Michel Khleifi

Michel Khleifi (Arabic: ميشيل خليفي}, born in 1950 in Nazareth, is a Palestinian of Israeli citizenship film writer, director and producer, presently based in Belgium.

Khleifi emigrated to Belgium in 1970, where he studied television and theatre directing at the Institut National Supérieur des Arts du Spectacle (INSAS). After graduating from INSAS, he worked in Belgium television before turning to making his own films. He has directed and produced several documentary and feature films. He has received several awards, including the International Critics’ Prize at the Cannes Film Festival, the Golden Shell at San Sebastián International Film Festival and the André Cavens Award in 1987 for his film Wedding in Galilee. Khleifi currently teaches at INSAS.[1][2][3]

Filmography

  • Fertile Memory (1980)
  • Ma'loul Celebrates its Destruction (1985)
  • Wedding in Galilee (also known as Arabic عرس الجليل trasliteration Urs al-Jalil (1987)
  • Canticle of the Stones (1990)
  • L'Ordre du Jour (1993)
  • The Tale of the Three Lost Jewels (1995)
  • Route 181: Fragments of a Journey in Palestine-Israel (2003), in collaboration with Eyal Sivan
  • Zindeeq (2009)

Awards

gollark: Nuclear waste is probably a problem, but less than climate change and the giant piles of spent lithium-ion batteries which would probably result from using batteries/solar.
gollark: Definitely nuclear power. It runs constantly unlike solar and whatnot, doesn't produce CO2, and uses fuel which we have enough of for a while and could use much more efficiently if there was much of an incentive to.
gollark: I'm also hoping some sort of comparatively cheap geoengineering-type solution is developed for climate problems, because otherwise we have basically no chance of hitting the not-heating-the-world-up-a-lot targets, unless the world ends up with a totalitarian ecodictatorship or something.
gollark: Though wiping out lots of species is *probably* not a great idea, since we rely on ecosystems functioning.
gollark: The Earth is very hard to destroy.

References

  1. Qantara.com Interview Michel Khleifi Film as a Political Work of Art
  2. ahram.org Archived 2008-09-15 at the Wayback Machine Michel Khleifi: Looking for jewels Profile by Youssef Rakha
  3. New York Times Michel Kheifi profile

Further reading

  • Tim Kennedy, "Michel Kleifi: Filmmaker of Memory" in: Josef Gugler (ed.), Ten Arab Filmmakers: Political Dissent and Social Critique, Indiana University Press, 2015, ISBN 978-0-253-01644-7, pp. 52-74
  • Gertz, Nurith; Khleifi, George (2008): Palestinian Cinema: Landscape, Trauma, and Memory, Indiana University Press. ISBN 0-253-22007-6. With:
  • Dabashi, Hamid, and Said, Edward (preface) (2006): Dreams Of A Nation: On Palestinian Cinema, Verso Books, London, United Kingdom, ISBN 1-84467-088-0. With:
    • Chapter 3: Michel Khleifi: From Reality to Fiction - From Poverty to Expression (pp. 45 -57)
    • Chapter 4: Bashir Abu-Manneh: Towards Liberation: Michel Khleifi's Ma'loul and Canticle (pp. 58-69)
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