Michael Heller (poet)

Michael Heller (born May 11, 1937), is an American poet, essayist and critic. Among his many books are Exigent Futures, In The Builded Place, Wordflow and Living Root: A Memoir. He wrote the libretto for the opera, Benjamin, based on the life of Walter Benjamin. He is recipient of awards including the NEH Poet/Scholar grant, New York Foundation for the Arts Fellowship (NYFA), National Endowment for the Humanities award, and The Fund for Poetry.

Overview

Heller is recognized as a leading expert on Objectivist poets, poetry, and poetics. The impetus for his continued interest in this particular group of poets began with Heller's discovery of the poetry of George Oppen (and with whom he began a correspondence in the 1960s). Today he is acknowledged by some readers and critics as a Jewish Objectivist poet in the tradition of Oppen, Charles Reznikoff, Carl Rakosi, and Louis Zukofsky. His critical book on the Objectivist poets, Conviction’s Net of Branches, received the Di Castagnola Prize from the Poetry Society of America.

Life and work

Throughout his career, Michael Heller has addressed contemporary avant-garde movements, Jewish and post-Holocaust poetry, poetics, and the literary environment of contemporary poetry. His is a style and gesture seen as joining personal tone with historic incident while reflecting on such themes as the nature of language, poetry, religion, and even memory itself. Heller's interests often point to a succession of American poetry that today is, for the most part, inflected by the American experimentalism of Walt Whitman and the "make it new" of innovators such as Pound and Williams along with infusions of European dada, surrealism, structuralist and post-structuralist thought.

"Aspects of Poetics," an important statement by Heller on his aesthetics, appeared in Samizdat in 2001.

A recent book of essays, Uncertain Poetries (2005), deals with the uncertain nature of twentieth-century poetry. In his preface to the volume, Heller refers to these pieces as "selected from nearly twenty-five years of work (and) ought to be read as something of an intellectual biography of a working poet". They address Heller's on-going dialogue and confrontation with such major figures as Williams, Pound, Stevens, Marianne Moore, George Oppen, Robert Duncan, Lorine Niedecker, Lorca, Rilke, and Mallarmé, along with poets in more contemporary modernist and postmodernist lineages.

Heller himself notes that:

there is no question that the tenor of contemporary civilization is marked by its uncertainty, its hesitant mood on matters both cultural and political. Poetry, ever sensitive to the nuances of its surroundings, must limn or bode forth the environmental conditions out of which it arises. That poets, those presumed antennae of the race, might be picking up the signals and putting them somehow into the work seems only too obvious.[1]

If the concepts of uncertainty, disease, and anomie embody the condition of modernity itself ---as critics have also noted--- they also animate Heller's work. Concurrently, various commentators now recognize Heller's contribution to our understanding of how, although the poet embodies the exigencies of modernity, so to the poetic act can become an active shaping force which, through the charged field of poetic language, provides the hope of meaning for both history and experience.

Selected publications
  • Accidental Center (Sumac Press, 1972); poetry
  • Knowledge (1980); poetry
  • Conviction's Net of Branches: Essays on the Objectivist Poets and Poetry (Southern Illinois University Press, 1985); criticism
  • In the Builded Place (Coffee House Press, 1989); poetry
  • Carl Rakosi: Man and Poet (Orono, ME: National Poetry Foundation, 1993); Heller is editor of this volume on the renowned Objectivist poet
  • Wordflow: New and Selected Poems (Talisman House, 1997); poetry
  • Living Root: A Memoir (SUNY Press, 2000); memoir of his youth in Brooklyn and Miami Beach, FL, that mixes in history regarding his family's hometown of Bialystock, Poland, and World War II
  • Exigent Futures: New and Selected Poems (Salt Publishing, 2003); poetry: gathers together poems from four of his major collections
  • Uncertain Poetries : Selected Essays on Poets, Poetry and Poetics (Salt Publishing, 2005); essays
  • Earth and Cave, (Loveland, OH: Dos Madres Press, 2006) ISBN 9781933675176
  • A Look at the Door with the Hinges Off, (Loveland, OH: Dos Madres Press, 2006) ISBN 1-933675-11-X
  • Speaking the Estranged: Essays on the Work of George Oppen, (Cambridge UK: Salt Publishing, 2008); essay/memoir
  • Eschaton, (Jersey City, NJ: Talisman House, 2009)
  • Telescope: Selected Poems, (New York, NY: NYRB Poets, 2019)
gollark: I mean, it would be replicated to all the blockchain nodes, so are *they* breaking the law?
gollark: Actually, I wonder what happens if someone decides to store, I don't know, copyrighted data they don't have rights to on the Bitcoin blockchain.
gollark: Probably weirdness with taxes.
gollark: Knowing governments, there are *probably* bizarre and stupid laws applying?
gollark: I mean, cryptography is a much bigger subject than just... blockchain things.

References
  1. Michael Heller site at Salt Publishing Archived 2008-08-21 at the Wayback Machine
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