Mario Vulpiani

Mario Vulpiani (born 15 February 1927) is an Italian cinematographer and documentarist.

Mario Vulpiani
Born (1927-02-15) 15 February 1927
Rome, Italy
NationalityItalian
OccupationCinematographer

Life and career

Born in Rome, Vulpiani began his career as assistant of the operator Enrico Chroscisky.[1] In the fifties he worked mainly in the field of documentary films, also working as a director.[1] In 1965, with a segment of the anthology film Marcia nuziale, Vulpiani started a critically appreciated collaboration with the director Marco Ferreri that includes the celebrated cult films Dillinger Is Dead and La Grande Bouffe.[1] In the late sixties he collaborated with the postmodern painter Mario Schifano in his three experimental films.[1] In the seventies he worked, among others, with Valentino Orsini, Damiano Damiani, Mario Monicelli and Carlo Lizzani.[1] Starting from the eighties Vulpiani focused into less ambitious works, except for several collaborations with Gabriele Lavia.[1]

gollark: The phone system is seemingly a weird horrible mess.
gollark: Apparently pirates had the eyepatches to be able to switch to a dark-adapted eye to see belowdecks.
gollark: They totally are. They randomly stop focusing right for some reason. They've apparently got the light sensitive bits and nerves the wrong way round.
gollark: > we probably got fukd because humans have probably been through several genetic bottleneck eventsThat's no excuse for some things like poorly designed eyes which are common to basically all hominids.
gollark: > <@434490079478808587> > > You could say hunger wasn't a thing before food your basically saying the same thing your saying literally nothingNo, they're probably right about the bread thing, it's made from farmed wheat or something.

References
  1. Stefano Masi. Dizionario mondiale dei direttori della fotografia. Recco, Le Mani, 2007, pp. 607-608. ISBN 88-8012-387-4.
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