Miriam Beerman

Miriam Beerman (born November 15, 1923) is an American painter and printmaker.

Career

Beerman was born in Providence, Rhode Island, where she later earned her BFA from the Rhode Island School for Design. After earning her degree, she studied with various established artists including Yasuo Kuniyoshi at the Art Students League in NYC, with Adja Yunkers at the New School for Social Research in NYC, and Stanley William Hayter at Atelier 17 in Paris, France.[1]

Although Beerman maintains the gestural brushstrokes of the abstract expressionists, her work focuses on bestial characters who convey the intense emotion found in her images. Her work includes automatic gestures, vivid colors, and stippled textures that help evoke the feeling of devastation. Some of her themes include biblical plagues, the Holocaust, Hiroshima, and nuclear threat.[2]

The breadth of Beerman's career is evident through her grants, awards, and exhibitions list. They include a CAPS grant from New York State Council on the Arts (1971), the Childe Hassam purchase award from the American Academy of Arts and Letters (1977), the Camargo Foundation Award (1980), a distinguished artist grant from the New Jersey State Council on the Arts (1987), and a 40-year retrospective of her work, held at the State Museum of New Jersey in Trenton (1991).[3] Her work has been exhibited globally, including at the Corcoran Gallery of Art in Washington, DC, the Whitney Museum of American Art in New York, NY and at the Montclair Art Museum in Montclair, New Jersey.[4] Her work is in the collection of The Newark Museum of Art.[5]

In 2000, Beerman was an Artist's Book Resident at the Women's Studio Workshop in Rosendale, New York. During her residency, Beerman published Faces, a limited-edition portfolio of eight drypoint prints with text from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke. The images are rough, humorous and tragic, echoing the artist's humanistic concerns.[6]

Awards

Beerman received awards and honors from Pollock Krasner Foundation,[7] Joan Mitchell Foundation[8] and more. She also received an alumni award from Rhode Island School of Design in 2015.[9] In 2015 Beerman had a collage retrospective at Lawrence University.[10] Miriam Beerman, Expressing the Chaos, a film by Jonathan Gruber, was also released in 2015. The film was shown on PBS and on Dutch and New Zealand T.V.[11]

gollark: Well, this is dull.
gollark: I somehow can't even decide how exactly file upload should work.
gollark: None of the problems in this are algorithmically challenging, the most complex bit of this is just the weird logic for generating context around a link, but I have trouble making decisions and adding features involves lots of that.
gollark: Maybe I should use this "emeraldchat" to procrastinate on additional minoteaur features.
gollark: They didn't tell right, though, in heavpoot's case.

References
  1. Heller, Jules (1995). North American Women Artists of the Twentieth Century: A Biographical Dictionary. New York and London: Garland Publishing, Inc. p. 57.
  2. Weld, Alison. "Miriam Beerman On Line Gallery." Miriam Beerman On Line Gallery. Miriam Beerman, n.d. Web. 12 June 2013.
  3. Who's Who in American Art. 20th ed. R.R. Bowker Co., 1993-1994.
  4. "Primal ground : Miriam Beerman, works from 1983-1987".
  5. "The Newark Museum of Art collection".
  6. “Faces.” Women’s Studio Workshop. Retrieved 2014-01-31.
  7. "Miriam Beerman | Corridors of the Soul | 1987 | Pollock Krasner Image Collection". www.pkf-imagecollection.org. Retrieved 2018-07-16.
  8. Foundation, Joan Mitchell. "Artist Programs » Artist Grants". joanmitchellfoundation.org. Retrieved 2018-07-16.
  9. "Honoring Lifetime Achievement". Our RISD. Retrieved 2018-07-16.
  10. "Miriam Beerman collages, print portfolio focused on social injustice featured in new Wriston Galleries exhibition – Lawrence University News". blogs.lawrence.edu. 2015-09-17. Retrieved 2018-07-16.
  11. expressing the chaos | THE FILM. expressing-the-chaos. Retrieved 2018-07-16.


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