Mary Hunter Austin

Mary Hunter Austin (September 9, 1868 – August 13, 1934) was an American writer. One of the early nature writers of the American Southwest, her classic The Land of Little Rain (1903) describes the fauna, flora and people – as well as evoking the mysticism and spirituality – of the region between the High Sierra and the Mojave Desert of southern California.

"Mary Austin" redirects here. For other persons with that name, see Mary Austin (disambiguation).

Mary Hunter Austin
Austin circa 1900
(Photo by Charles Fletcher Lummis)
Born
Mary Hunter

(1868-09-09)September 9, 1868
Carlinville, Illinois, US
DiedAugust 13, 1934(1934-08-13) (aged 65)
Santa Fe, New Mexico, US
NationalityAmerican
Alma materBlackburn College
OccupationWriter
Spouse(s)Stafford Wallace Austin

Early years and education

Mary Hunter Austin was born on September 9, 1868 in Carlinville, Illinois (the fourth of six children) to Susannah (née Graham) and George Hunter. She graduated from Blackburn College in 1888. Her family moved to California in the same year and established a homestead in the San Joaquin Valley.[1]

Career

She married Stafford Wallace Austin on May 18, 1891, in Bakersfield, California. He was from Hawaii and a graduate of the University of California, Berkeley.[1]

For 17 years, Austin made a special study of Indian life in the Mojave Desert, and her publications set forth the intimate knowledge she thus acquired. She was a prolific novelist, poet, critic, and playwright, as well as an early feminist and defender of Native American and Spanish-American rights. She is best known for her tribute to the deserts of California, The Land of Little Rain (1903).[2] Her play, The Arrow Maker, dealing with Indian life, was produced at the New Theatre, (New York) in 1911, the same year she published a rhapsodic tribute to her acquaintance H.G. Wells as a producer of "informing, vitalizing, indispensable books" in the American Magazine.

Mary Hunter Austin wrote about her Independence, CA home in The Land of Little Rain.

Austin and her husband were involved in the local California Water Wars, in which the water of Owens Valley was eventually drained to supply Los Angeles.[3] When their battle was lost, he moved to Death Valley, California.

She moved to the art colony at Carmel-by-the-Sea, California about 1907.[4][5] There Austin was part of the cultural circle that included: Jack London, Ambrose Bierce, Harry Leon Wilson, George Sterling, Nora May French, Arnold Genthe, James Hopper, Alice MacGowan, Gelett Burgess, Sinclair Lewis, and Xavier Martinez. She was one of the founders of the local Forest Theater, where in 1913 she premiered and directed her three-act play Fire. Austin was reportedly involved in all aspects of Carmel's Bohemian society, which included contributing an essay to the village magazine in 1909, as well as unencumbered sexual and "homoerotic attachments."[6][7] In July 1914, she joined William Merritt Chase, the distinguished New York painter who was teaching his last summer class in Carmel, at several society "teas" and privately in his studio, where he finished her portrait. The well-known artist Jennie V. Cannon reported that he began the painting as a class demonstration after Austin claimed that two of her portraits, which were executed by famous artists in the Latin Quarter of Paris, had already been accepted to the Salon.[4] Apparently, Chase was not deterred by Austin's "pushiness and claims to extra-sensory perceptions," but was more interested in her appointment as director of East Coast publicity for San Francisco's Panama-Pacific International Exposition.[4][8] On July 25, 1914, Chase attended her Indian melodrama in the Forest Theater, The Arrow Maker, and confessed to Cannon that he found the play dreary. Apparently, Dr. Daniel MacDougal, head of the local Carnegie Institute, paid for most of her production costs, because of his not-so-secret love affair with the writer.[4][7][8] When one of Chase's students, Helena Wood Smith, was brutally murdered by her Japanese lover, Austin joined the mob who disparaged local authorities for their incompetence.[4] After 1914 her visits to Carmel were relatively brief.

After visiting Santa Fe in 1918, Austin helped establish The Santa Fe Little Theatre (still operating today as The Santa Fe Playhouse[9])[10] and directed the group's first production held February 14, 1919, at the art museum's St. Francis Auditorium.[11] Austin was also active in preserving the local culture of New Mexico, establishing the Spanish Colonial Arts Society in 1925 with artist Frank Applegate.[12]

In 1929, while living in New Mexico, Austin co-authored a book with photographer Ansel Adams. Published a year later, the book, Taos Pueblo, was printed in a limited edition of only 108 copies. It is now quite rare because it included actual photographs made by Adams rather than reproductions.[13]

Her home in Santa Fe, at 439 Camino del Monte Sol, is listed on the National Register of Historic Places as a contributing building in the Camino del Monte Sol Historic District.[14]

Death and legacy

Austin died August 13, 1934, in Santa Fe, New Mexico. Mount Mary Austin, in the Sierra Nevada, was named in her honor.[15] It is located 8.5 miles west of her longtime home in Independence, California. A biography was published in 1939.[16]

The Austins' home in Independence, California, designed and built by the couple, became a historical landmark. A teleplay of The Land of Little Rain was written by Doris Baizley and presented on American Playhouse in 1989; it starred Helen Hunt. A 1950 edition of The Land of Little Rain and a 1977 edition of Taos Pueblo each included photographs by Ansel Adams.

Selected works
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gollark: Why? Aren't prices going down very fast on those?
gollark: They *might* have stopped a tiny amount of people getting blood clots, they *did* create a lot of vaccine hesitancy even after unhalting rollout of it.
gollark: It was causing very rare blood clots, and IIRC almost entirely in some specific demographic.
gollark: I can't see where on the Yellow Card site itself you can see their data, just where you can submit some. And it seems to be partly open-submission.

References
  1. "Biography of Mary Hunter Austin". New Mexico History. Retrieved December 31, 2018.
  2. Rolfe, Lionel (January 18, 1981). "Obscurity threatens works of California author Mary Austin". Los Angeles Times: The Book Review. p. 3. Retrieved January 9, 2019.
  3. Reisner, Marc (1993). Cadillac Desert. Penguin. p. 79.
  4. Edwards, Robert W. (2012). Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, Vol. 1. Oakland, Calif.: East Bay Heritage Project. pp. 49, 68, 70, 135, 141, 143–45, 150–52, 173, 490, 547. ISBN 9781467545679. An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website ("Archived copy". Archived from the original on April 29, 2016. Retrieved June 7, 2016.CS1 maint: archived copy as title (link)).
  5. Los Angeles Times, November 15, 1907, pp. 1–13.
  6. Carmel Pine Cone, February 21, 1930, p. 19.
  7. Stineman, Esther Lanigan (1989). Mary Austin, Song of a Maverick. New Haven & London: Yale University Press. pp. 84–132. OCLC 19123321.
  8. Fink, Augusta (1983). I-Mary, A Biography of Mary Austin. Tucson, AZ: University of Arizona Press. pp. 170–213. OCLC 9081799.
  9. "Mission + History – Santa Fe Playhouse". santafeplayhouse.org. Retrieved April 18, 2016.
  10. Cline, Lynn (2007). Literary Pilgrims : The Santa Fe and Taos Writers' Colonies 1917–1950. University of New Mexico Press. p. 48. ISBN 9780826338518.
  11. Weigle, Marta (1982). Santa Fe & Taos : The Writer's Era 1916–1941. Santa Fe. NM: Ancient City Press. p. 155. ISBN 0941270084.
  12. Lewthwaite, Stephanie (2010). "Modernity, Mestizaje, and Hispano Art: Patrocinio Barela and the Federal Art Project". Journal of the Southwest. 52 (1): 42. JSTOR 27920208.
  13. Hammond, Ann (2002). Ansel Adams: Devine Performance. New Haven: Yale University Press. pp. 20–22. ISBN 0-300-09241-5.
  14. Corinne P. Sze (February 12, 1988). "National Register of Historic Places Registration: Camino del Monte Sol Historic District". National Park Service. Retrieved July 8, 2019. With accompanying 30 photos
  15. "Mount Mary Austin". Geographic Names Information System. United States Geological Survey.
  16. Helen McKnight Doyle, Mary Austin: Woman of Genius (New York: Gotham House, 1939).
  17. From 1921 through 1930 Fire and The Arrow Maker were produced outdoors in Tahquitz Canyon near Palm Springs, California. See: Browne, Renee (August 8, 2015). "History: 'Ramona' inspired early Palm Springs plays". The Desert Sun.
  18. "Fire: a drama in three acts". Playbook. 2 (5–7). October–December 1914.OCLC 17287569, 593527817
  19. Performed as an outdoor pageant at Tahquitz Canyon, Palm Springs, California in 1921. Culver, Lawrence (2010). The Frontier of Leisure: Southern California and the Shaping of Modern America. Oxford University Press. p. 162. ISBN 978-0199891924. OCLC 464581464, 811404022

Further reading
  • Catharine Savage Brosman, Southwestern Women Writers and the Vision of Goodness: Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church and Alice Marriott, McFarland, 2016 ISBN 978-1-4766-6647-1
  • Alaimo, Stacy. "The undomesticated nature of feminism: Mary Austin and the progressive women conservationists." Studies In American Fiction 26, no. 1 (Spring98 1998): 73–96.
  • Morley Baer, Room and Time Enough, The Land of Mary Austin, Northland Press, Flagstaff, Arizona 1979, ISBN 0-87358-205-5
  • Hoffman, Abraham. "Mary Austin, Stafford Austin, and the Owens Valley." Journal of the Southwest, 53 (Autumn–Winter 2011): 305–22.
  • Witschi, N.S. (2002). Traces of Gold: California's Natural Resources and the Claim to Realism in Western American Literature. Tuscaloosa: University of Alabama Press. ISBN 0-8173-1117-3.
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