Mercedes Leigh
Mercedes Leigh (née, Mercedes Leigh Hearne; March 20, 1867–?) was an American actor. She was widely known by her stage name, Mercedes Leigh,[1] which she chose when she began her professional career. Her contemporaries were Mary Haviland Sutton and Mary C. Francis.[2]
Early life and education
Mercedes Leigh Hearne was born in Atlanta, Georgia, March 20, 1867. She was born into the changed conditions that followed the American Civil War in the South, and her early life was full of the echoes of that struggle. She was educated in a private school in Philadelphia, Pennsylvania. At an early age, she developed marked dramatic talent, which was carefully cultivated.[3]
Career
Her histrionic powers and her emotional nature fitted her for stage work. She went to England, and while there, achieved success in London drawing rooms as a dramatic reader. The critics abroad ranked her highly, and in the United States, she repeated her successes on an even greater scale.[3] When she appeared in New York in Oscar Wilde's Salome, a dramatized version of the Song of Songs, the biblical model and language were closely followed.[4] Leigh was a Shakespearean reciter, impersonator, and reader in character. She was a teacher of oratory, vocal, aesthetic, and physical culture, as well as reading, recitation, and dramatic expression, pantomime, statue posing, and stage technique.[5]
Besides her dramatic talents, Leigh possessed poetic ability. Her New York City studios were located in Carnegie Hall and at The Marquart on 59th Street.[6] She made her home in New York.[3]
References
Citations
- Cumulative Index Company 1903, p. 197.
- et al. 1897, p. 280.
- Willard & Livermore 1893, p. 369.
- Wheeler, Abbott & Harvey 1906, p. 629.
- Diehl 1895, p. 16.
- Diehl 1895, p. 16, 320.
Attribution
This article incorporates text from a publication now in the public domain: Cumulative Index Company (1903). Cumulative Index to a Selected List of Periodicals (Public domain ed.). Cumulative Index Company.CS1 maint: ref=harv (link) This article incorporates text from a publication now in the public domain: Diehl, Anna Randall (1895). The American Shakespeare Magazine. 2–4 (Public domain ed.). Shakespeare Magazine Company.CS1 maint: ref=harv (link) This article incorporates text from a publication now in the public domain: Wheeler, Edward J.; Abbott, Leonard D.; Harvey, Alexander (1906). Current Opinion. 40 (Public domain ed.). Current Literature Publishing Company.CS1 maint: ref=harv (link) This article incorporates text from a publication now in the public domain: Willard, Frances Elizabeth; Livermore, Mary Ashton Rice (1893). A Woman of the Century: Fourteen Hundred-seventy Biographical Sketches Accompanied by Portraits of Leading American Women in All Walks of Life (Public domain ed.). Charles Wells Moulton.CS1 maint: ref=harv (link) This article incorporates text from a publication now in the public domain: Willard, Frances Elizabeth; Winslow, Helen Maria; White, Sallie Elizabeth Joy (1897). Occupations for Women: A Book of Practical Suggestions for the Material Advancement, the Mental and Physical Development, and the Moral and Spiritual Uplift of Women (Public domain ed.). Success Company. p. 280.CS1 maint: ref=harv (link)