Madhu Rye

Madhu Rye is a Gujarati playwright, novelist and story writer. Born in Gujarat and educated at Calcutta, he started writing in the 1960s and became known for his stories and plays. His experience at the University of Hawaii introduced him to experimental writing and improvisations as writing aid, which later led to a movement against absurd theatre. He moved to the US in 1974 and has lived there since. He chiefly wrote novels, short stories and plays. His plays were successful and have been adapted into several languages and media. He has adapted his novels into plays and some plays into novels. The most notable is Kimble Ravenswood, which was loosely adapted into a Hindi TV series, and a Hindi film, What's Your Rashee?

Madhu Rye
Madhu Rye in 2009
BornMadhusudan Vallabhdas Thaker
1942
Jamkhambhaliya, Gujarat
OccupationPlaywright, novelist and story writer
LanguageGujarati
NationalityUnited States
EducationBachelor of Arts
Alma mater
Notable awardsRanjitram Suvarna Chandrak (1999)
Spouse
Suvarna Bhatt
​
(
m. 1974; div. 1989)
RelativesVallabhdas (father)
Vijayaben (mother)
Signature
At Gujarat Literature Festival, 2015

Early life and education

Madhusudan Vallabhdas Thaker[1] was born in 1942 in Jamkhambhaliya, Gujarat to Vallabhdas and Vijayaben.[2] He completed his primary and secondary education in Calcutta. He studied Intermediate Science at Scottish Church College in Calcutta from 1958 to 1960. He did his Bachelor of Arts from University of Calcutta in 1963. He started out by translating the short stories of Gujarati writer Shivkumar Joshi, in Hindi, under the pen name Madhu Rye.[3][2]

He married Suvarna in 1973 and later separated from her.[4]

Career

Rye was encouraged by Shivkumar Joshi and Chandrakant Bakshi to write his own short stories. He taught for a brief period and worked in a machinery concern for few years. He wrote his first short story for a contest under the pen name "Madhu Rye" and won second prize.[5] He moved to Ahmedabad in 1967 and joined Navneetlal and Co. as a marketing writer.[3][2]

His play Koipan Ek Phool nu Naam Bolo To (Tell Me the Name of a Flower) premiered in 1969, directed by Mrinalini Sarabhai and produced by Darpana Academy.[6] He went to Honolulu, US in 1970 and studied stagecraft, especially playwriting and direction at the University of Hawaii for two semesters.[3]

After returning in 1971, he founded Aakanth Sabarmati, a playwrights' workshop to preach minimalist style and the importance of improvisation in plays, against the prevalent absurd theatre.[7][2]

In 1974, he married Suvarna Bhatt. In 1974, he, along with his wife, moved to the US to study for a MA in continuing education with special emphasis on creative writing at the University of Evansville, Evansville, Indiana.[3]

Rye settled in the US and started the Gujarati weekly in 1978.[3] He also edited Gujarat Times, published from New York City. He now lives in New Jersey, and has edited the Gujarati short story magazine Mamata since 2011.[8][9][10][11]

Works

Rye is an experimental and modernist writer.[12] He created the style of formless prose writing called "harmonica" for some of his short stories.[7] He chiefly wrote fiction and plays. He adapted his novels into plays and vice versa. His plays were adapted into several languages including Hindi, Marathi and English.[9][13][3] His short stories and plays became very popular in 1960s.[2]

Short stories

Banshi Naamni Ek Chhokri (1964) was his first short story collection with experimental modern styles. Roopkatha (1972) is a collection of twenty-eight stories in traditional as well as "harmonica" style. His other work Kaalsarp (1972) has humour and imagination. Kautuk (2005) is his short story collection.[9][14][3]

Novels

Chehra (1966) is his experimental novel.[15] Kimble Ravenswood (1973) is a story of a non-resident Indian searching for a bride in India, intertwined with mock astrology. Kalpataru (1987) is a futuristic mystery science fiction novel. He also adapted three novels from his own plays; Kamini (1970) from Koi Pan Ek Phool Nu Naam Bolo To (1968), Sabha (1972) from Kumarni Agashi (1975), Saapbaji from Aapne Club ma Malya Hata. They all are psychological thrillers. Mukhsukh (2001) and Sura, Sura, Sura are his other novels.[9][3]

His novel Kimble Ravenswood was adapted into plays in several languages including The Suitable Bride in English and Yogesh Patelnu Vevishal in Gujarati. It was also adapted into a TV series entitled Mr. Yogi (1989), and as the film What's Your Rashee? (2007).[6][8][16]

Plays

Koi Pan Ek Phool Nu Naam Bolo To (Tell Me the Name of a Flower, 1968), Kumar ni Agashi (The Terrace, 1975) and Aapne Club ma Malya Hata, Pankor Nake Jaake, Sura Ane Shatrujeet are his plays. Koipan Ek Phoolnu Naam Bolo To was translated into fourteen languages, and broadcast by the All India Radio[10] and adapted as a telefilm by Ketan Mehta for Doordarshan. It was a meta-theatrical murder mystery.[2] Yogesh Patelnu Vevishal is an adaptation of his novel Kimball Ravenswood.[7][8][9][13] His later plays were performed by the Indian National Theatre, directed by Pravin Joshi. His play Kumar Ni Agashi created a sensation in the field of Gujarati theatre. It was about repressed sexuality in upper middle class society.[2]

Ashwatthama (1973), Aapnu Evun (2005) and Kanta Kahe are collections of one-act plays including some absurd plays. Aakanth (1974) is a collection of selected twenty-three plays with novel ideas from more than fifty plays by various writers which were written during the activities of Aakanth Sabarmati.[7] Mrs Moorthy was his first English language play.[17] His one act play Ashwatthama was once a popular entry in college competitions along with his other one act plays. His play Sura ane Shatrujeet is sporadically performed by amateur groups in Gujarat and Mumbai.

He has also adapted various plays into Gujarati including: George Bernard Shaw's Pygmalion and its musical adaptation My Fair Lady as a musical Santu Rangilee (1976), Friedrich Dürrenmatt's The Visit as Sharat and Anthony Shaffer's Sleuth as Khelando.[9] These all adaptations earned him wide acclaim.[2] His Gujarati adaptation of Dale Wasserman's play One Flew Over the Cuckoo's Nest (based on Ken Kesey's 1962 novel of the same name) was mildly successful.[9]

Essays

Rye has been an avid writer of essays, published as weekly columns in several publications, such as Navroz, Janmabhoomi, Samkaleen, and Abhiyaan. He writes a weekly column Neele Gagan Ke Tale (Under the Big Blue Sky) in Gujarati daily Divya Bhaskar since 2008.

His essay collections are Neele Gagan Ke Tale, Mann Ki Been, Sepia, Dil Ki Gali, Kefiyat.[9]

Translation

He translated three works into Gujarati, The Scarlet Letter, Heaven Knows, Mr. Allison, The Light in the Forest.[9] Kahan is his translation of a work by Mrinalini Sarabhai.[3]

Awards

He was awarded Narmad Suvarna Chandrak in 1972. He received the Ranjitram Suvarna Chandrak for 1999.[8][3] He received the Bhupen Khakhar Award in 2004 for his play, Sura Ane Shatrujeet.[7]

gollark: Also fairly true!
gollark: But yes, US healthcare system awful.
gollark: They have high-speed infrared links to ground stations to exchange trading data.
gollark: FSG markets are *so* free that the stock exchanges are mostly situated on high-speed airships.
gollark: It also helps that you can just take on vast amounts of debt, and then end up eventually not paying back most of that through ???.

See also

References
  1. K. M. George; Sahitya Akademi (1992). Modern Indian Literature, an Anthology: Fiction. Sahitya Akademi. p. 304. ISBN 978-81-7201-506-0.
  2. Baradi, Hasmukh (2004). Lal, Ananda (ed.). The Oxford Companion to Indian Theatre. New Delhi: Oxford University Press. ISBN 0195644468. OCLC 56986659 – via Oxford Reference.
  3. Brahmabhatt, Prasad (2010). અર્વાચીન ગુજરાતી સાહિત્યનો ઈતિહાસ - આધુનિક અને અનુઆધુનિક યુગ (History of Modern Gujarati Literature – Modern and Postmodern Era) (in Gujarati). Ahmedabad: Parshwa Publication. pp. 170–176. ISBN 978-93-5108-247-7.
  4. Sharma, Radheshyam (1999). Saksharno Sakshatkar (Question-based Interviews with biographical literary sketches). Vol. 4. Ahmedabad: Rannade Prakashan. p. 208. OCLC 43853110.
  5. "'To Pay off Debt, I Ventured into Writing. and Continued': Says Gujarati Playwright Madhu Rye While Addressing Fans in City". DNA  – via HighBeam (subscription required) . 7 December 2015. Archived from the original on 5 May 2016. Retrieved 17 November 2017.
  6. Susan, Nisha. "The Bride In The Firmament". 6 (39). Tehelka.
  7. "Madhu Rye interview". Mumbai Theatre Guide. Retrieved 11 November 2014.
  8. "Madhu Rye". epaper.timesofindia.com. 26 June 2010. Retrieved 17 November 2017.
  9. "Madhusudan Thakar 'Madhu Rye'" (in Gujarati). Gujarati Sahitya Parishad. Retrieved 11 November 2014.
  10. Madhu Rye, Sudipta Bhawmik and Kulraaj Anand (6 October 2013). EBC DRAMA - MADHU RYE (Radio). Sudipta Bhawmik–EBC Drama Club.
  11. Contemporary Indian Theatre: Interviews with Playwrights and Directors. Sangeet Natak Akademi. 1989. pp. 153–155.
  12. R. P. Malhotra (2005). Encyclopaedic Dictionary of Asian Novels and Novelists: A-I. Global Vision Publishing House. pp. 615–616. ISBN 978-81-8220-067-8.
  13. Stanley Hochman (1984). McGraw-Hill Encyclopedia of World Drama: An International Reference Work in 5 Volumes. 1. VNR AG. p. 37. ISBN 978-0-07-079169-5.
  14. Mansukhlal Maganlal Jhaveri (1978). History of Gujarati Literature. New Delhi: Sahitya Akademi. pp. 229–230.
  15. K. M. George (1992). Modern Indian Literature, an Anthology: Surveys and poems. Sahitya Akademi. p. 141. ISBN 978-81-7201-324-0.
  16. Ashish Vashi (26 September 2009). "'Rashee' based on Gujarat novel by Rye". The Times of India. TNN. Retrieved 17 November 2017.
  17. "Split wide open: Screen On and Off". The Telegraph. 2 December 2005. Archived from the original on 28 November 2014. Retrieved 10 November 2014.
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