Michael Almereyda

Michael Almereyda (born April 7, 1960) is an American film director, screenwriter, and film producer. His best known work is Hamlet (2000), starring Ethan Hawke.

Michael Almereyda
Born (1960-04-07) April 7, 1960
Overland Park, Kansas, U.S.
Occupation
  • Film director
  • screenwriter
  • producer
Years active1985–present

Early work

Almereyda studied art history at Harvard but dropped out after three years to pursue filmmaking. He acquired a Hollywood agent on the strength of a spec script about Nikola Tesla[1]. His first film as writer/director was a self-financed, black-and-white short featuring Dennis Hopper, A Hero of Our Time, based on Mikhail Lermontov's novel of the same title. Shot in 1985, it was finished in 1987 and screened in the 1992 Sundance Film Festival.

Early screenplays include Cherry 2000 (1987), the first draft for Wim Wenders’ Until the End of the World (1991), and uncredited work on Total Recall (1990).

Almereyda's films range across many genres, styles, and formats. His first feature, Twister (1989), based on Mary Robison’s novel Oh, was a comedy about a dysfunctional mid-Western family. Another Girl Another Planet (1992) was a romantic chamber piece, a black-and-white, one-hour featurette shot with a Fisher-Price Pixelvision camera.[2]

Nadja (1994) was a comic vampire film shot on 35mm with Pixelvision inserts.

Hamlet (2000) was shot on Super 16mm and featured Ethan Hawke, Bill Murray, Kyle MacLachlan, Julia Stiles, Liev Schreiber and Sam Shepard. The adaptation layered a contemporary New York setting on Shakespeare's text.

2000s

Almereyda directed features set in pre- and post-Katrina New Orleans: Happy Here and Now (2002) and New Orleans, Mon Amour (2008). In 2004, he directed an episode of the HBO series Deadwood, His most recent work has mainly involved documentaries and shorts.

William Eggleston in the Real World (2005) was nominated for a Gotham Award for Best Documentary from the Independent Filmmaker Project,[3][4] as was the sketchbook film Paradise (2009). Marjorie Prime (2017) won the Sloan Feature Film Prize at the Sundance Film Festival.[5]

Almereyda edited and contributed texts for Night Wraps the Sky: Writings by and About Mayakovsky, published by Farrar, Straus and Giroux in 2008, and William Eggleston: For Now, published by Twin Palms in 2010.

He has written criticism and commentary for The New York Times, Film Comment, Artforum, Bookforum, The Believer, and Triple Canopy.

In 2015 Almereyda received the Moving Image Creative Capital Award.[6]

Partial filmography
gollark: It's obviously possible to stabilise helicopters because people can control helicopters.
gollark: Also, you could plausibly have a way to communicate telemetry and stuff to knowledgeable ground control people.
gollark: How common are ridiculously unplanned failure modes? And how much do the humans actually get them right?
gollark: There is the problem that your thing might rely too much on simulation quirks.
gollark: If you can simulate the plane down to parts-level, which is admittedly probably quite hard (but computers inevitably get faster), you can just randomly generate failure cases.

References
  1. Leland, Erin (March 25, 2020). "Binge Watch This: Director Michael Almereyda is the Avant-Garde Historian and Storyteller We Need". Cultured Magazine. Retrieved July 22, 2020. In 1980, Almereyda dropped out of Harvard in order to craft his first screenplay for Tesla.
  2. Squarespace.com
  3. "Gotham Awards Nominations Announced Archived 2014-03-14 at the Wayback Machine", Filmmaker (magazine). Accessed 8 August 2014.
  4. "'Brokeback,' 'Capote' Get Gotham Award Nods", Fox News Channel. Accessed 8 August 2014.
  5. "Sloan Science & Film". scienceandfilm.org. Retrieved 2017-02-03.
  6. "Creative Capital – Investing in Artists who Shape the Future". creative-capital.org. Retrieved 25 May 2017.
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