Magic and Mayhem

Magic & Mayhem (working title: Duel: The Mage Wars) is a fantasy/mythology-themed real-time strategy game designed by Julian Gollop[1] and developed by Mythos Games. It was published by Virgin Interactive Entertainment (European release) in late 1998, and by Bethesda (North American release) soon after in 1999.[2] Although the game received generally positive criticisms,[3][4] it met a quiet public reception.

Magic and Mayhem
European cover art
Developer(s)Mythos Games
Publisher(s)
Producer(s)Paul Whipp
Designer(s)Julian Gollop
Ian Terry
Programmer(s)Ian Tory
Nick Gollop
Artist(s)Ian Terry
Composer(s)Simon Emerson
Martin Russell
Platform(s)Microsoft Windows
Release
  • EU: November 1998
  • NA: May 1999
Genre(s)Action, real-time strategy, role-playing
Mode(s)Single-player, multiplayer (LAN-only: IPX, TCP/IP, Null modem)

Magic and Mayhem was designed by Gollop as the next incarnation of his successful Chaos video game concept, involving the same mythical wizard combat.[5] Like in Chaos, the player assumes the role of a wizard that can cast spells and summon creatures in order to defeat the other wizards in the battle.

In the single-player campaign, the player assumes the role of Cornelius, a young magician who yearns to become his uncle Lucan's apprentice. He arrives at Lucan's home shortly after graduation from the Hermetic Academy and eager to begin his study, only to find his uncle gone and the home in ruins.

Gameplay

The player's primary character is their wizard, and who can cast spells, summon creatures and (in the campaign) interact with other characters. The wizard and any summoned creatures are controlled, as in most strategy games, by dragging selection boxes and using the mouse buttons to interact and issue orders. Casting spells and summoning creatures uses mana. Wizards replenish their mana by occupying "Places of Power" with their creatures, or using up one-use "mana sprites" that are picked up around the map. Magic and Mayhem is built into an isometric grid, with creatures occupying (or flying above) squares on the board.

In-game screenshot

The game includes two game modes; the campaign progression and a "quick battle" option, similar to a deathmatch. The campaign is single-player only, but quick battle can be either single or multiplayer over a LAN network.

The Portmanteau

Magic and Mayhem uses a unique spell system, in which magical ingredients are needed to be able to cast each spell in the game. In the campaign game mode, these ingredients (such as Brimstone, Clover and Zircon) are gradually acquired as the game progresses. Before each level begins, the player can use their Portmanteau spell-box to combine an ingredient with a "talisman" of either Law, Chaos or Neutrality. This results in a spell that the player can use for the duration of the battle, and which can be changed again after the battle has ended.

Plot

Setting

Magic and Mayhem is set in three mythological/historical realms; Avalon, Greece and Albion, covering Arthurian, Greek, and Celtic themes respectively. In the campaign, the player journeys their way through each realm in order, with map designs and terrain corresponding to the current realm. For example, maps set in Albion may include medieval gothic castles, whereas Greek maps contain classical mediterranean architecture.

Geographically, each realm is not strictly adherent to their historic counterparts; for instance, the "Greek" realm is modified slightly, with Colchis and Crete separated from Greece by only a thin stretch of ocean channel. Myths, such as Jason and the Golden Fleece, are also modified slightly, with Cornelius rather than Jason retrieving the artefact.

Story

The game's introductory movie presents Cornelius as he visits his uncle's magical laboratory, only to find it in ruins. He deduces that something bad must have befallen the absent Lucan, as his flying machine is primed and ready for a trip. Cornelius decides to undertake the journey his uncle was planning. A raven, soon after introduced as Hermes, accompanies Cornelius from thereon throughout the game; Cornelius decides this must be Lucan's familiar.

Cornelius crashes in Avalon, ruining the flying machine. He begins his quest to find his uncle, soon encountering hostile wizards who are none-too-helpful in aiding him. On his journey through Avalon, he meets allies including Twigkindle the brownie king and Percival the knight, the latter of which joins Cornelius in return for his aid in finding the Grail. The two soon acquire the Grail, and eventually reach the castle Joyous Garde, the centre of villainy in Avalon. After an epic battle with the resident baron-wizard Bertilak, Cornelius finds and frees his uncle Lucan, only to confront the game's main antagonist, the Overlord. The Overlord demands Cornelius hand over the Grail, but when Cornelius refuses, the Overlord leaves without a fight. Lucan, who had been kidnapped by the Overlord's minions, reveals that his power is weak in Avalon. After the battle, Cornelius wants nothing more than to return to the mundane world with Lucan, but it is revealed they must find a specific portal to do so, so their quest must continue through a magical gateway into Greece.

Arriving in Greece, Cornelius continues to travel looking for a way back home, but encountering yet more hostile wizards and evidence of the Overlord's misdeeds. He stumbles upon Ariadne, angering her by his intrusion into her home, but besting her in combat and forcing her to flee. He eventually arrives in Delphi, defeats the tyrannical wizard that keeps the city in anarchy, and consults the Oracle on the Grail. It is revealed that the Grail grants immortality, and explains why the Overlord demanded it of Cornelius in Avalon. The Oracle also reveals that the Golden Fleece of Colchis must be retrieved for the Grail to work. Cornelius travels to Colchis and defeats the dragon that guards the Fleece, taking it for himself. After killing the ruler of Colchis, King Aeetes, he unwittingly releases the witch Medea who escapes back to the mainland. Cornelius arrives in Sparta to find the city in ruins by the hand of the Overlord. He finds Ariadne and Lucan sheltering from Medea, who turns out to be a servant of the Overlord. Cornelius defeats Medea a second time, and forces her to flee to the Labyrinth in Crete. He soon catches up and defeats her, at the same time finding a magical gateway to Albion beneath the maze.

In Albion, Cornelius, Ariadne and Lucan encounter Sir Lancelot, loyal knight of the deceased King Arthur. He reveals the Overlord usurped and murdered Arthur, hunting his loyal surviving knights over Albion. Lucan reveals that finding Merlin, Arthur's royal wizard, may be the only way to stop the Overlord. Cornelius arrives in Broceliande, the last known whereabouts of Merlin, to find his tower empty. They continue their quest onto mainland Albion and Salisbury Plain, where Lucan is slain by the Overlord and the remaining protagonists flee. Cornelius continues his quest, gathering Arthur's loyal knights and attacking Camelot, freeing Ariadne and Lancelot and retaking the castle. Cornelius and his allies eventually meet the Overlord at Dinas Emrys, discover that he is Merlin, defeat him, and return to the mundane world.

Multimedia

Music

The background music for Magic and Mayhem was composed by the Afro Celt Sound System,[6][7] and received good comments in several of the game's reviews.[4] As stated by Simon Emmerson, founder of the group:

The Mythos Team were drawn to The Afro Celt Sound System because our last record (Vol. 1: Sound Magic, Real World Records CDRW61) had the slow builds and epic soundscapes they felt would work wonders in a multi-media context. Our task was to create a soundtrack subliminal enough to provide good background atmospheres as well as performance pieces and themes for respective realms.

— Simon Emmerson, Magic and Mayhem game manual

Movies and cutscenes

Magic and Mayhem uses distinctive claymation for its movie cutscenes.[3]

The game's creatures and mythological characters were constructed by animation expert Alan Friswell, using the stop-motion techniques made popular in the films of Willis O'Brien and Ray Harryhausen. The figures were made of modelling clay and latex rubber, over an armature of wire and ball-and-socket joints. The models were then moved incrementally, while being filmed one frame at a time.

Reception
Reception
Review score
PublicationScore
PC Gaming World6/10[8]

Magic and Mayhem garnered generally positive reviews, and holds an average of 78% on aggregate web site GameRankings.[9]

gollark: If they didn't need that (I think the only practical way to achieve this would just be to stick one larger and more efficient converter somewhere) the bulbs would be individually cheaper and probably more efficient too, as well as safer.
gollark: You know something mildly interesting and relevant? LEDs run off lowish-voltage DC. The mains, as connected to most conventional lightbulb fittings (designed for incandescent/flourescent) provides high-voltage AC. This means that every LED lightbulb needs inefficient and probably somewhat expensive power supply circuitry.
gollark: Hmm. Well.
gollark: That seems kind of inefficient.
gollark: What are the three parts then?

References
  1. "Julian Gollop". Archived from the original on December 21, 2007. Retrieved February 9, 2008.
  2. "Magic and Mayhem release dates from www.mobygames.com". Retrieved February 9, 2008.
  3. "Yahoo Magic and Mayhem review". Archived from the original on March 2, 2011. Retrieved February 10, 2008.
  4. "IGN Magic and Mayhem review". Retrieved February 9, 2008.
  5. "References to Chaos". Archived from the original on January 5, 2009. Retrieved August 17, 2009.
  6. Magic and Mayhem game manual
  7. "Afro Celt Sound System". Retrieved February 9, 2008.
  8. Jones, Cal (November 23, 1998). "Magic & Mayhem Review". PC Gaming World. Archived from the original on October 20, 2000.
  9. "Magic & Mayhem for PC". GameRankings. CBS Interactive. Archived from the original on July 5, 2009. Retrieved December 13, 2019.
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