María Asquerino
Dulce Nombre de María Urdiaín Muro (25 November 1925 – 27 February 2013), better known as María Asquerino, was a Spanish film actress.[1]
María Asquerino | |
---|---|
Born | Dulce Nombre de María Urdiaín Muro 25 November 1925 |
Died | 27 February 2013 87) Madrid, Spain | (aged
Occupation | Actress |
Years active | 1941-2009 |
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1941 | Porque te vi llorar | Merche | |
1944 | El ilustre Perea | ||
Y tú, ¿quién eres? | |||
Aventura | Flora | ||
El hombre que las enamora | Diana | ||
1946 | El emigrado | Marichu | |
1947 | The Holy Queen | Leonora | |
La sirena negra | |||
Don Quixote | Luscinda | ||
1948 | Conflicto inesperado | Marìa | |
Extraño amanecer | |||
1949 | Don Juan de Serrallonga | Juana de Torrellas | |
¡Olé torero! | |||
El sótano | Eva | ||
1950 | Pequeñeces... | Leopoldina Pastor | |
Agustina of Aragon | Carmen | ||
Don Juan | Claudina | ||
Apollo Theatre | Elena Ramos | ||
La noche del sábado | Condesa | ||
1951 | El Negro que tenía el alma blanca | Luisa Olmos | |
Séptima página | Leonor | ||
Furrows | Pili | ||
1952 | Facultad de letras | Mimí | |
Hombre acosado | Viviana | ||
1953 | Hermano menor | ||
Airport | |||
1954 | Manicomio | Eugenia | |
Dos caminos | Marcelle | ||
Two Paths | María | ||
1955 | The Other Life of Captain Contreras | Paca Revilla | |
Cancha vasca | Begoña | ||
The Bachelor | Catina | ||
1956 | Afternoon of the Bulls | Paloma | |
La vida en un bloc | Calixta / Lupe Tovar | ||
1958 | Night and Dawn | ||
1962 | The Robbers | Asunción | |
El último verano | Monique | ||
The Balcony of the Moon | Amparo Rovira | ||
1963 | Operación Embajada | Sofía Valcárcel | |
El sol en el espejo | Loli | ||
El juego de la verdad | María | ||
1964 | A tiro limpio | Marisa | |
Donde tú estés | Colette Aurillac | ||
1965 | ¡¡Arriba las mujeres!! | Doña Gloria | |
1966 | Amador | Ana | |
1967 | De cuerpo presente | Mujer de Henry | |
1969 | Pepa Doncel | ||
1970 | Las gatas tienen frío | Menchu | |
The Complete Idiot | Engracia | ||
1971 | Goya, a Story of Solitude | Leocadia | |
Las melancólicas | Presidenta Junta manicomio | ||
1972 | Las colocadas | Elena | |
1973 | Venta por pisos | Emilia | |
Nadie oyó gritar | Nuria | ||
Separación matrimonial | María Eugenia | ||
1977 | Pecado mortal | Alcira | |
That Obscure Object of Desire | Encarnación - madre de Conchita | ||
La Raulito en libertad | Celadora | ||
Marián | Ana | ||
1978 | Der Tiefstapler | Erica Baer | |
Enigma rosso | Miss Graham | ||
1980 | Amigo | Doña Clemencia | |
Tierra de rastrojos | |||
La campanada | Señora del bar | ||
El gran secreto | Dolores | ||
1986 | Mambrú se fue a la guerra | Florentina | |
1989 | The Sea and the Weather | Marcela | Goya Award for Best Supporting Actress |
1990 | Yo soy ésa | Jugadora | |
1991 | Fuera de juego | Sor María | |
1993 | Tres palabras | Gloria | |
1995 | Nobody Will Speak of Us When We're Dead | Esperanza | |
1996 | A tiro limpio | Clienta | |
Fotos | Madre Azucena | ||
1998 | ¡Eureka! | Madre | |
1999 | Muertos de risa | Madre Radical | |
2000 | La comunidad | Encarna | |
2003 | Hotel Danubio | Tía Ángela | |
2004 | Tiovivo c. 1950 | Doña Justa | |
2009 | Pagafantas | Señora Begoña | (final film role) |
gollark: I see.
gollark: If *a lot* of people want change, *and* can somehow coordinate on this, in the face of people trying to stop them, and it doesn't go horribly wrong somehow.
gollark: That's not exactly better if it leads to worse outcomes.
gollark: I mean, if you go around trying revolutioning, this will:- probably turn out badly for you- also probably not do much
gollark: I don't agree. "People" in aggregate can, but you aren't that.
References
- J. Luis Álvarez. "Adiós a María Asquerino, una de las grandes sobre las tablas. SUR.es". Madrid: Diariosur.es. Retrieved 2013-02-28.
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