Mohamed Serghini

Mohamed Serghini (born 1930) is a famous Moroccan poet.[1] Serghini is the author of several poetry collections, a novel and numerous translations. In 2004 he was awarded the Prix International de Poésie Argana.

Moroccan literature
Moroccan writers
  • Novelists
  • Playwrights
  • Poets
  • Essayists
  • Historians
  • Travel writers
  • Sufi writers
  • Moorish writers
Forms
  • Novel
  • Poetry
Criticism and awards
See also
  • Morocco Portal
  • Literature Portal

Mohamed Serghini was born in Fes in 1930. After his study at the University of Al-Karaouine, he continued his education in the field of language and literature in Baghdad in 1959 and, later, at the faculty of literature of Rabat and finally at the Sorbonne in Paris. He received a 'diplome' in comparative literature in 1963, a PhD in 1970 and another PhD in 1985. Serghini taught at the faculty of literature and social sciences at Dhar Mehrez in Fes, where his poetry debut was published in 1994 called "What have they done to your skulls".

Books
  • Wa Yakoun Ihraqou Asmaehi Alatiya (And people burn the following words) Casablanca 1987
  • Bahhar Jabal Qaf (The sailor of Jabal Qaf) 1991
  • Al-Kaen Assibaey 1992
  • Wajadtouka Fi hada Alarkhabil (I have found you in this archipel) (novel)
  • Fes, from the Highest Peak of Cunning (Fes de la Plus Haute Cime des Ruses) 2003, excerpts on Arte East
gollark: > I mean if humans and robots have different rights, is a human-born cyborg human or robot?Well, as somewhat biological beings they should probably get base sophont rights + relevant partial biological being rights.
gollark: ...
gollark: SENTIENT just means conscious. SOPHONT approximately means "human-like thinking capacity" so they should definitely™ receive humanish rights.
gollark: > What about humans that have upgraded their body to be half robotic?Half-robotic humans should probably get human rights too.
gollark: What? Why?
  • 2M (Moroccan television)
  • Translation of some poems by Pablo Neruda into Arabic by Mohamed Serghini

References
  1. Jane Turner, The Dictionary of Art, New York: Grove, 2002, ISBN 1-884446-00-0, p. 129


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