Lorna Hardwick

Lorna Hardwick is professor emeritus of classical studies at the Open University.[1] She is a leading authority on classical reception studies and has published several books and articles on the subject, as well being the first editor of the Classical Receptions Journal.

Prof.

Lorna Hardwick
Academic work
DisciplineClassics
Sub-disciplineClassical reception studies
InstitutionsOpen University
University College London

Career

In addition to teaching at the Open University, Hardwick has taught at University College London.[2] Hardwick's publications in the field of classical reception include Translating Words, Translating Cultures (2000) and New Surveys in the Classics: Reception Studies (2003) as well as a number of articles on drama and poetry.[1] She has a particular interest in the impact of various kinds of translation and adaptation on modern perceptions of Greece and Rome and in the reworking of classical material in post-colonial contexts (publications).[1]

From 2000–2005 Hardwick was subject director for classics and ancient history in the Higher Education Academy Subject Centre for History, Classics and Archaeology.[1] From 2005 to 2007 she served as president of the Joint Association of Classical Teachers.[1]

She is the editor of the Classical Receptions Journal[3] and co-series editor of 'The Classical Presences series' published by Oxford University Press.[4]

In 2014 she was a signatory in an open letter published in The Guardian expressing concern at the Open University's closure of regional offices.[5]

Select bibliography
  • Rome in the Late Republic (with Michael Crawford, 1985, revised 1999); ISBN 0-7156-2928-X
  • Translating words, Translating Cultures (Duckworth, 2004); ISBN 9780715629123
  • A Companion to Classical Receptions (with Christopher Stray, 2007) ISBN 9781405151672
  • Classics in Post-Colonial Worlds (with Carol Gillespie, 2007) ISBN 978-0-19-929610-1
  • ‘Voices of Trauma: Remaking Aeschylus in the Twentieth Century’, (in S. E. Constantinidis, ed., The Reception of Aeschylus’ Plays through Shifting Models and Frontiers)
gollark: The FFT algorithms are "divide and conquer".
gollark: It tells you that right there.
gollark: You can definitely do that.
gollark: Just do the FFT but swap the sines for square waves.
gollark: FFT stands for "that algorithm you use to get what frequencies are in things, it's in numpy or whatever", actually.

References
  1. "Professional biography, Lorna Hardwick". Open University. Retrieved 22 February 2017.
  2. "Translation in History Lecture Series – Professor Lorna Hardwick (The Open University)". UCL. 2013. Retrieved 22 February 2017.
  3. "Editorial" (PDF). Classical Receptions. 1 (1): 1–3. 2009.
  4. "Author information (Classics in the Modern World)". Oxford University Press. 2013. Retrieved 22 February 2017.
  5. "Open University review threatens learning". The Guardian. 18 June 2014. Retrieved 22 February 2017.



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