Melodies of America
Melodies of America (Spanish:Melodías de América) is a 1941 Argentinian musical comedy film directed by Eduardo Morera and starring José Mojica, Silvana Roth and June Marlowe.[1] It was intended as an Argentine response to the Latin-American themed films produced by Hollywood as part of the Good Neighbor policy.
| Melodies of America | |
|---|---|
| Directed by | Eduardo Morera |
| Written by | Francisco Chiarello Ariel Cortazzo Conrado de Koller |
| Starring | José Mojica Silvana Roth June Marlowe José Ramírez |
| Music by | Agustín Lara Rodolfo Sciammarella |
| Cinematography | Mario Pagés |
Production company | San Miguel Films |
Release date | 1941 |
Running time | 94 minutes |
| Country | Argentina |
| Language | Spanish |
Synopsis
A group of Argentine filmmakers struggle to make a film with a panamerican theme. They eventually manage to raise the finances for the film and hires a famous Mexican singer to star in it. On the boat down he meets and falls in love with a poor woman from Buenos Aires. Meanwhile an American actress who has failed in Hollywood attempts to get a role in the production.
Cast
- José Mojica
- Silvana Roth
- June Marlowe
- José Ramirez
- Armando Bó
- Carmen Brown
- Pedro Quartucci
- María Santos
- Bola de Nieve
- Ana María González
- Nelly Omar
- Juan Carlos Altavista
- Rafael Carret
gollark: I considered such images high in palaiologicity.
gollark: Apparently probabilistic primality tests anger people. Sad.
gollark: Oh hypermemetic bee tesseracts.
gollark: Thusly, ECPP/APR/PSW one?
gollark: > While the algorithm is of immense theoretical importance, it is not used in practice, rendering it a galactic algorithm. For 64-bit inputs, the Baillie–PSW primality test is deterministic and runs many orders of magnitude faster. For larger inputs, the performance of the (also unconditionally correct) ECPP and APR tests is far superior to AKS. Additionally, ECPP can output a primality certificate that allows independent and rapid verification of the results, which is not possible with the AKS algorithm.
References
- Melgosa p.55
Bibliography
- Melgosa, Adrián Pérez. Cinema and Inter-American Relations: Tracking Transnational Affect. Routledge, 2012.
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