Antonin Mercié

Marius Jean Antonin Mercié (Toulouse October 30, 1845 – December 12, 1916 Paris), was a French sculptor and painter.

Antonin Mercié
sketched by Ramon Casas (MNAC)

Biography
Antonin Mercié in 1916

Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[1]

The bronze David was one of his most popular works. The Biblical hero is depicted naked with the head of Goliath at his feet like Donatello's David, but with a turbanned head and sheathing his long sword. Numerous reproductions exist, most of which incorporate a loincloth that covers David's genitalia but not his buttocks. The lifesize original is now in the Musée d'Orsay.

Mercié was appointed Professor of Drawing and Sculpture at the École des Beaux-Arts, and was elected a member of the Académie française in 1891, after being awarded the biennial prize of the Institute of 800 in 1887.[1] He was subsequently elected to grand officier of the Légion d'honneur, and in 1913 became the president of the Société des artistes français. Marie-Antoinette Demagnez was among his many students at the École des Beaux-Arts.[2][3] He died in Paris on December 12, 1916.[4]

Works
Genius of Arts, Louvre, Paris
Monument to Paul Baudry, Père Lachaise Cemetery, Paris

The Genius of the Arts (1877), a relief, is in the Tuileries, in substitution for Antoine-Louis Barye's Napoleon III. A similar work for the tomb of Jules Michelet (1879; designed with architect Jean-Louis Pascal) is in Père Lachaise Cemetery, and in the same year Mercié produced the statue of Arago with accompanying reliefs, now erected at Perpignan.[1]

In 1882 he repeated his great patriotic success of 1874 with a group Quand Même!, replicas of which have been set up at Belfort and in the garden of the Tuileries. Le Souvenir (1885), a marble statue for the tomb of Mme Charles Ferry, is one of his most beautiful works. Regret, for the tomb of Alexandre Cabanel, was produced in 1892, along with William Tell, subsequently at Lausanne.[1]

Mercié also designed the monuments to Jean-Louis-Ernest Meissonier (1895), erected in the Jardin de l'Infante in the Louvre, and Louis Faidherbe (1896) at Lille, a statue of Adolphe Thiers set up at St Germain-en-Laye, the monument to Paul Baudry at Père Lachaise, and that of Louis-Philippe and Queen Amélie for their tomb at Dreux. His stone group of Justice is at the Hôtel de Ville, Paris.[1]

Numerous other statues, portrait busts, and medallions came from the sculptor's hand, which gained him a medal of honor at the Paris Exhibition (1878) and the grand prix at that of 1889. Among the paintings exhibited by the artist are a Venus, to which was awarded a medal in 1883, Leda (1884), and Michelangelo studying Anatomy (1885), his most dramatic work in this medium.[1]

Mercié is known in America primarily for three monuments: the 1890 Robert E. Lee equestrian bronze on Monument Avenue in Richmond, Virginia (the Robert E. Lee Monument); his 1891 collaboration with former teacher Alexandre Falguière on the statue of the Marquis de Lafayette in Lafayette Square, Washington, D.C.,[5] and for the 1911 Francis Scott Key Monument, Baltimore, Maryland.

gollark: It runs in horribly exponential time. `beeoid` takes a few minutes, `metabee` took about 30.
gollark: Oh. Mine has some convoluted FSMy generation process.
gollark: How was this computed‽
gollark: But you have to deal with whatever insanity browsers and HTTP proxies and metaphorical bees will send.
gollark: And the case-insensitivity thing is probably out there making all webservers mildly less performant.

See also

References
  1.  One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Mercié, Marius Jean Antonin". Encyclopædia Britannica. 18 (11th ed.). Cambridge University Press. pp. 152–153.
  2. "Buste En Terre Cuite Par M. A. Demagnez". ProAntic.com. Archived from the original on 28 April 2015. Retrieved 29 January 2016.
  3. "Julian Academy". sites.Google.com. Retrieved 29 January 2016.
  4.  Chisholm, Hugh, ed. (1922). "Mercié, Marius Jean Antonin" . Encyclopædia Britannica. 31 (12th ed.). London & New York. p. 913.
  5. "Major General Marquis Gilbert de Lafayette, (sculpture)". Inventory of American Sculpture, Smithsonian Institution Research Information System. Smithsonian American Art Museum. IAS DC000217.

Further reading
  • DuPriest Jr., James E. and Douglas O. Tice, Jr. Monument & Boulevard:Richmond's Grand Avenues, A Richmond Discoveries Publication, Richmond, Virginia, 1996
  • Goode, James M. The Outdoor Sculpture of Washington, D.C., Smithsonian Institution Press, Washington, D.C. 1974
  • Mackay, James, The Dictionary of Sculptors in Bronze, Antique Collectors Club, Woodbridge, Suffolk 1977
  • Rusk, William Sener, Art in Baltimore: Monuments and Memorials, The Norman Remington Company, baltimore, 1924

Media related to Antonin Mercié at Wikimedia Commons

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.