Mark Trombino
Mark Trombino (born May 25, 1966) is an American multi-platinum record producer, musician, and audio engineer. He has produced, engineered, and mixed tracks for many artists including Jimmy Eat World, Blink-182, The Starting Line, Finch, Motion City Soundtrack, and All Time Low.[1] As a drummer, he recorded and toured with Drive Like Jehu, aMiniature, Night Soil Man, and First Offense.[2]
Mark Trombino | |
|---|---|
| Born | May 23, 1966 |
| Genres | |
| Occupation(s) | Record producer, musician, audio engineer |
| Years active | 1991–present |
Trombino recently moved into the boutique food space, opening a donut shop called "Donut Friend" in the Highland Park neighborhood of Los Angeles.[3]
Selected discography
| Year | Artist | Title | Label | Role |
|---|---|---|---|---|
| 1991 | Drive Like Jehu | Drive Like Jehu | Headhunter Records | Drums, composer, producer |
| 1994 | Heavy Vegetable | Amazing Undersea Adventures of Aqua Kitty and Friends | Headhunter Records | Producer, engineer, mixer |
| 1994 | Garden Variety | Knocking the Skill Level | Headhunter Records | Mixer |
| 1994 | Drive Like Jehu | Yank Crime | Interscope Records | Mixer, engineer, drums |
| 1994 | Drip Tank | Sprawl | Headhunter Records | Producer, mixer, engineer |
| 1995 | Sinkhole | Space Freak | Dr. Strange Records | Producer, mixer, engineer |
| 1995 | Swivelneck | Baby Cry Cry | Headhunter Records | Mixer, engineer |
| 1995 | Tanner | Ill Gotten Gains | Headhunter Records | Producer, mixer, engineer |
| 1995 | aMiniature | Murk Time Cruiser | Restless Records | Mixer, engineer, drums |
| 1995 | Heavy Vegetable | Frisbee | Headhunter Records | Mixer, engineer |
| 1995 | Boilermaker | Watercourse | Goldenrod Records | Producer, mixer, engineer |
| 1995 | Rocket from the Crypt | Scream, Dracula, Scream! | Interscope Records | Mixer, engineer |
| 1995 | Carlos | Amy Armageddon | Headhunter Records | Mixer, engineer |
| 1996 | Chune | Big Hat, No Cattle | Headhunter Records | Mixer, engineer |
| 1996 | Wank | Get a Grip on Yourself | Warner Bros. Records | Producer |
| 1996 | Jimmy Eat World | Static Prevails | Capitol Records | Producer, mixer, engineer |
| 1996 | The PeeChees | Do the Math | Kill Rock Stars | Producer, mixer, engineer |
| 1996 | No Knife | Drunk on the Moon | Goldenrod Records | Producer, mixer, engineer |
| 1996 | Sinkhole | Core Sample | Ringing Ear Records | Producer, mixer, engineer |
| 1996 | Boilermaker | In Wallace's Shadow | Goldenrod Records | Producer, mixer, engineer |
| 1996 | Thumbnail | Thumbnail | Headhunter Records | Mixer |
| 1996 | Creedle | When the Wind Blows | Headhunter Records | Producer, mixer, engineer |
| 1997 | Boys Life | Boys Life | Crank! A Record Company | Mixer, engineer |
| 1997 | Crumbox | Resident Double U | Time Bomb Recordings | Mixer, engineer |
| 1997 | Go Dog Go | Glad to be Unhappy | Ichiban | Producer, mixer, engineer |
| 1997 | Knapsack | Day Three of My New Life | Alias Records | Producer, mixer, engineer |
| 1997 | Fluf | Waikiki | Headhunter Records | Mixer, engineer |
| 1997 | Blink-182 | Dude Ranch | MCA Records | Producer, mixer, engineer, keyboards |
| 1997 | Thingy | Songs About Angels, Evil, and Running Around on Fire | Headhunter Records | Producer, mixer, engineer |
| 1997 | No Knife | Hit Man Dreams | Time Bomb Recordings | Producer, mixer, engineer, keyboards |
| 1997 | Three Mile Pilot | Another Desert, Another Sea | Headhunter Records | Producer, mixer, engineer |
| 1998 | The Specials | Guilty 'til Proved Innocent! | MCA Records | Mixer |
| 1998 | Fluf | Road Rage | Headhunter Records | Producer, mixer, engineer |
| 1998 | Mineral | EndSerenading | Crank! A Record Company | Producer, mixer, engineer |
| 1998 | Knapsack | This Conversation is Ending Starting Right Now | Alias Records | Producer, mixer, engineer |
| 1998 | Smile | Girl Crushes Boy | Atlantic Records | Mixer, engineer, keyboards |
| 1999 | Action League | Interrupt This Program | Vegas Records | Producer, mixer, engineer |
| 1999 | Jimmy Eat World | Clarity | Capitol Records | Producer, mixer, engineer, keyboards, string arrangements |
| 1999 | Husking Bee | Put on Fresh Paint | Doghouse | Producer, mixer, engineer |
| 1999 | The Hippos | Heads Are Gonna Roll | Interscope Records | Producer, engineer |
| 1999 | Helicopter | Helicopter | Headhunter Records | Mixer |
| 1999 | Sinkhole | Retrospecticles | Dr. Strange Records | Mixer, engineer |
| 1999 | Inch | This Will Fall on Dead Ears | Headhunter Records | Mixer, engineer, keyboards, programming |
| 2000 | Thingy | To the Innocent | Headhunter Records | Mixer, engineer |
| 2000 | Poor Rich Ones | Happy Happy Happy | Rec 90 | Producer, mixer, engineer |
| 2000 | Midtown | Save the World, Lose the Girl | Drive-Thru Records | Producer, mixer, engineer |
| 2000 | Mock Orange | The Record Play | Lobster Records | Producer, mixer, engineer |
| 2000 | The Jealous Sound | The Jealous Sound | Better Looking Records | Mixer |
| 2000 | Weston | Massed Alpert Sounds | Mojo Records/Jive Records | Mixer |
| 2000 | Jebediah | Of Someday Shambles | Big Wheel Recreation | Producer, mixer, engineer |
| 2001 | Creeper Lagoon | Take Back the Universe and Give Me Yesterday | DreamWorks SKG | Producer, engineer |
| 2001 | The Moffatts | "Just Another Phase" | EMI | Mixer, engineer |
| 2001 | Bad Astronaut | Acrophobe | Honest Don's | Mixer |
| 2001 | The Icarus Line | Mono | Crank! A Record Company | Engineer |
| 2001 | Husking Bee | Four Color Problem | Doghouse | Producer, mixer, engineer |
| 2001 | Jimmy Eat World | Bleed American | Geffen Records | Producer, mixer, engineer, programming |
| 2001 | Boilermaker | Leucadia | Better Looking Records | Producer, mixer, engineer |
| 2002 | Ash | Intergalactic Sonic 7″s | Sony Music | Mixer |
| 2002 | Finch | What It Is to Burn | Drive-Thru Records | Producer, mixer, engineer, programming |
| 2002 | Midtown | Living Well is the Best Revenge | Drive-Thru Records | Producer, mixer, engineer, programming |
| 2002 | Stickfigure | Ape of the Kings | What Are Records? | Mixer |
| 2002 | Magna-Fi | Burn Out the Stars | Gold Circle Records | Mixer |
| 2002 | The Starting Line | Say It Like You Mean It | Drive-Thru Records | Producer, mixer, engineer |
| 2003 | Gob | Foot in Mouth Disease | Arista | Producer, mixer, engineer |
| 2003 | Something Corporate | Songs for Silent Movies | Drive-Thru Records/MCA | Producer |
| 2003 | Diffuser | Making the Grade | Hollywood Records | Producer, mixer, engineer, drums |
| 2003 | The Living End | Modern Artillery | Reprise Records | Producer, mixer, engineer |
| 2003 | Val Emmich | Val Emmich | Epic Records | Producer, mixer, engineer |
| 2003 | Sugarcult | Palm Trees and Power Lines | Fearless Records | Mixer |
| 2003 | Rilo Kiley | More Adventurous | Barsuk Records | Producer, engineer |
| 2004 | Denver Harbor | Scenic | Universal Records | Producer, engineer, mixer, programming |
| 2004 | Jimmy Eat World | Believe in What You Want | Interscope Records | Mixer |
| 2004 | Jimmy Eat World | Futures | Interscope Records | Producer, engineer |
| 2004 | Reeve Oliver | Reeve Oliver | The Militia Group | Mixer |
| 2005 | Motion City Soundtrack | Commit This to Memory | Epitaph Records | Mixer |
| 2005 | Gyroscope | Are You Involved? | Festival Mushroom Records | Producer |
| 2005 | The Bled | Found in the Flood | Vagrant Records | Producer, mixer, engineer |
| 2005 | Jimmy Eat World | Stay on My Side Tonight | Interscope Records | Producer, engineer |
| 2005 | Social Code | A Year at the Movies | Interscope Records | Mixer |
| 2006 | Madina Lake | From Them, Through Us, To You | Roadrunner Records | Producer, engineer, mixer |
| 2006 | Rock Kills Kid | Are You Nervous? | Reprise Records | Producer, engineer |
| 2007 | I Hate Kate | Embrace the Curse | Glass Note Records | Producer, mixer, engineer |
| 2007 | Silverstein | Arrivals & Departures | Victory Records | Producer, mixer, engineer |
| 2007 | Pinback | Autumn of the Seraphs | Touch & Go Records | Mixer |
| 2007 | Moving Units | Hexes for Exes | Metropolis Records | Engineer |
| 2007 | Steel Train | Trampoline | Drive-Thru Records | Producer, mixer, engineer |
| 2008 | Alive in Wild Paint | Ceilings | Equal Vision Records | Producer, engineer |
| 2008 | Socratic | Spread the Rumors | Drive-Thru Records | Mixer |
| 2008 | Sing It Loud | Come Around | Epitaph Records | Mixer |
| 2009 | The Audition | Self-Titled Album | Victory Records | Producer, engineer, mixer |
| 2009 | Valencia | Dancing with a Ghost | I Surrender Records | Producer, Mixer |
| 2010 | Steel Train | Steel Train | Terrible Thrills | Mixer |
| 2010 | Jimmy Eat World | Invented | Interscope Records | Producer, mixer, engineer |
| 2011 | All Time Low | Dirty Work | Geffen/Hopeless Records | Mixer |
| 2012 | Tonight Alive | What Are You So Scared Of? | Fearless Records | Producer, mixer, engineer |
| 2013 | The Wonder Years | The Greatest Generation | Hopeless Records | Mixer |
Accomplishments
| Band | Album/single | RIAA Certification |
|---|---|---|
| Blink-182 | Dude Ranch | Platinum |
| Jimmy Eat World | Bleed American | Platinum |
gollark: https://wiki.haskell.org/Web/Frameworks
gollark: Yesod is the big popular one.
gollark: > are there any good web frameworks for haskellServant, for APIs?
gollark: Great idea.
gollark: You introduce types to part of your codebase.
External links
References
- "Allmusic.com" Archived 2013-10-20 at the Wayback Machine, retrieved March 17, 2012
- David Walter "Tears of Our Tracks: An Interview With Mark Trombino" Archived 2013-10-20 at the Wayback Machine, The Marshalltown, June 2, 2003, retrieved March 17, 2012
- "Eater.com", retrieved September 23, 2013
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