Max Reiter

Max Reiter (20 October 1905 Trieste, Italy – 13 December 1950 San Antonio) was an Italian-born American conductor who founded the San Antonio Symphony Orchestra in 1939 and developed it to the rank of a major symphony orchestra. He led the San Antonio Symphony until his death in 1950.[1][2][3]

Conducting appointments

Growing up

Reiter was born in Trieste, Italy, on October 20, 1905 to Isaac Reiter, a German-born businessman father, and Cella, a native Italian mother. When he was ten years old, his family moved to Munich, where he continued his middle-school education and went on to attend a university. He studied conducting with Bruno Walter and, at the insistence of his father, earned a doctorate in law.[5][6][7][8]

Immigration to America

Reiter fled his home in Italy in 1939, during the rise in fascism and antisemitism. He arrived in New York in January 1939, where the Steinway family advised him to go to Texas, a place they felt held employment potential. The Steinways felt that Texas was least affected by the Great Depression, and, given strong piano sales, showed great enthusiasm for music. The Steinway family informed Reiter Texans had purchased more Steinway pianos per capita than in any other state.

Move to Texas

With a list of eighteen Texas cities to visit, Reiter's first stop was in Waco, at Baylor University,[9] where he persuaded the university president to let him work one week with the orchestra, which he did with success. A couple of people from San Antonio who heard the concert persuaded him to try conducting in San Antonio. On June 12, 1939, Reiter gave a demonstration concert at the Sunken Garden Amphitheater. From then on, Reiter flourished as the founding musical director of the San Antonio Symphony Orchestra, while directing the quality symphony orchestra that he founded in Waco.[10]

Death

In December 1950, Reiter was told to give his heart a rest. Heeding the advice, he recommended Victor Alessandro as a guest conductor. Alessandro, who was a Texas-born conductor, was at the time the conductor of the Oklahoma City Philharmonic. Reiter's condition was more serious than he thought; within a week he was dead. Pleased with Reiter's endorsement, the San Antonio Symphony Society offered Alessandro a three-year contract in January 1951.[11]

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gollark: My tape shuffler thing from a while ago got changed round a bit. Apparently there's some demand for it, so I've improved the metadata format and written some documentation for it, and made the encoder work better by using file metadata instead of filenames and running tasks in parallel so it's much faster. The slightly updated code and docs are here: https://pastebin.com/SPyr8jrh. There are also people working on alternative playback/encoding software for the format for some reason.
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gollark: I wanted something to play varying music in my base, so I made this.https://pastebin.com/SPyr8jrh is the CC bit, which automatically loads random tapes from a connected chest into the connected tape drive and plays a random track. The "random track" bit works by using an 8KiB block of metadata at the start of the tape.Because I did not want to muck around with handling files bigger than CC could handle within CC, "tape images" are generated with this: https://pastebin.com/kX8k7xYZ. It requires `ffmpeg` to be available and `LionRay.jar` in the working directory, and takes one command line argument, the directory to load to tape. It expects a directory of tracks in any ffmpeg-compatible audio format with the filename `[artist] - [track].[filetype extension]` (this is editable if you particularly care), and outputs one file in the working directory, `tape.bin`. Please make sure this actually fits on your tape.I also wrote this really simple program to write a file from the internet™️ to tape: https://pastebin.com/LW9RFpmY. You can use this to write a tape image to tape.EDIT with today's updates: the internet→tape writer now actually checks if the tape is big enough, and the shuffling algorithm now actually takes into account tapes with different numbers of tracks properly, as well as reducing the frequency of a track after it's already been played recently.
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References
  1. Biography Index. A cumulative index to biographical material in books and magazines. Volume 1: January 1946 – July 1949, H. W. Wilson Company, New York (1949)
  2. Biography Index. A cumulative index to biographical material in books and magazines. Volume 2: August 1949 – August 1952, H. W. Wilson Company, New York (1953)
  3. Obituaries on File, Two volumes, compiled by Felice D. Levy (born 1940), New York: Facts on File (1979)
  4. Jan Onofrio, Texas Biographical Dictionary, Volume 2, third edition, pg. 164, Somerset Publishers, New York (1996) ISBN 040309951X
  5. Theodore Albrecht, 101 Years of Symphonic Music in San Antonio, Southwestern Musician, Texas Music Educators Association, March, November 1975
  6. San Antonio Express-News, October 11, 1964
  7. San Antonio Light, October 6, 1963.
  8. Lois Isabel Oppenheimer (née Goldsmith; 1919–2010), Max Reiter, The Handbook of Texas Online, Texas State Historical Association (Oppenheimer was the stepdaughter of Max Reiter)
  9. Max Reiter, Founder of Texas Symphony Orchestras, Is Dead, Reading Eagle, December 14, 1950
  10. Pioneer Jewish Texans, by Natalie Gene Ornish, (née Moskowitz; 1926) & Sara Alpern-Tarlow, PhD, Texas A & M University Press, pg. 231 (1989) OCLC 759158575 ISBN 1603444335 ISBN 9781603444330
  11. Music: Texan to San Antonio, Time (magazine), January 22, 1951
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