College of the Arts, Oakland, California, USA[8]
  • Breaking the Surface: Telling Stories (2001) at John F Kennedy University Gallery, Berkeley, California, USA
  • Day Dreams from the Heart (1998) at Oakland Museum of California, USA[11]
  • Daydreams in 3-D (1991) at Allrich Gallery, San Francisco, California, USA[12]
  • Science in Action: At Home (1987), at Allrich Gallery, San Francisco, California, USA[2]
  • Windows, Curtains, Maps and Rocks (1985) at Kaufman Gallery, Houston, Texas, USA[2]
  • Hestkobgard (1983), Birkerod, Denmark[2] 
  • Gallery Coco (1993), Kyoto, Japan[2][13]
  • Bank of America World Headquarters (1981), San Francisco, California, USA[14]

Collections

Nance O'Banion's work is held in numerous public and private collections including:

Teaching

In the early 1970s O'Banion was faculty at the Fiberworks Center for the Textile Arts, an experimental fiber art institution founded in Berkeley by Gyöngy Laky in 1973.[19][20] She began working at California College of Arts and Crafts (now California College of the Arts) in 1974 and was a professor there for over 40 years. At CCA Nance taught innovative programs in the fine arts with a focus on printmaking, textiles, papermaking, and book arts. She led courses within the individualized major and graduate programs which, like the arc of her own work, transcended disciplines and media. During her tenure she served as Printmaking Chair and President of the Faculty Senate, as well as being a mentor to individual faculty. In addition to her work at CCA she taught courses and workshops throughout the United States, Europe, and Canada. Her courses, like her art, reflect a multimedia, interdisciplinary, and often collaborative approach to creativity.[4]

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References
  1. https://ced.berkeley.edu/events-media/news/ced-alumna-nance-obanion-passes-away Announcement of death; [March 2018]
  2. Heller, Jules ed.; Heller, Nancy G. ed. (1997). North American Women Artists of the Twentieth Century. Routledge. pp. 413–414. ISBN 0815325843. Retrieved 11 April 2018.CS1 maint: extra text: authors list (link)
  3. "FAMSF Collections: Nance O'Banion". Fine Arts Museums of San Francisco. Retrieved 8 April 2018.
  4. "NANCE O'BANION". California College of the Arts. Retrieved 8 April 2018.
  5. "Public Collection at SFO: Nance O'Banion". SFO Museum. Retrieved 8 April 2018.
  6. Perrone, Jeff (October 1977). "Dal Henderson and Nance O'Banion". Artforum. Retrieved 8 April 2018.
  7. "Nance O'Banion: Selected 21st Century Work".
  8. "Present Tense: An Exhibition by Nance O'Banion". January 2016. Archived from the original on 14 April 2018. Retrieved 13 April 2018.
  9. "National Endowment for the Arts: 1982 Annual Report" (PDF). USA.gov. Retrieved 9 April 2018.
  10. "National Endowment for the Arts: 1988 Annual Report" (PDF). USA.gov. Retrieved 9 April 2018.
  11. Santiago, Chiori (Fall 1998). "Water Dreams". The Museum of California. 22: 10–13.
  12. "KPFA Folio". Internet Archive. October 1991. Retrieved 9 April 2018.
  13. Park, Claire Campbell (Summer 1991). "Finding the Link Between Fiber and Mixed Media". Fiberarts. 18: 39–43.
  14. On and Off the Wall: Shaped and Colored. Oakland Museum Art Department. 1983. pp. 38–39. LCCN 83-62064.
  15. "Collections: Nance O'Banion". Museum of Arts and Design. Retrieved 9 April 2018.
  16. "Seattle Art Museum: Nance O'Banion".
  17. "Cleveland Museum of Art: Nance O'Banion".
  18. "Minneapolis Institute of Art: Nance O'Banion".
  19. Stofflet, Mary (June–July 1982). "Nance O'Banion: Illusions and Ambiguities". American Craft. 42: 16–19.CS1 maint: date format (link)
  20. Koplos, Janet (2010). Makers: A History of American Studio Craft. The Center for Craft Creativity and Design, Inc. pp. 345–346. ISBN 9780807834138. Retrieved 9 April 2018.
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