Moscow–Shanghai

Moscow–Shanghai (German: Moskau–Shanghai or Der Weg nach Shanghai) is a 1936 German drama film directed by Paul Wegener and starring Pola Negri, Gustav Diessl and Susi Lanner.[1]

Moscow–Shanghai
Directed byPaul Wegener
Produced by
  • Vahayn Badal
  • Fritz Siemund
Written by
Starring
Music byHans-Otto Borgmann
CinematographyFranz Weihmayr
Edited byMunni Obal
Production
company
Badal-Film
Distributed byTerra Film
Release date
  • 8 October 1936 (1936-10-08)
Running time
90 minutes
CountryGermany
LanguageGerman

The film's sets were designed by the art director Alfred Bütow and Willi Herrmann. It was shot at the Babelsberg Studios in Berlin.

Cast

gollark: Your criticism², while interesting, ultimately fails. Consider: you have *responded* to my criticism [see screenshot], despite claiming that this would not occur. This is an evident contradiction.It is also clear that, contra to your original claim #2, gollariosity has *increased* as a result of your actions.
gollark: I wholeheartedly disagree with removal of apioderivative words.1. This is dubious. Current research suggests nonlinear apioformic effects, where high use of apio-derived words leads to increased use due to memetic contamination, rather than a conserved/fixed level of apiodensity.2. I am, in any case, inevitable. Additionally, I do not consider this good.3. This appears to contradict #1 somewhat. We have also proven unable to displace the "apioform"/"bee" meme, despite previous attempts. If you want to remove it, come up with better memetics.
gollark: Wrong.
gollark: Did you know? There have been many incidents in the past where improper apiary safety protocols have lead to unbounded tetrational apiogenesis, also referred to as a VK-class "universal apiary" scenario. Often, the fallout from this needs to be cleaned up by moving all sentient entities into identical simulated universes, save for the incident occurring. This is known as "retroactive continuity", and modern apiaries' safety systems provide this functionality automatically.
gollark: I am not in any way a pizza, related to pizza, or advertising pizzas. I have had no commercial or personal relations with pizza companies, and do not, in fact, regularly eat pizza. I am not engaged in any form of pizza advertising, subliminal or otherwise. Any claims to the contrary will be considered wrong and bad, and should not be promulgated.

References

  1. Kotowski p. 217

Bibliography

  • Kotowski, Mariusz (2014). Pola Negri: Hollywood's First Femme Fatale. University Press of Kentucky. ISBN 978-0-8131-4489-4.
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