Loyalties (play)
Loyalties is a 1922 play by the British writer John Galsworthy. It was staged at St Martins Theatre and ran for over a year. Galsworthy described it as "the only play of mine which I was able to say, when I finished it, no manager will refuse this".[1]
Adaptations
In 1933 it was made into a film Loyalties directed by Basil Dean and starring Basil Rathbone.
In 1976, BBC Television broadcast a version as part of their Play of the Month series. This production starred Edward Fox, Polly Adams. It was directed by Rudolph Cartier and produced by Cedric Messina.
gollark: Troubling.
gollark: How DARE you insult helloboi in this way ish?!?!?!?
gollark: Clearly, maths is wrong and I have created a brave new definition of prime numbers.
gollark: Oh no, my code thinks a number is composite when it is prime, oh bee.
gollark: Rege̿̔̉x-based HTML parsers are the cancer that is killing StackOverflow it is too late it is too late we cannot be saved the transgression of a chi͡ld ensures regex will consume all living tissue (except for HTML which it cannot, as previously prophesied) dear lord help us how can anyone survive this scourge using regex to parse HTML has doomed humanity to an eternity of dread torture and security holes using regex as a tool to process HTML establishes a breach between this world and the dread realm of c͒ͪo͛ͫrrupt entities (like SGML entities, but more corrupt) a mere glimpse of the world of regex parsers for HTML will instantly transport a programmer's consciousness into a world of ceaseless screaming, he comes, the pestilent slithy regex-infection will devour your HTML parser, application and existence for all time like Visual Basic only worse he comes he comes do not fight he com̡e̶s, ̕h̵is un̨ho͞ly radiańcé destro҉ying all enli̍̈́̂ghtenment, HTML tags lea͠ki̧n͘g fr̶ǫm ̡yo͟ur eye͢s̸ ̛l̕ik͏e liquid pain, the song of re̸gular expression parsing will extinguish the voices of mortal man from the sphere I can see it can you see ̲͚̖î̩́t́̋̀ it is beautiful the final snuffing of the lies of Man ALL IS LOŚ̏̈́T ALL IS LOST the pon̷y he comes he c̶̮omes he comes the ichor permeates all MY FACE MY FACE ᵒh god no NO NOO̼OO NΘ stop the an*͑̾̾̅ͫ͏g͛͆̾l̍ͫͥe̠̅s ͎a̧͈͖r̽̾̈́e not rè̑ͧaͨl̃ͤ͂ ZA̡͊͠LGΌ ISͮ̂҉̯͈͕ TO͇̹ͅƝ̴ȳ̳ TH̘Ë͖́̉ ͠P̯͍̭O̚N̐Y̡ Hͨ͊̽E̾͛ͪ ͧ̾ͬCͭ̏ͥOͮ͏̮M͊̒̚Ȇͩ͌Sͯ̿̔
References
- Cody & Sprinchorn p.836
Bibliography
- Cody, Gabrielle H. & Sprinchorn, Evert. The Columbia encyclopedia of modern drama, Volume 1. Columbia University Press, 2007.
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