Mark Francis (artist)

Mark Francis (born 1962) is a Northern Irish painter living and working in London, England.

Pulse (Vibration), 1999

Life and career

Francis was born in Newtownards, Northern Ireland and studied painting at St. Martin's School of Art (1980–85) before going on to the Chelsea School of Art where he completed his Master of Arts in painting in 1986. Francis has exhibited internationally[1] both individually and in group exhibitions. As an emerging artist in 1995, Francis was involved in The Adventure of Painting[2] at Kunstverein Düsseldorf/Stuttgart, Germany and From Here at the Karsten Schubert/Waddington Galleries[3] in London. These shows were pivotal in questioning the role of contemporary painting both in Europe and the UK which consequently led Francis to show in prestigious exhibitions such as IMMA Glenn Dimplex Award exhibition Irish Museum of Modern Art (1996), Absolute Vision; New British Painting in the 1990s Museum of Modern Art Oxford (1996)[4] and the infamous Sensation Young British Artists from the Saatchi Collection exhibition (1997). By the year 2000, Francis was invited to exhibit an early career overview Elements at Milton Keynes Gallery.[5]

Over the last thirty years, Francis' work has had a strong association with science. Throughout his career his abstract paintings have continually been informed by the shapes, patterns and visual qualities found by his personal interest in mycology.[6] It is through this abstract language that Francis initiated his platform in the early 1990s to become one of the UK's leading contemporary painters and maintains to be at the forefront of critical evaluation within art shown in publications such as Painting Today.[7]

Francis is often characterised by his wet-on-wet painting technique (a technique also used by Gerhard Richter in the 1960s) and his continuous use of grid formations[8] that are present within his paintings.[9] Francis explores the notion of chaos and order through the idea of mapping and how seemingly chaotic and random formations can have a larger, almost incomprehensible working logic. He has moved his research from micro to macro with particular interest in astronomical formations[10] using the process and concept of mapping to combine, connect, mark, relate and explore.[11]

More recently in 2008, Francis' work in Pulse[12] Dublin City Gallery The Hugh Lane marked a crucial move into his work being shown in a public space in a solo exhibition and has continued to show in the public domain with Arena at Abbot Hall Art Gallery, Kendal in 2010.

Francis' work is collected by numerous institutions and organisations that include the Irish Museum of Modern Art, the Tate and is represented by Kerlin Gallery.

gollark: Not "mostly", it has 34ish members.
gollark: I disagree, mostly.
gollark: After not mentioning this in your campaign, if I remember right.
gollark: I don't know. I don't think it's a significant amount but I don't have metrics on how often:- there actually is something like that going on/obviously visible, and nothing else happening in non-off-topic channels people actually discuss esolangs in- this is likely to make someone who may otherwise be an active member not be (I'd expect this is driven by other things)
gollark: Not sure if this is actually the case.

References
  1. Thomas Schulte Galerie. "Mark Francis Press Release". Retrieved 15 October 2012.
  2. Dyer, Richard; James Peto; Francis McKee (2008). Mark Francis. Dublin, Ireland: Dublin City Gallery The Hugh Lane. p. 237. ISBN 978-0-85331-996-2.
  3. Dyer, Richard; James Peto; Francis McKee (2008). Mark Francis. Dublin, Ireland: Dublin City Gallery The Hugh Lane. p. 237. ISBN 978-0-85331-996-2.
  4. Wilson, Andrew (December 1996 – January 1997). "The Vision Thing". Art Monthly (202). Retrieved 17 October 2012.
  5. MK Gallery. "Elements".
  6. Dyer, Richard; James Peto; Francis McKee (2008). Beneath the Earth and Beyond the Stars: Mark Francis is conversation with James Peto. Dublin, Ireland: Dublin City Gallery The Hugh Lane. p. 15. ISBN 978-0-85331-996-2.
  7. Godfrey, Tony (2009). Painting Today. London/NewYork: Phaidon Press Limited. pp. 416–417. ISBN 978-0-7148-4631-6.
  8. Mac Giolla Léith, Caoimhín (2001). "Soundings: The Paintings of Mark Francis" (PDF). Irish Arts Review. Irish Arts Review Yearbook: 141–149. Archived from the original (PDF) on 16 September 2012. Retrieved 17 October 2012.
  9. Cummins, Emma. "Mark Francis: Arena". A-N Magazine. Retrieved 15 October 2012.
  10. Dyer, Richard; James Peto; Francis McKee (2008). Beneath the Earth and Beyond the Stars: Mark Francis is conversation with James Peto. Dublin, Ireland: Dublin City Gallery The Hugh Lane. p. 17. ISBN 978-0-85331-996-2.
  11. Phipps, Barry (2010). Mark Francis: New Paintings. Cumbria: Abbot Hall Art Gallery, Kendal. p. 10. ISBN 978-1-906043-03-2.
  12. The Hugh Lane. "Pulse". Retrieved 16 October 2012.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.