Michele Rosewoman

Michele Rosewoman (born March 19, 1953) is an American jazz pianist living in New York City. She is known for her work and recordings with her Quintessence ensemble, as well as her New Yor-Uba ensemble.

Michele Rosewoman
Birth nameMichele Roseman
BornMarch 19, 1953
Origin Oakland, California, U.S.
GenresAvant-garde jazz
Post-bop
Free funk
Afro-Cuban jazz
Occupation(s)Pianist, Composer, Educator
InstrumentsPiano
Years active1976–present
LabelsSoul Note
Enja
Evidence Music
Blue Note
Associated actsMike Westbrook, National Youth Jazz Orchestra
Websitemichelerosewoman.com

Rosewoman has released nine albums, including five with Quintessence and several trio and quartet recordings. Her New Yor-Uba ensemble, featuring Orlando "Puntilla" Rios until his death in 2008, is an Afro-Cuban jazz big band that Rosewoman founded in 1983. It finally released its first album in 2013, in celebration of its 30th anniversary.

Rosewoman is also known for her work as a backing musician on recordings by such artists as Greg Osby, Billy Bang and Ralph Peterson. Before moving to New York City from California in 1978, Rosewoman, who was deeply influenced by Oakland-based pianist/organist Ed Kelly, led several jazz groups in the Oakland area and also performed with Baikida Carroll, Julius Hemphill and Julian Priester. In New York, she performed with post-avant-garde musicians Oliver Lake and Billy Bang, as well as with straight-ahead jazz masters Freddie Waits, Rufus Reid, Billy Hart, Reggie Workman and figures from Latin music such as Celia Cruz, Chocolate Armenteros, Nicky Marrero, Paquito D'Rivera, and Daniel Ponce, among others.[1]

Early years

Rosewoman was born in Oakland in 1953, and is the daughter of visual artist Estera Roseman. Her parents operated an independent record shop in Walnut Creek, California, and her mother was also an arts educator. Rosewoman began playing the piano at age six. In her late teens she studied Cuban and Haitian folkloric rhythms and vocal traditions.[2][3][4]

Discography
  • The Source (Soul Note, 1984)
  • Occasion to Rise (Evidence, 1993)
  • Spirit (Blue Note, 1996)
  • New Yor-uba, 30 Years: A Musical Celebration of Cuba in America (Self-release, 2013)

With Quintessence

  • Quintessence (Enja, 1987)
  • Contrast High (Enja, 1988)
  • Harvest (Enja, 1993)
  • Guardians of the Light (Enja, 2000)
  • The In Side Out (Advance Dance Disques, 2006)

As backing musician

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gollark: Is that POSSIBLE?
gollark: It's not actually going to be *used* for anything outside of a hypothetical genetic-algorithms reactor optimizer.
gollark: Tin coolers probably not because I can't be bothered.
gollark: Moderators are on the todo list.

References
  1. Yanow, Scott (2000). Afro-Cuban Jazz. Miller Freeman Books. p. 107. ISBN 0-87930-619-X.
  2. Pena, Tomas, ed. (5 February 2007). "Michele Rosewoman: Wearing Her Passion With The In Side Out". All About Jazz. Retrieved 12 November 2015.
  3. Murph, John, ed. (24 September 2013). "In New Afro-Cuban Music, Ancient Tradition Meets Future Shock". WUNC91.5. Retrieved 12 November 2015.
  4. Moncada, Les, ed. (27 December 2014). "An Afro-Cuban-Latin Jazz Chat with pianist Michele Rosewoman of New York City". World Music Central. Retrieved 12 November 2015.

Sources
  • Carr, Ian; Fairweather, Digby; Priestley, Brian. Jazz: The Rough Guide, 1995, The Rough Guides, ISBN 1-85828-137-7.
  • Cook, Richard, Jazz Encyclopedia. Penguin 2005, ISBN 978-0-14-102646-6
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