Lindy Hume
Lindy Hume is an Australian opera and festival director, who has worked throughout Australia and internationally.
Lindy Hume | |
---|---|
Born | Paddington, Australia |
Occupation | Opera director, Festival Director |
Early life
Hume was born in the Sydney suburb of Paddington and grew up in Glebe and Annandale. Her father taught primary school and also worked as a film censor. Her mother was a psychologist at the University of Sydney.[1]
Career
Hume was Artistic Director of West Australian Opera (1992-1996), OzOpera and Victorian State Opera (1996-2001), and Director of the Perth International Arts Festival (2004-2007).[2]
She was appointed as Director of the Sydney Festival in 2008,[3][4] and led it from 2010 to 2012.[1]
As of June 2017 she is Artistic Director of Opera Queensland.[5] Her productions for Opera Queensland included a 2014 season of Verdi's Rigoletto inspired by Italian Prime Minister Silvio Berlusconi.[6] She fosters the creation and presentation of performance in regional Australia, and performances in eight regional Queensland centres of Puccini's La bohème in 2014 featured local singers in the chorus.[7]
Her freelance productions also included a season of Gluck's Iphigénie en Tauride for Sydney's Pinchgut Opera, described by Hannah Cunningham of The Sydney Morning Herald as "a near perfect production".[8]
Awards
Hume received Helpmann Awards and Green Room Awards in 2002 for Best Director for the world premiere of Richard Mills' Batavia.[9] Her 2010 Sydney Festival won five Helpmann Awards including Best New Australian Work for Smoke & Mirrors, Best Major Event (Festival First Night), and Best Classical or Orchestral Concert (Oedipus Rex/Symphony of Psalms).[10]
She was the recipient of an Honorary Doctorate of Letters from the University of Western Australia in 2007.[11]
Selected productions
Australia/New Zealand
- Carmen, Don Giovanni, Fledermaus, La Périchole, Les pêcheurs de perles (Opera Australia)
- Cinderella, Rigoletto (Opera Queensland)
- The Love of the Nightingale[12] (Perth International Arts Festival)
- Orlando, Trouble in Tahiti, The Barber of Seville (OzOpera)[13]
- Alcina, Orpheus in the Underworld (West Australian Opera)
- Carmina Burana (State Opera of South Australia/The Australian Ballet)
- Idomeneo, Iphigénie en Tauride (Pinchgut Opera)
- Rigoletto, Lucia di Lammermoor (New Zealand Opera).
International
- La bohème (Deutsche Staatsoper - Berlin)
- The Barber of Seville, Rigoletto, Die Fledermaus[14] (Houston Grand Opera)
- Tolomeo (Muziektheater Transparant - Belgium)
- Don Pasquale (Oper Leipzig)
- Radamisto (Handel Festspiele and Opernhaus Halle)
- A Streetcar Named Desire, Norma (Opera Theatre St Gallen - Switzerland)
- Così fan tutte (Guildhall School of Music and Drama - London),
- Albert Herring, Phaedra (Aldeburgh Festival - UK)
References
- "Break an egg and on with show". Sydney Morning Herald. 7 January 2012.
- "Epic Journey Out West". Sydney Morning Herald. 11 November 2003.
- "Lindy Hume takes Fergus Lineham's job at Sydney Festival". The Daily Telegraph. 13 June 2008.
- Dagmar Rheinhardt (2012). Youtopia. a Passion for the Dark: Architecture at the Intersection Between Digital Processes and Theatrical Performance. Freerange Press. pp. 8–. ISBN 978-0-9808689-1-3.
- Anne Fliotsos; Wendy Vierow (15 October 2013). International Women Stage Directors. University of Illinois Press. pp. 35–. ISBN 978-0-252-09585-6.
- "Rigoletto: Scandal and intrigue make it an enduring classic for Lindy Hume and Opera Queensland". ABC News. 11 April 2014.
- "Opera to recruit ordinary Queenslanders for regional tour". Sydney Morning Herald. 14 February 2014.
- Cunningham, Hannah. "Iphigenie en Tauride review: A dramatic feast even the gods approve of". Sydney Morning Herald. 4 December 2014.
- "Melbourne festival blitzes industry awards". The Age. 8 May 2002.
- "Full list of winners for the Helpmann Awards". Sydney Morning Herald. 20 September 2010.
- "Holders of Honorary Degrees". University of Western Australia.
- Maya Roth; Sara Freeman (2008). International Dramaturgy: Translation & Transformations in the Theatre of Timberlake Wertenbaker. Peter Lang. pp. 10–. ISBN 978-90-5201-396-1.
- Frank Van Straten (2013). Her Majesty's Pleasure: A Centenary Celebration for Adelaide's Theatre of the Stars. Wakefield Press. pp. 111–. ISBN 978-1-74305-229-7.
- "'Die Fledermaus' succeeds with style". Houston Chronicle. 30 October 2013.