Michel Kelber
Michel Kelber (1908–1996) was a French cinematographer. Beginning in the late 1920s, he worked on more than a hundred film productions during a lengthy career. Born in Kiev, then part of the Russian Empire, he studied art and architecture in Paris. He started worked as an assistant cameraman in 1928, before progressing to cinematographer four years later.[1] He worked with leading directors such as Jean Renoir, René Clair, Julien Duvivier and Claude Autant-Lara.[2] He also worked for periods in Spain, including during the wartime German Occupation of France.
Michel Kelber | |
|---|---|
| Born | 1908 |
| Died | 23 October 1996 |
| Occupation | Cinematographer |
| Years active | 1928-1993 (film) |
Selected filmography
- Gold in the Street (1934)
- Zouzou (1934)
- School for Coquettes (1935)
- Baccara (1935)
- La Vie parisienne (1936)
- Adventure in Paris (1936)
- Forty Little Mothers (1936)
- Under Western Eyes (1936)
- Life Dances On (1937)
- The Courier of Lyon (1937)
- I Was an Adventuress (1938)
- Rasputin (1938)
- Hercule (1938)
- Girls in Distress (1939)
- Personal Column (1939)
- Savage Brigade (1939)
- Thunder Over Paris (1940)
- Goyescas (1942)
- Intrigue (1942)
- The Scandal (1943)
- House of Cards (1943)
- Lola Montes (1944)
- The Phantom and Dona Juanita (1945)
- Bamboo (1945)
- White Mission (1946)
- Les Parents terribles (1948)
- Saturday Night (1950)
- The Straw Lover (1951)
- The Great Galeoto (1951)
- Our Lady of Fatima (1951)
- From Madrid to Heaven (1952)
- Lovers of Toledo (1953)
- The Lovers of Midnight (1953)
- Nobody Will Know (1953)
- The Beautiful Otero (1954)
- The Red and the Black (1954)
- French Cancan (1955)
- The Hunchback of Notre Dame (1956)
- Calle Mayor (1956)
- The Ambassador's Daughter (1956)
- Lovers of Paris (1957)
- Magnificent Sinner (1959)
- College Boarding House (1959)
- John Paul Jones (1959)
- Litri and His Shadow (1960)
- Jack of Spades (1960)
- Bombs on Monte Carlo (1960)
- The Nina B. Affair (1961)
- Rogelia (1962)
- A View from the Bridge (1962)
- In the French Style (1963)
- Mata Hari, Agent H21 (1964)
- Nights of Farewell (1965)
- A Woman in White (1965)
- Johnny Banco (1967)
- The Story of a Three-Day Pass (1968)
- Blood in the Bullring (1969)
gollark: Is the approach of "stick magic function names in as methods" used by any other standard library or language feature?
gollark: * no dedicated support needed
gollark: What I'd really like is the ability to just go around defining operators arbitrarily like in Haskell, making the operator overloading basically just a consequence of traits with no dedicated support.
gollark: Well, they are generally Rust's standard method for overloading things/implementing shared behavior, so it's more sensible than magically named methods.
gollark: Operator overloading: traits are more verbose, but make *a lot more sense* and are more consistent.
References
- Langman p.68-69
- Langman p.68
Bibliography
- Larry Langman. Destination Hollywood: The Influence of Europeans on American Filmmaking. McFarland, 2000.
External links
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