Louis DaPron

Louis Francis DaPron (February 13, 1913, in Indiana[1] July 21, 1987, in Agoura, California[2]), was an American dancer, choreographer and dance instructor. He worked often with tap dancer Donald O'Connor.

Louis DaPron
Louis DaPron
Born(1913-02-13)February 13, 1913
DiedJuly 21, 1987(1987-07-21) (aged 74)
Agoura, California
OccupationTap dancer, Choreographer, Teacher

Early days

His parents were Elizabeth Kurtz (b. around 1890) and Louis I DaPron, and the family shows up on the 1930 Federal Census as living in Denver.[3] Both parents were professional dancers, and at some point in the 1930s they settled in Hollywood to open a dance school.[4]

Professional beginnings

Louis, who had been dancing and teaching dance with his parents since he was a child, was hired by choreographer LeRoy Prinz and actor/choreographer Nick Castle in 1936 to assist with dance direction for films at Paramount. He seems not to have been under contract, but to have worked for various studios for the next few years. By 1941 he was the primary choreographer for Ruby Keeler in Columbia Pictures' Sweetheart of the Campus, her last musical film.[5]

Universal

In 1941, Universal Studios was assembling a group of the best teenage dancers in the country for a dance group to be marketed as the "Jivin' Jacks and Jills" in musical comedy films, and DaPron was put under contract by Universal to be the choreographer for this group. The Jivin' Jacks and Jills were popular with teen audiences, primarily for the dancing and comedy efforts of Donald O'Connor and Peggy Ryan, who were frequently teamed together. As O’Connor became increasingly popular, Universal focused on him, and the Jivin’ Jacks and Jills were disbanded after 14 films.[6] DaPron stayed on, as O'Connor's choreographer and as head choreographer at Universal, a role he retained well into the 1950s. He can be seen in small dancing parts in two films from 1948: Are You With It [7] and Feudin', Fussin' and a-Fightin' [8] (as ‘the shadow’ in a dance routine to Al Jolson's Me And My Shadow), illustrating his unique style of movement.

Television

DaPron provided choreography for The Colgate Comedy Hour, again working with Donald O'Connor,[9] and The Louis DaPron dancers were regulars on the popular Perry Como Show from 1955 to 1960.[10]

gollark: I don't see a significant reason they should be obligated to have the child for you.
gollark: Analogously, I would say you should probably not be required to have someone grafted to your circulatory system and stuff for 9 months if this would keep them from an otherwise lethal disease or something. You maybe *should* morally, but this is a different thing (and I don't think that really applies in the fetus case, as it isn't much of a "person").
gollark: Actually, I seem to have misread your angle, so it isn't entirely relevant. But regarding "I'll tell them what not to do with others bodies. And the child is another body. It's medically provable.", I would argue that you should not be *required* to put up with fairly substantial health risks/inconvenience because the fetus requires being attached to someone to survive.
gollark: No, before murdering someone you have to do a MRI scan to check brain development.
gollark: There is a difference between "body" and even "human body" and "person".

References

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