Mary Ann Kennedy (American singer)

Mary Ann Kennedy is an American country music songwriter. In her career, she has been a member of the groups Calamity Jane[1] and Kennedy Rose,[2] both times pairing with fellow songwriter Pam Rose. Kennedy's co-writing credits include the Grammy Award-nominated songs "Ring on Her Finger, Time on Her Hands" by Lee Greenwood and "I'll Still Be Loving You" by Restless Heart.[3] Other songs that she has written include "Safe in the Arms of Love" by Martina McBride and "You Will" by Patty Loveless.

Mary Ann Kennedy
GenresCountry
Occupation(s)Singer-songwriter
InstrumentsGuitar, mandolin, Vocals, drums[1]
Years active1981-present
LabelsColumbia (in Calamity Jane)
IRS (in Kennedy Rose)
Associated actsCalamity Jane
Kennedy Rose

Discography

  • The Trail Less Traveled (2000)
  • Hoofbeats, Heartbeats & Wings (2005)
  • The Rhythm of the Ride (2009)

Chart Singles Written by Mary Ann Kennedy

The following is a list of Mary Ann Kennedy compositions that were chart hits. [4]

Year Single Title Recording Artist Chart Positions
Billboard Hot 100 Billboard AC Billboard Country
1980 He Gives Me Diamonds, You Give Me Chills
co-written with Don Goodman
Margo Smith 52
1982 Ring on Her Finger, Time on Her Hands
co-written with Don Goodman & Pam Rose
Lee Greenwood 5
1984 Me Against the Night
co-written with Pat Bunch & Pam Rose
Crystal Gayle 4
1985 Dixie Road
co-written with Don Goodman, Pat Bunch & Pam Rose
Lee Greenwood 1
1985 The First Word in Memory Is Me
co-written with Pat Bunch & Pam Rose
Janie Fricke 7
1985 Somebody Else's Fire
co-written with Pat Bunch & Pam Rose
Janie Fricke 4
1987 I'll Still Be Loving You
co-written with Pat Bunch, Todd Cerney & Pam Rose
Restless Heart 33 3 1
1987 He's Letting Go
co-written with Pat Bunch & Pam Rose
Baillie & the Boys 18
1993 You Will
co-written with Randy Sharp & Pam Rose
Patty Loveless 6
1995 Love Like This
co-written with Pat Bunch & Pam Rose
Carlene Carter 70
1995 Safe in the Arms of Love
co-written with Pat Bunch & Pam Rose
Martina McBride 4
1995 Ring on Her Finger, Time on Her Hands
co-written with Don Goodman & Pam Rose
Reba McEntire 9
gollark: ?tag blub Graham considers a hypothetical Blub programmer. When the programmer looks down the "power continuum", he considers the lower languages to be less powerful because they miss some feature that a Blub programmer is used to. But when he looks up, he fails to realise that he is looking up: he merely sees "weird languages" with unnecessary features and assumes they are equivalent in power, but with "other hairy stuff thrown in as well". When Graham considers the point of view of a programmer using a language higher than Blub, he describes that programmer as looking down on Blub and noting its "missing" features from the point of view of the higher language.
gollark: > As long as our hypothetical Blub programmer is looking down the power continuum, he knows he's looking down. Languages less powerful than Blub are obviously less powerful, because they're missing some feature he's used to. But when our hypothetical Blub programmer looks in the other direction, up the power continuum, he doesn't realize he's looking up. What he sees are merely weird languages. He probably considers them about equivalent in power to Blub, but with all this other hairy stuff thrown in as well. Blub is good enough for him, because he thinks in Blub.
gollark: Imagine YOU are a BLUB programmer.
gollark: Imagine a language which is UTTERLY generic in expressiveness and whatever, called blub.
gollark: There's the whole "blub paradox" thing.

References

  1. Whitburn, Joel (2008). Hot Country Songs 1944 to 2008. Record Research, Inc. p. 74. ISBN 0-89820-177-2.
  2. Jason Ankeny. "Kennedy Rose biography". Allmusic. Retrieved 2009-10-07.
  3. "Mary Ann Kennedy biography". Mary Ann Kennedy. Archived from the original on 2011-10-09. Retrieved 2011-10-09.CS1 maint: BOT: original-url status unknown (link)
  4. "Mary Ann Kennedy Chart Listing". Mary Ann Kennedy. Retrieved 2012-02-27.


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