Luigi Rados

Luigi Rados (19 October 1773 – 1840) was an Italian engraver.

An 1811 engraving of balloonist Sophie Blanchard by Luigi Rados

Life

Rados was born in Parma and educated at the city's academy.[1]

He collaborated extensively with the French painter Jean-François Bosio, who worked under the name Giovanni Battista Bosio while in Milan under the French occupation. Rados' plates after Bosio include a portrait of the French viceroy Eugène de Beauharnais (1807) and illustrations for an updated Milanese equivalent of Carracci's Cries of Bologna, published under the title of I costumi di Milano e suoi circondari. Rados also engraved many of the portraits drawn by Bosio for the second volume of the Serie di vite e ritratti de'famosi personaggi degli ultimi tempi, a three-volume collection of illustrated biographies published in Milan between 1815 and 1818.[2]

gollark: Right, I'll probably just need to run some better compression algorithms on it then.
gollark: Also, is this sending the entire screen pixel-by-pixel on update?
gollark: Is the v2.3 code this presumably uses as a backend available on a branch somewhere?
gollark: <@205756960249741312> Mind publishing the code or whatever for this? This would probably be substantially easier than trying to make my current canvas rendering code actually work.
gollark: How about it provides *one* advanced computer feature at a time but which one it is is randomly determined every bootup?

References
  1. Bryan 1889
  2. Draper 1978

Sources
  • Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical (Volume II L–Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized 18 May 2007: George Bell and Sons. p. 336.CS1 maint: location (link)
  • Draper, James David (1978). "Thirty Famous People: Drawings by Sergent-Marceau and Bosio, Milan, 1815–1818". Metropolitan Museum Journal. 13.
  • Norris, Christopher (1975). "The Tempio Della Santissima Trinità at Mantua". The Burlington Magazine: 73–79.


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