Mary Wondrausch

Mary Wondrausch OBE (17 December 1923 26 December 2016)[1] was an English artist, potter, historian and writer, born in Chelsea.[2] She trained as a potter at Farnham School of Art, latterly West Surrey College of Art and Design.

She was an honorary fellow of the Craft Potters Association and has work in the V&A Museum collection. She was awarded the OBE for services to the Arts in 2000.[3] Her primary interest is continental peasant art. Originally training as a watercolor artist, she later became interested in ceramics and opened her own pottery workshop in 1974. Inspired by 17th-century English slipware and Eastern European designs, such influences have informed her own work. She is known for lettering and exuberant use of colour.

Her Brickfields pottery is in Compton, near Guildford, Surrey,[4] where she moved in 1955 and subsequently raised three children.[5]

Portrait of Wondrausch

Mary Wondrausch agreed to sit for Jon Edgar for a portrait work using clay quarried from the foundations of her house at Brickfields. This forms part of the Compton Triptych[6] unveiled at the Human Clay exhibition, University of Surrey in November 2011.

Wondrausch and her house in Surrey, including the artist's hand-stencilled walls, hand-painted furniture, and ceramics collection, were photographed by Liesa Siegelman for World of Interiors in May 1988[5] to accompany an autobiographic piece by Wandrausch. That article was reprinted by the magazine in 2018.

Works in public collections

Dead Magpie (1956) mixed media on board. Collection of Surrey County Council[7]

Selected writings

  • Mary Wondrausch on Slipware (1986; second edition 2001; publisher; A&C Black - 1st ed. ISBN 978-0-7136-2813-5. 2nd ed. ISBN 0-7136-2813-8)
  • Brickfields: My Life at Brickfields As a Potter, Painter, Gardener, Writer and Cook (2004; ISBN 0-9548237-0-2)
  • Hartley, Dorothy Rosaman (1893–1985) by Mary Wondrausch; Oxford Dictionary of National Biography, Oxford University Press, 2004

Contributions to symposia

  • POTTED CHAR Mary Wondrausch (p. 227-234) SYMPOSIUM ON FOOD AND COOKERY 1994 PROCEEDINGS: Studies in Foods and Dishes at Risk. Edited by Harlan Walker; 245 pages.(Acanthus)
  • SPICE CONTAINERS AND SALT CONTAINERS Mary Wondrausch (p. 285-289) OXFORD SYMPOSIUM ON FOOD AND COOKERY 1992 PROCEEDINGS Studies of Flavourings - Ancient and Modern. Edited by Harlan Walker; 294 pages.(Acanthus)
gollark: That sounds problematic. I hope it's fixable.
gollark: We know that different genetic variants occur in nature. If you can be sure you're only editing specific bits it's *probably* fine?
gollark: > Changing peoples genes can't be good<@438839137496203266> I feel like it's probably fine as long as it's made reasonably safe somehow.
gollark: Biased how?
gollark: The anarcho-primitivism one is very accurate.

References

  1. MARY WONDRAUSCH OBE
  2. Brickfields : My Life at Brickfields As a Potter, Painter, Gardener, Writer and Cook (2004)ISBN 0-9548237-0-2
  3. OBE award in The Independent
  4. Mary Wondrausch pottery Archived 2012-09-18 at Archive.today
  5. Wondrausch, Mary (October 2018). "Country Folk". World of Interiors: 316–323.
  6. http://www.surrey.ac.uk/arts/visualarts/exhibitions%20and%20events/the_human_clay_jon_edgar.htm
  7. Art UK image on BBC archive
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.