Mozart (comédie musicale)

Mozart is a comédie musicale in three acts with music by Reynaldo Hahn and words by Sacha Guitry, a pastiche of the composer's early works to fit beside arias written for Yvonne Printemps (playing the title role as a breeches role). The story concerns the fictional adventures of Mozart on a visit to the French capital.

After the success of L'amour masqué, Sacha Guitry wanted to collaborate again with Messager, but the older composer declined. Guitry wrote to Hahn, on holiday in Cannes, who seized the opportunity with great joy, and the collaboration was excellent.[1]

It was first performed at the Théâtre Édouard VII in Paris on 2 December 1925.[2]

Roles
Sacha Guitry and Yvonne Printemps
Role Voice type Premiere cast,
2 December 1925
(Conductor: Raoul Labis) [3]
Grimm spoken Sacha Guitry
Marquis de Chambreuil spoken René Maupré
Vestris[4] spoken Gaston Gerlys
Mozart soprano Yvonne Printemps
Mme d'Épinay mezzo-soprano Germaine Gallois
La Guimard spoken Marthe Lenclud
Mlle de Saint-Pons spoken Edith Merannes
Louise soprano Madeleine Lebergy
Grimaud tenor Léonce Dupré

Synopsis

Act 1

It is 1778, and in the salon of Madame d'Épinay, the mistress of the house tries to persuade her godchild Marie-Anne de Saint-Pons of the advantages of a marriage to the Marquis de Chambreuil. The Marquis enters and invites Marie-Anne to play the harpsichord; she dared not, as the instrument was played by the young Mozart on his first time in Paris. The Baron Grimm and La Guimard, the famous dancer and, it appears, intimate with Grimm, join the party and conversation turns to the visit to Paris of the young Wolfgang Amadeus Mozart when he was a child prodigy. Mme d'Épinay owns the picture of the boy Mozart by Carmontelle.

The servants Louise and Grimaud are also present. Although he has sent no news since his last visit, the subject of conversation now makes a surprise entrance. The child prodigy, now 22 and a famous musician, remains sensitive and shy, but tells the company of his journey and having read Molière's Dom Juan on the coach from Strasbourg to Paris. He is warmly welcomed and, to thank his hosts, he plays the harpsichord, singing "Il faut que tu m'aimes Paris!".

Act 2

A few days later – Mozart is working at the keyboard at Madame d'Épinay's house when her young servant Louise brings him a letter. Mozart has seduced many attractive women during his visit but is unsure who he should choose; the hostess suggests the dancer La Guimard. Mozart is to compose several pieces in Paris, including Les petits riens, which La Guimard and Vestris rehearse, while the composer successfully flirts with Guimard. Mozart then opens the letter he received: it is from his love interest in Mannheim, Aloysia Weber.

Act 3

Louise's fiancé reproaches her for having made eyes at Mozart. The Marquis de Chambreuil is furious too as the composer has also been flirting with Marie-Anne (who he called Nannerl, after his sister), and sent her a letter.

Baron Grimm tries to calm everyone, pointing out that Mozart will have to leave Paris soon. It then emerges that Grimm had written to Mozart's father to bring forward his departure. Grimm explains that the young man has been frittering away his time in France, his fancy alighting on one woman after another, and it would be better for everyone if he left for Germany. Mozart submits reluctantly and sadly to this decision and bids a tender farewell to the four women, and to Paris.

Recordings
  • Orchestre des Concerts Français, conductor: André Jouve
    • Principal singers: Annie Rozanne, Annie Ducaux, Maurice Escande
    • Recording date: 15 and 16 June 1955
    • Label: EMI, CZS 5 68286 2 (CD) (released with extracts from Ciboulette)

Yvonne Printemps recorded excerpts from the piece in the 1930s, including "C'est la saison d'amour" and "Je t'aime" (available on La Saison d'Amour, Pearl CD) and "Depuis ton départ, mon amour" and "Alors, adieu, donc, mon amour" (available on Yvonne Printemps: Arias and Songs EMI CD).

gollark: Glasses *do* mysteriously make you look more intellectual. Particularly rectangular ones.
gollark: Further evidence that I might secretly be palaiologos.
gollark: Hopefully it will be possible to magically laser my eyes into correct function in the future.
gollark: I have moderately annoying shortsightedness but not enough that I can be bothered to deal with glasses.
gollark: Allegedly.

References
  1. Gavoty, Bernard. Reynaldo Hahn, Le Musicien de la Belle Epoque. Buchet Chastel, Paris, 1976.
  2. O'Connor P. "Reynaldo Hahn". In: The New Grove Dictionary of Opera. Macmillan. London and New York, 1997.
  3. L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918–1940), accessed 17 March 2009
  4. Deutsch, Otto Erich (1966). Mozart: A Documentary Biography. Stanford University Press. p. 176. ISBN 9780804702331.
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