Maria Nordman

Maria Nordman is known for creating the contexts of FILM ROOMS starting in 1967: FILM ROOM EAT 1967-PRESENT and FILM ROOM EXHALE 1967- PRESENT. These two works are the fulcrum of other works that follow, of other works that follow, enabling new considerations of rooms as sculpture. Her works in film, still photography, and sculpture variously connect to writing, musical projects, architecture, public space, and performance.

Maria Nordman (2016)

Life and work

Maria Nordman studied at the University of California Los Angeles (1961-67), where she received her MA. There she met Josef von Sternberg who at the time was teaching Film Directing at UCLA. She also studied Cinematography with Jean-Claude Lubtchansky who at the time worked with Jean-Luc Godard. The production of new ways of working with film, with the actors, the viewers and the proscenium itself is seen from Nordman’s earliest works. They further connect with her architectural projects, the musical composition and performances directly on city streets and neighbourhoods with the chance encounters with passers-by. Parks built by Nordman could function as living places; on the other hand they may have to do only with the direct passage of the sun.

Experienced in city streets and parks, her work process includes three realizations at the Venice Biennial and as well three works in Kassel, part of Documenta. Her present work is at the Museum of Contemporary Art Los Angeles, and at the Los Angeles County Museum of Art.[1]

Exhibitions

Nordman has exhibited at Documenta in Germany in 1977, 1982 and 1987.[2] She has exhibited in Italy[3] and held her first Berlin solo show in 2013.[4] Her work has been shown internationally at such institutions as the Stedelijk Museum, Belgium (2013), the Los Angeles County Museum of Art, California (2011), the Museu Serralves, Portugal (2007), the Museum Folkwang, Essen, Germany (1997), and Dia Art Foundation, New York (1991). Her work has been included in group shows at the Castello di Rivoli Museo d’Arte Contemporanea, Turin (2011), the Centre Pompidou, Paris (2006), and MoMA PS1, New York (1999).[5]

gollark: The technical capability to manage permissions does not authorize you to control entry.
gollark: Wrong!
gollark: ÇÇ is cheaper, yes.
gollark: I also use it for my holoprojectors.
gollark: Relay, yep.

References
  1. Rugoff, Ralph (January–February 2000). "Touched By Your Presence". Frieze (50). Archived from the original on 2014-02-23. Retrieved 2014-02-06.
  2. Swenson, Kirsten (October 2, 2012). "Land Art for the Media Age". Art in America. Retrieved 2014-02-06.
  3. Govan, Michael (September 22, 2011). "Michael Govan: To Understand L.A. Art, I Went to Italy". LA Weekly. Retrieved 2014-02-06.
  4. Maria Nordman - De Ondas 1983 - 2013 (press release), Konrad Fischer Gallerie Berlin. Retrieved 2014-02-06.
  5. Maria Nordman Marian Goodman, New York

Lauren O'Neill-Butler, Maria Nordman, Marian Goodman Gallery Artforum, October, 2015

Gabriela Vainsencher, Hidden Artworks That Come with Instructions, HyperAllergic, July 17, 2015

Agnieszka Gratza E, Event Sculpture 5: Maria Nordman, 'FluienS Circulus,' Henry Moore Foundation, January 7, 2015

James Merle Thomas, Maria Nordman: Geo-Aesthetics, Artforum, May, 2013

Yanyan Huang, Happening now: Art 43 Basel, Haute Living, June 10, 2012

Scott Tennent, Conversation with Maria Nordman, LACMA Blog, April 3, 2012

Sharon Mizota, PST, A to Z: Maria Nordman, ‘Film Room: Smoke’ at LACMA, Los Angeles Times, September 7, 2011

Patricia C. Phillips, Maria Nordman, Marian Goodman Gallery, Artforum, February, 1993

Interview by Theodora Vischer, MOVEABLE STRUCTURE / HOUSE IN AN OPEN PLACE, Maria Nordman & Theodora Vischer in Conversation, Parkett No 29, June, 1991

Adachiara Zevi, Maria Nordman proposals for the conjunct city, L/Architettura Cronache e Storta, Volume 426, March, 1991

Erich Franz, Maria Nordman – De Civitate, Munster 1991, Skulptur Projekte, 1991

Michael Brenson, Reviews/Art; Maria Nordman’s Exhibition of Permanent Transience, The New York Times, November 30, 1990

Germano Celant, Translated by Marguerite Shore, Maria Nordman Conjunct City of Light, Artforum, 1990

Bruno Cora, III De Civitate, Maria Nordman, 1987, Germano Celant, Translated by Howard Rodger Maclean, Urban Nature: The Work of Maria Nordman, Artforum, March, 1980

Corinna Ferrari, Maria Nordman Progetti per Uno Spazio Aperto in Un Contesto Urbano, Lux Lucus, April, 1979

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